France, June 1944. On the eve of D-Day, some American paratroopers fall behind enemy lines after their aircraft crashes while on a mission to destroy a radio tower in a small village near the beaches of Normandy. After reaching their target, the surviving paratroopers realise that, in addition to fighting the Nazi troops that patrol the village, they also must fight against something else.

Credits: TheMovieDb.

Film Cast:

• Private First Class Edward Boyce: Jovan Adepo
• Corporal Lewis Ford: Wyatt Russell
• Captain Wafner: Pilou Asbæk
• Chloe: Mathilde Ollivier
• Private First Class Lyle Tibbet: John Magaro
• Private Morton Chase: Iain De Caestecker
• Sergeant Rensin: Bokeem Woodbine
• Private First Class Jacob Rosenfeld: Dominic Applewhite
• Private First Class Charlie Dawson: Jacob Anderson
• Private First Class Murphy: Mark McKenna
• Paul: Gianny Taufer
• Dr. Schmidt: Erich Redman
• American Officer: Patrick Brammall
• Grunauer: Joseph Quinn
• Mrs. Lesner: Hayley Carmichael
• Scherzer: Marc Rissmann
• Chloe’s Aunt: Meg Foster
• French Mother: Sarah Finigan
• German Officer: Gunther Wurger
• Navigator: Bart Lambert
• German Soldier #1: Michael Epp
• German Soldier #2: Tom Mothersdale
• Young Man: Ross Tomlinson
• Re-Animated Woman: Alison Thea-Skot
• Nez: Ben Tavassoli
• Hays: Shubham Saraf
• Richt: Andy Wareham
• The Mistake: Nick Roeten
• GI Paratrooper (uncredited): Adam Collins
• Dead German Soldier #1 (uncredited): Shawn Dixon
• Nazi Soldier (uncredited): James Galvin
• Nazi Soldier (uncredited): David Gambier
• Aunt Simone (uncredited): Éva Magyar
• US Soldier (uncredited): Jorge Leon Martinez
• German SS Soldier (uncredited): John Whitby
• German Officer (uncredited): Gunter Würger
• Lab Technician (uncredited): Chris Wilkinson

Film Crew:

