Jack Conrad is awaiting the death penalty in a corrupt Central American prison. He is “purchased” by a wealthy television producer and taken to a desolate island where he must fight to the death against nine other condemned killers from all corners of the world, with freedom going to the sole survivor.

Credits: TheMovieDb.

Film Cast:

• Conrad: Steve Austin
• McStarley: Vinnie Jones
• Breckel: Robert Mammone
• Julie: Tory Mussett
• Sarah Cavanaugh: Madeleine West
• ‘Goldy’ Goldman: Rick Hoffman
• Special Agent Wilkins: Sullivan Stapleton
• Paco: Manu Bennett
• Eddie C: Christopher James Baker
• Bella: Sam Healy
• Baxter: Luke Pegler
• Saiga: Masa Yamaguchi
• Yasantwa: Emelia Burns
• Kreston Mackie: Marcus Johnson
• Petr: Nathan Jones
• Rosa: Dasi Ruz
• The German: Andy McPhee
• The Italian: Rai Fazio
• Donna Sereno: Angie Milliken
• Moyer: Grant Piro
• Lyle: Andrew Buchanan
• Wade Meranto: Neil Pigot
• Wilkin’s Assistant: Jacy Lewis
• Belarus Convict #3: John Walton
• Baxter Guard #2: Steve Morris

Film Crew:

