Logan’s Run

In the 23rd century, inhabitants of a domed city freely experience all of life’s pleasures — but no one is allowed to live past 30. Citizens can try for a chance at being “renewed” in a civic ceremony on their 30th birthday. Escape is the only other option.

Credits: TheMovieDb.

Film Cast:

  • Logan: Michael York
  • Francis: Richard Jordan
  • Jessica: Jenny Agutter
  • Box: Roscoe Lee Browne
  • Holly: Farrah Fawcett
  • Doc: Michael Anderson Jr.
  • Old Man: Peter Ustinov
  • 2nd Sanctuary Man: Randolph Roberts
  • The Woman Runner: Lara Lindsay
  • Billy: Gary Morgan
  • Mary 2: Michelle Stacy
  • Woman Customer: Laura Hippe
  • Sandman: David Westberg
  • Sanctuary Woman: Camilla Carr
  • Cub: Greg Lewis
  • Timid Girl: Ashley Cox
  • Sandman: Bill Couch
  • Runner: Glenn R. Wilder
  • Last Day Character (uncredited): Joe L. Blevins
  • Sandman Daniel (uncredited): Roger Borden
  • Sand Man (uncredited): Greg Bransom
  • City Dweller (uncredited): Paula Crist
  • The City Computer (uncredited): Virginia Ann Ford
  • Cub (uncredited): Chuck Gaylord
  • Cub (uncredited): Mitch Gaylord
  • (uncredited): Johnny Haymer
  • Confused City Dweller (uncredited): Jessie Kirby
  • 3rd Sanctuary Man / Ambush Man (uncredited): Greg Michaels
  • 1st Sanctuary Man (uncredited): Bob Neill
  • Love Shop Woman with Toy (uncredited): Renie Radich
  • 1st Screamer in Logan’s Apartment (uncredited): Candice Rialson
  • Screamer Party Woman (uncredited): Cheryl Smith
  • Runner Great Hall (uncredited): Ron D. Thornton

Film Crew:

  • Director: Michael Anderson
  • Novel: William F. Nolan
  • Novel: George Clayton Johnson
  • Screenplay: David Zelag Goodman
  • Producer: Saul David
  • Original Music Composer: Jerry Goldsmith
  • Director of Photography: Ernest Laszlo
  • Editor: Bob Wyman
  • Production Design: Dale Hennesy
  • Costume Design: Bill Thomas
  • Associate Producer: Hugh Benson
  • Makeup Artist: William Tuttle
  • Hairstylist: Judith A. Cory
  • Unit Production Manager: Byron Roberts
  • Stunt Coordinator: Glenn R. Wilder
  • Casting: Jack Baur
  • Set Decoration: Robert De Vestel
  • Property Master: Jack M. Marino
  • Sound Editor: John Riordan
  • Visual Effects Designer: L.B. Abbott
  • Music Supervisor: Harry V. Lojewski
  • Music Editor: William Saracino
  • Dialect Coach: Leon Charles
  • Script Supervisor: Ray Quiroz
  • Choreographer: Stefan Wenta
  • Second Assistant Director: Alan Brimfeld
  • Second Assistant Director: Win Phelps
  • Assistant Director: David Silver
  • Stunt Coordinator: Bill Couch
  • Key Grip: Martin Kashuk
  • Electrician: Don Stott
  • Associate Editor: Freeman A. Davies
  • Assistant Editor: Chuck Ellison
  • Unit Publicist: Don Morgan
  • Stunts: Dick Ziker
  • Stunts: Jeannie Epper
  • Stunts: Loren Janes
  • Stunts: Beth Nufer
  • Stunts: Alex Plasschaert
  • Stunts: Regina Parton
  • Stunts: Lori Thomas
  • Stunts: Mike Washlake
  • Stunts: Russell Saunders
  • Stunts: Barbara Graham
  • Stunts: Tommy J. Huff
  • Stunts: Sunny Woods
  • Stunts: Paula Dell
  • Stunts: Chuck Gaylord
  • Stunts: Mitch Gaylord
  • Stunts: Rosemary Johnston
  • Stunts: Whitey Hughes
  • Stunts: ‘Wild’ Bill Mock
  • Stunts: Gary Morgan
  • Stunts: Dar Robinson
  • Stunts: Walter Robles
  • Stunts: Angelo De Meo
  • Stunts: Paula Crist
  • Stunts: Dottie Catching
  • Stunts: Bill Couch Jr.
  • Stunts: Gregory J. Barnett
  • Stunts: Craig R. Baxley
  • Stunts: Phil Adams
  • Stunts: Denny Arnold
  • Stunts: May Boss
  • Special Effects: Glen Robinson

Movie Reviews:

  • Richard: It’s a ‘Future Vision’ type of movie, plus a bit of an adventure into the unknown. At least for the two “Runners’ who have escaped out of their bubble world. It is fraught with twists and turns in a post Peak-Oil world, where society has finally found a solution to the resources of the planet. The ‘chosen’ few, however have one little catch, their lives have a unique way of ending, until these two discover a new way, and a Lie that was being told to all of the citizens. (Warning for younger viewers,there are scenes where (At the time,) it was considered risque to show people jumping into a freshwater pond and going skinny dipping).

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