A tight-knit team of FBI investigators, along with their District Attorney supervisor, is suddenly torn apart when they discover that one of their own teenage daughters has been brutally murdered.

Credits: TheMovieDb.

Film Cast:

• Ray: Chiwetel Ejiofor
• Claire: Nicole Kidman
• Jess: Julia Roberts
• Bumpy: Dean Norris
• Martin Morales: Alfred Molina
• Siefert: Michael Kelly
• Marzin / Beckwith: Joe Cole
• Carolyn: Zoe Graham
• Luis: Patrick Davis Alarcón
• Angie – Receptionist: Eileen Fogarty
• Kit: Lyndon Smith
• Nan: Kim Yarbrough
• Duty Sergeant Jacobs: Mark Famiglietti
• Aban Ghazala: Amir Malaklou
• Hammer / Chop Shop Thug: Niko Nicotera
• Angry Dodger Fan: David Israel
• Chop Shop Thug: Dennis Keiffer
• Fierro: Don Harvey
• Stadium Cop: Glenn Davis
• Photographer: Walter Tabayoyong
• Arriving Cop: Michael Tennant
• Duct Tape Salesman: John Pirruccello
• Garbed-Out Fan: Noel Gugliemi
• Peanut Vendor: Pak Ho-Sung
• Popcorn Guy: Laurence Todd Rosenthal
• Protective Detail #1: Carrick O’Quinn
• Protective Detail #2: C.C. Taylor
• Ellis: Ross Partridge
• Dave: Carlos Zapata
• Panicked Man: Erik Solky
• Voice of the Dodgers (voice): Vin Scully

Film Crew:

• Boom Operator: Robert Jackson
• Executive Producer: Deborah Zipser
• Casting: Sherry Thomas
• Producer: Matt Jackson
• Executive Producer: Stuart Ford
• Unit Production Manager: Jeremiah Samuels
• Co-Producer: John Ufland
• Co-Producer: Cari-Esta Albert
• Executive Producer: Robert Simonds
• Screenplay: Juan José Campanella
• Executive Producer: Lee Jae Woo
• Co-Producer: Juan Antonio García Peredo
• Screenplay: Eduardo Sacheri
• Co-Executive Producer: Steven Squillante
• Executive Producer: Russell Levine
• Director: Billy Ray
• Executive Producer: Matt Berenson
• Director of Photography: Daniel Moder
• Producer: Mark Johnson
• Editor: Jim Page
• Set Decoration: Andrea Joel
• Casting: Sharon Bialy
• Original Music Composer: Emilio Kauderer
• Art Direction: Colin De Rouin
• Production Design: Nelson Coates
• Costume Design: Shay Cunliffe
• Stunts: Gui DaSilva-Greene
• Key Hair Stylist: Terry Baliel
• Assistant Property Master: Michael A. Casey
• Second Assistant Director: Aaron C. Fitzgerald
• Key Makeup Artist: Lesa Nielsen
• Second Second Assistant Director: Adam Cuthbert
• Associate Producer: Samuel Yeunju Ha
• Set Designer: Michael C. Biddle
• First Assistant Director: Tom Davies
• Graphic Designer: Martin Charles
• Construction Coordinator: Robert J. Carlyle
• Hair Department Head: Teressa Hill
• Propmaker: Neil Gahm
• Graphic Designer: Ellen King
• Leadman: Brent Rice
• Propmaker: Creighton Larson
• Property Master: Hope M. Parrish
• Scenic Artist: Gabrielle McKenna-Elliott
• Assistant Art Director: Michael Allen Glover
• Set Designer: Paul Sonski
• Construction Foreman: Timothy Vierra
• Art Department Coordinator: Kathleen Walker
• ADR Editor: Chris Jargo
• Sound Effects Editor: D. Chris Smith
• Utility Stunts: Tim Garris
• First Assistant Camera: Andy DePung
• Supervising Sound Editor: Karen Baker Landers
• Gaffer: Michael Bauman
• Foley Editor: Tony Negrete
• Stunt Coordinator: Dennis Fitzgerald
• Camera Operator: Chris Cuevas
• ADR Mixer: Michael Miller
• Special Effects Supervisor: Michael Lantieri
• Visual Effects Supervisor: John Heller
• Dialogue Editor: Frederick H. Stahly
• Still Photographer: Karen Ballard
• Best Boy Electric: Mike Bonnaud
• Steadicam Operator: Benjamin Spek
• Lighting Technician: Mark Carlile
• Foley Artist: Shelley Roden
• Visual Effects Producer: Sarah McMurdo
• Dolly Grip: Diego Mariscal
• Foley Artist: Alyson Dee Moore
• First Assistant “A” Camera: Chloe Weaver
• ADR Mixer: Chris Navarro
• Stunt Double: Mark Miscione
• Lighting Technician: Thomas M. Dangcil
• Key Grip: John Janusek
• Sound Designer: Ann Scibelli
• Foley Mixer: Mary Jo Lang
• Supervising ADR Editor: Anna MacKenzie
• Dolly Grip: Matt Horochowski
• Casting Associate: Gohar Gazazyan
• Sound Designer: Peter Staubli
• Sound Re-Recording Mixer: Elliot Tyson
• Stunt Double: Alisa Hensley
• Rigging Grip: John Beran
• Electrician: Jason Hindman
• Sound Re-Recording Mixer: Ron Bartlett
• ADR Recordist: Nick Jimenez
• ADR Mixer: Jonathan Jost
• Production Accountant: George ‘Skip’ Henfling
• Music Supervisor: David Schulhof
• Production Coordinator: Jules Carideo
• Set Medic: Tim W. Walker
• Costume Supervisor: Katie Saunders
• Location Manager: Ralph Coleman
• Continuity: Wilma Garscadden-Gahret
• First Assistant Editor: Matt Willard
• Set Medic: Jeffrey D. Stevens
• Pilot: Craig Hosking
• Dialect Coach: Elizabeth Himelstein
• Music Editor: Thomas S. Drescher
• Key Costumer: Valerie Laven-Cooper
• Unit Publicist: Spooky Stevens

Movie Reviews:

• Reno: **How long one’s eyes can keep secret!**
• My confession is I haven’t seen the original film. I had several opportunities, but for various reasons I stayed unwatched till now. Firstly, I won’t consider it a remake since both the films were adapted from a novel. Yet no one can stop the people comparing between the two, just to find out which one is true to the book. In my perspective, I think the original source was written keeping the Argentinian society, because that dark tone narration suits them. I have seen many Argentinian films, but for the American kind of storytelling, it does not appeal. Even though it was not a bad film, I somewhat enjoyed, maybe because I haven’t seen the other version.
• The actors were great, but it was Chiwetel Ejiofor’s film, He dominated the screenspace, and Nicole Kidman and Julia Roberts were slightly disappointed with their small roles. But overall, they all made it a decent film, particularly the direction impressed me for handling neatly knowing it is already once made a film. The story was suspenseful, yet it feels familiar and lets you predict the each scene before its commencement. Yes, I thought it was holding something big for the end part, and then it gives out all clues leading that way. So I kind of assumed what the end twist might be and that happened, but a bit differently.
• This kind of screenplay totally works for a Korean style filmmaking, but Hollywood is expert in a different field. Wherever it comes the film, a film is a film, so I won’t blame it on a regional ground for lacking of something. But it should have been a bit better, maybe more thrilling and making the characters more stronger with emotionally appealing could have worked, particularly for a certain group of audience. If you’re watching this story for the first time, then you might enjoy it, but for the other reasons you might not. Whatever, not a bad film for watching it once.
• 6/10