• Music: Graeme Revell
• Foley Supervisor: Bob Beher
• Executive Producer: Peter Block
• Executive Producer: Jason Constantine
• Editor: Derek Brechin
• Producer: Joel Simon
• Director of Photography: Ross Emery
• Executive Producer: Vince McMahon
• Executive Producer: John Sacchi
• Executive Producer: Jed Blaugrund
• Art Direction: Richard Hobbs
• Production Design: Graham ‘Grace’ Walker
• Second Unit Director: Mark Wareham
• Screenplay: Rob Hedden
• Digital Intermediate Assistant: Doug Delaney
• Stunt Coordinator: Glenn Ruehland
• Director: Scott Wiper
• Executive Producer: Michael Lake
• Foley Artist: Joan Rowe
• Foley Artist: Sean Rowe
• ADR Recordist: Rick Canelli
• ADR Editor: Mark L. Mangino
• Sound Effects Editor: Steve Bissinger
• Makeup Supervisor: Margaret Stevenson
• Post Production Supervisor: Nancy Hirami
• Stunt Coordinator: Greg Stuart
• Visual Effects Camera: Matt Sloan
• Foley Mixer: Ryan Maguire
• Casting: Tom McSweeney
• Costume Consultant: Phil Eagles
• Costume Assistant: Shane Phillips
• Casting Associate: Samantha Strauss
• Extras Casting: Fiona McMaster
• Costume Standby: Roberta Shaw
• Epk Camera Operator: Damien Beebe
• Sound Re-Recording Mixer: Gregory H. Watkins
• Dialogue Editor: Avram D. Gold
• Sound Re-Recording Mixer: Tim LeBlanc
• Sound Effects Editor: Jeremy Peirson
• Construction Coordinator: Bill Booth
• Makeup & Hair: Kym Sainsbury
• Set Designer: Paula Whiteway
• Steadicam Operator: Greg Gilbert
• Supervising Sound Editor: Christopher S. Aud
• ADR Mixer: Michael Thompson
• Sound Effects Editor: David Werntz
• Still Photographer: Vince Valitutti
• Dialogue Editor: Benjamin Beardwood
• Sound Effects Editor: Rickley W. Dumm
• Music Editor: Ashley Revell
• Assistant Art Director: Jim Millett
• Additional Camera: Calum McFarlane
• Script Supervisor: Antoinette O’Neill
• Makeup & Hair: Anita Morgan
• Foley Editor: Bruce Tanis
• ADR Supervisor: Lisa J. Levine
• Visual Effects Supervisor: Dave Morley
• Visual Effects Producer: Kent Boswell
• Makeup & Hair: Anita Lowe
• Production Manager: Jennifer Cornwell
• Property Master: Bob Booker
• Art Department Coordinator: Suzie Freeman
• Art Department Coordinator: Natalie Taylor
• Greensman: Matt Jordin
• Scenic Artist: Nick Walker
• Sound Recordist: Paul ‘Salty’ Brincat
• Visual Effects Producer: Julian Parry
• VFX Supervisor: Gary Keir
• Camera Operator: Butch Sawko
• Camera Operator: Ian ‘Thistle’ Thorburn
• Additional Camera: Henry Pierce
• Gaffer: Matt Slattery
• Best Boy Electric: Stephen Head
• Machinist: Susan Booth
• Machinist: Janine Bray
• First Assistant Editor: Stephen Shapiro
• Transportation Coordinator: Jamie Whitfield
• Picture Car Coordinator: Darren Loveday
• Location Manager: Scott Stewart
• Script Supervisor: Chris O’Connell
• Location Manager: Jamie McLennan
• Publicist: Fiona Searson
• Production Accountant: Toni Pearson
• Chief Lighting Technician: Mick O’Brien
• Dolby Consultant: Bryan Pennington
• ADR Editor: Joe Dorn
• Prosthetic Supervisor: Jason Baird
• Digital Compositor: Jason Billington
• Associate Producer: Richard Lowell
• Costume Standby: Amanda Enders
• Second Unit First Assistant Director: Darwin Brooks
• Prop Maker: Kristin Reuter
• First Assistant Director: Jamie Crooks
• Storyboard Artist: Graeme Callander
• Music Programmer: Boris Elkis
• Armorer: Jeff Gribble
• Boom Operator: Rod Conder
• Music Supervisor: Neil A. Lawi
• Makeup & Hair: Gail Kane
• Armorer: Allan Mowbray
• Key Grip: Toby Copping
• Best Boy Grip: Andy Smith
• Production Secretary: Jasmin Lyford
• Construction Foreman: Noel McCartney
• Standby Painter: Tom Brkich
• Key Grip: Benn Hyde
• Lighting Technician: Jesse Moyes
• Digital Compositor: Craig Rowe
• Head Greensman: Ron Wallekers
• Electrician: Phil Mulligan
• Costume Standby: Helen Maggs
• Electrician: Mark Bills
• Second Assistant Director: Angella McPherson
• Production Coordinator: Kerry Mulgrew
• Special Effects Technician: Julian Summers
• Dialogue Coach: Bruce Shapiro
• Color Timer: Bob Fredrickson
• Electrician: Russell Lyons
• ADR Mixer: Thomas J. O’Connell
• Focus Puller: Daniel Clark
• Digital Intermediate: Annalise Kurinsky
• Additional Editor: Mandy Jacobs
• Assistant Sound Editor: Stephanie Brown
• Second Assistant “B” Camera: Paul Seipel
• Construction Manager: Andrew Gardiner
• Electrician: Boo Slattery
• Set Painter: Katrina Bull
• Systems Administrators & Support: Luke Cole
• Digital Compositor: Matt Greig
• Visual Effects Coordinator: Sophie Carroll
• Prop Maker: Tony Voevodin
• Payroll Accountant: Rachel Duxbury
• Production Secretary: Kelly Weiler
• Special Effects Technician: Patrick Carmiggelt
• Digital Compositor: Koji Yamaguchi
• Focus Puller: Margie McClymont
• Casting Assistant: Abdul-Majeed Moulvi
• Co-Producer: Mara Jacobs
• Assistant Editor: Geoff Lamb
• Assistant Property Master: Emile Oliver
• Modeling: Grant Warwick
• Executive Producer: Michael Gruber
• Co-Producer: John Bonneau
• Executive Producer: George Vrabeck
• Co-Producer: Matt Walden
• First Assistant “B” Camera: Jason Binnie
• Costume Supervisor: Joanne Wilson
• Prop Maker: Barry Thompson
• First Assistant “A” Camera: Adrien Seffrin
• Executive Producer: Graham Ludlow
• Digital Compositor: Tate Arbon
• Digital Compositor: Chris Davies
• Makeup & Hair: Maree Stuartt
• Prosthetics: Karen Grose
• Additional Hairstylist: Jacqui Deacon
• Carpenter: Ray Chapman
• Carpenter: Stephen Longson
• Carpenter: Trevor Spann
• Construction Foreman: Chris Turner
• Clapper Loader: Riki Byrne
• Clapper Loader: Aaron Smith
• Dolly Grip: Matthew Copping
• Electrician: Peter Critchley
• Electrician: Craig Perkins
• Electrician: Nick Sowter
• Grip: Michael Carl Smith
• Lighting Technician: Julian Filer
• Lighting Technician: Scott Hamilton
• Lighting Technician: Richard Riwaka
• Lighting Technician: Andrew Shir
• Second Assistant “A” Camera: Brendan Shambrook
• Digital Compositor: Dexter Davey
• Digital Compositor: Matthew Hermans
• Digital Compositor: Liam Neville
• Digital Compositor: Murray Smallwood
• Digital Compositor: Matthew Wynne
• Digital Effects Supervisor: Gary Sullivan
• Digital Intermediate Colorist: Lou Levinson
• Digital Intermediate: David Donaldson
• Main Title Designer: Mark Rakocy
• Matte Painter: Nicole Papax
• Modeling: Marc Tingle
• Systems Administrators & Support: Danielle Hession
• Telecine Colorist: Simon Clark
• Title Designer: Ricardo Navarro
• Special Effects Technician: Peter Exton
• VFX Artist: Tim Sotiri
• Prosthetic Makeup Artist: Brett Beacham
• Editorial Production Assistant: Kyle M. Brechin
• Music Supervisor: Jim Johnston
• Post Production Accountant: Debbie Gilbert
• Production Assistant: Jason Rowling
• Production Coordinator: Cindy Gollagher
• Production Runner: Julian Bungate
• Best Boy Grip: Paul Murphy
• Video Assist Operator: Michael Mier