• Costume Design: Anna B. Sheppard
• Sound Mixer: Danny Hambrook
• Producer: J.J. Abrams
• Story: Billy Ray
• Unit Production Manager: Jo Burn
• Digital Intermediate Colorist: Stefan Sonnenfeld
• Screenplay: Mark L. Smith
• Supervising Art Director: Grant Armstrong
• Second Unit First Assistant Director: Mark Hopkins
• Director of Photography: Laurie Rose
• Original Music Composer: Jed Kurzel
• Production Design: Jon Henson
• Set Decoration: Robert Wischhusen-Hayes
• Music Editor: Brett Pierce
• Executive Producer: John Cohen
• First Assistant Camera: Robert Palmer
• Art Direction: James Lewis
• Fight Choreographer: Adam Horton
• Foley Recordist: Stéphane De Rocquigny
• Supervising Sound Editor: Robert Stambler
• First Assistant Editor: Dave Cory
• Director: Julius Avery
• Casting: Theo Park
• Art Direction: Joe Howard
• Music Editor: Peter Oso Snell
• Art Direction: Tarnia Nicol
• Sound Effects Editor: Chris Terhune
• Main Title Designer: Aaron Becker
• Director of Photography: Fabian Wagner
• Foley Artist: Gadou Naudin
• Property Master: Adam McCreight
• Stunt Double: Laura Swift
• Art Direction: Jordana Finkel
• Steadicam Operator: Dave Hamilton-Green
• Supervising Sound Editor: Will Files
• Still Photographer: Peter Mountain
• Second Unit Director: Shaun O’Dell
• Digital Intermediate Producer: Erik Rogers
• Aerial Director of Photography: John Marzano
• Hair Department Head: Gloria Pasqua Casny
• Makeup Designer: Naomi Donne
• Second Unit Director of Photography: Robert Binnall
• Key Makeup Artist: Norma Webb
• Script Supervisor: Roxanne Cuenca
• Makeup Department Head: Susan Stepanian
• Rigging Gaffer: Vince Madden
• Unit Publicist: Emma Davie
• Costume Supervisor: Daryl Bristow
• Additional Photography: Patrick Hoeschen
• Makeup Artist: Christine Allsopp
• Dialogue Editor: Lindsey Alvarez
• ADR Mixer: Scott Cannizzaro
• Digital Intermediate: Ian Sullivan
• Key Grip: Sean Hale Hunt
• Stunt Double: Anthony Skrimshire
• Art Department Coordinator: Katherine Pearl
• Casting Associate: Clément Morelle
• Hairstylist: Rebecca Cole
• Armorer: Charles Bodycomb
• Assistant Costume Designer: Peter Paul
• Armorer: Jon Baker
• Assistant Property Master: Rhys Ifan
• First Assistant Camera: Brad Larner
• Visual Effects Supervisor: Mark Bakowski
• Construction Manager: Dan Crandon
• Hair Supervisor: Andrea Finch
• Prosthetic Makeup Artist: Adrian Rigby
• Key Grip: Pat Garrett
• Armorer: Dino Fazzani
• Armory Coordinator: Ben Rothwell
• Stunt Coordinator: Jo McLaren
• Producer: Lindsey Weber
• Foley Supervisor: Kevin Van Der Meiren
• Sound Effects Editor: Christopher Bonis
• Armorer: Liam McCartney
• Sound Effects Editor: Ken McGill
• Storyboard Artist: Josh Sheppard
• Concept Artist: Eva Kuntz
• Graphic Designer: Danny Burke
• First Assistant Camera: Joshua Robert Cote
• Makeup Artist: Sara Kramer
• Hairstylist: Doone Forsyth
• Draughtsman: Agis Pyrlis
• Casting Associate: Melissa Gethin Clarke
• Editor: Matt Evans
• Key Grip: Joe Macaluso
• ADR Recordist: Robert Searl
• Script Supervisor: Martina Vazzoler
• First Assistant Director: Matthew Penry-Davey
• Armorer: Sam Dormer
• Electrician: Mike Farr
• Stunt Double: Pete Ford
• Sound Effects Editor: Matt Yocum
• Makeup Artist: Heather Jones
• Prosthetics Sculptor: Raquel Munuera
• Electrician: Jack Powell
• Second Assistant Camera: Alex Bender
• Drone Pilot: Henry Bridges
• Visual Effects Supervisor: Dan Seddon
• Draughtsman: Keely Lanigan-Atkins
• Concept Artist: Kurt Papstein
• Art Direction: Loic Zimmermann
• Storyboard Artist: Richard Bennett
• Set Production Assistant: Marlon Beyer Rieger
• Concept Artist: Chester Carr
• Concept Artist: Randolph Watson
• Concept Artist: Lee Oliver
• Set Decoration: Emily England
• Makeup Artist: Lolly Goodship
• Storyboard Artist: Tracey Wilson
• Production Coordinator: Catriona Scott
• First Assistant Camera: David Churchyard
• Second Assistant Camera: Toby McKay
• Production Assistant: Simon Lam
• Second Assistant Camera: Dean Morris
• Additional Photography: Mike Reyes
• Stunt Double: Jack Jagodka
• Executive Producer: Cory Bennett Lewis
• Casting Assistant: Oriane Martin
• Executive Producer: Jon Cohen
• Stunt Double: Xavier Lake
• Stunt Double: Ben Essex
• Stunt Double: Elizabeth Donker Curtius
• Second Assistant “B” Camera: Max Carrington
• Textile Artist: Kaniez Braganza
• Stunts: Robert Hladik
• Stunts: James Pavey
• Drone Pilot: Matt McCarthy
• Electrician: Lee Lovett
• Gaffer: Gary Varney
• Second Assistant “A” Camera: Jack Bentley
• Underwater Gaffer: Oli Couch
• Video Assist Operator: George Zador
• Floor Runner: Charles Sakyi
• Production Assistant: Jamie Middleton
• Production Assistant: Ellie Rawlings
• Production Assistant: Oliver Smith
• Production Assistant: George Sullivan
• Production Assistant: Luke Tolen
• Production Secretary: Hannah Shipley
• Script Coordinator: Hannah Boschi
• Set Production Assistant: Lauren Smith
• Set Production Assistant: Phoebe Young
• Casting Assistant: Julie Gandossi
• Assistant Costume Designer: Nina Jagersbacher
• Textile Artist: Beth Herd
• First Assistant Editor: Nathan Orloff
• Second Assistant Director: Charlie Reed
• Production Supervisor: Samantha Arnold
• Concept Artist: Jake Lunt Davies
• Concept Artist: David Masson
• ADR Editor: Nick Pavey
• Third Assistant Director: Jamie Graham
• Production Manager: Ari Martinez
• Draughtsman: Dominique Law
• Concept Artist: Elias Ravanetti
• Concept Artist: Farid Sandoval
• Set Designer: Mathias Zamecki
• Production Coordinator: Catriona Proctor
• Floor Runner: Paul Drew

Movie Reviews:

• Gimly: Really, **really** happy with how this one wound up. _Overlord_ is probably this year’s movie I most want to rewatch, was definitely one worth seeing on the big screen. I hope it inspires likeminded cinema in the near-future.
• _Final rating:★★★½ – I really liked it. Would strongly recommend you give it your time._
• Shane: Minor spoilers ahead. Finally caught up with this on Netflix as I had wanted to see it at the cinema. It was a fun horror/monster movie romp but it didn’t bring anything new to the genre. The set up of Chloe’s Aunt was a waste of time and it seemed that her story ended up on the cutting room floor, she was forgotten about until the Nazis killed her and you don’t even get to see that. Fun but ultimately forgettable film with decent special effects and an ok cast.
• The Movie Mob: **Overlord won’t let you catch your breath with its frenzied pacing and all-out action resulting in a wild supernatural action thriller.**
• Overlord is an insanity-fueled wild ride from the very first second. The extreme intensity of this movie begins with paratroopers diving out of exploding planes and then frantically trying to untangle their parachutes as they plummet behind enemy lines, only to see squad mates captured and executed within moments of touching down. All that takes place in the first 3 minutes of the film, and it’s just a taste of what’s to come. Overlord’s relentless pace never stops in what begins as an exciting and brutal war epic, only to take a sharp turn into terrifying zombie horror. The heroes battle Nazi sorcery, witchcraft, creatures, and soldiers, stopping at nothing to try to save the advancing allied troops from these twisted enemy terrors. Overlord is pure adrenaline with excellent production, effects, and action.