Movie Reviews:

• tmdb28039023: Co-writer/director Scott Wiper overestimated how many people would pay to watch a webcast of ten convicts forced to fight each other to the death on a desert island, same as WWE overestimated how many people would pay to watch a movie about such a webcast.
• At least the webcast, even with its supposed 30-hour runtime, presumably doesn’t cut away from the action, such as it is, to secondary subplots and tertiary characters not on the island — it’s as if Jurassic Park said, “let’s go see what’s happening some place else where there are no dinosaurs.”
• “Jack Conrad [Steve Austin] is awaiting the death penalty in a corrupt Central American [Salvadoran, to be exact] prison” (IMDb). So corrupt is this prison that Jack would be the first person executed in El Salvador since the early 70s. I don’t know about cruel, but that would certainly be unusual punishment.
• Jack is spared this fate by Ian Breckel (Robert Mammone), a “billionaire” TV producer, and taken to a desolate island where he must fight to the death against nine other convicted murderers of multiple nationalities. Each has an ankle bracelet/time bomb, complete with the trusty old Red Digital Readout counting down the 30 hours mentioned above.
• These bombs are the only thing that comes close to ‘thinking outside the box’, especially since they can be activated by removing a pin; however, the onscreen execution, as it were, leaves a lot to be desired, and even if it were done right, it would still grow old fast, considering that it’s the most common method of killing (accounting for 30% of deaths among participants).
• Worst of all, Wiper unforgivably squanders the opportunity to have one of the characters amputate his own foot and use it as a makeshift grenade grenade (Nathan Jones is also in this movie, because one bald former pro wrestler apparently wasn’t enough).