When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure.
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Credits: TheMovieDb.

Film Cast:

• Tony Stark / Iron Man: Robert Downey Jr.
• Thor Odinson: Chris Hemsworth
• Bruce Banner / The Hulk: Mark Ruffalo
• Steve Rogers / Captain America: Chris Evans
• Natasha Romanoff / Black Widow: Scarlett Johansson
• Clint Barton / Hawkeye: Jeremy Renner
• Ultron (voice): James Spader
• Nick Fury: Samuel L. Jackson
• James “Rhodey” Rhodes / War Machine: Don Cheadle
• Pietro Maximoff / Quicksilver: Aaron Taylor-Johnson
• Wanda Maximoff / Scarlet Witch: Elizabeth Olsen
• J.A.R.V.I.S. (voice) / Vision: Paul Bettany
• Maria Hill: Cobie Smulders
• Sam Wilson / Falcon: Anthony Mackie
• Peggy Carter: Hayley Atwell
• Heimdall: Idris Elba
• Laura Barton: Linda Cardellini
• Erik Selvig: Stellan Skarsgård
• Dr. Helen Cho: Claudia Kim
• Baron Wolfgang von Strucker: Thomas Kretschmann
• Ulysses Klaue / Klaw: Andy Serkis
• Madame B: Julie Delpy
• Stan Lee: Stan Lee
• Dr. List: Henry Goodman
• Fortress Soldier: Chris Luca
• Strucker Mercenary: Brian Schaeffer
• Zrinka: Dominique Provost-Chalkley
• Costel: Isaac Andrews
• Sokovian Acid Student: Gareth Kieran Jones
• Dr. Cho’s Assistant: Chan Woo Lim
• Dr. Cho’s Assistant: Minhee Yeo
• Klaue’s Mercenary: Bentley Kalu
• Ballet Instructor: Julian Bleach
• Johannesburg Cop: Christopher Beasley
• Johannesburg Cop: Vuyo Dabula
• Johannesburg Driver: Nondumiso Tembe
• Johannesburg Onlooker: Kabelo Thai
• Johannesburg Onlooker: Lele Ledwaba
• Johannesburg Onlooker: Mandla Gaduka
• Johannesburg Onlooker: Harriet Manamela
• Johannesburg Onlooker: Beulah Hashe
• Johannesburg Onlooker: Musca Kumalo
• Johannesburg Onlooker: Mathapelo September
• Johannesburg Elevator Passenger: Antony Acheampong
• Johannesburg Elevator Passenger: Chioma Anyanwu
• Cooper Barton: Ben Sakamoto
• Lila Barton: Imogen Poynton
• Lila Barton: Isabella Poynton
• World Hub Tech: Ingvild Deila
• Korean Train Passenger: Sunny Yeo
• Korean Train Passenger: Namju Go
• Korean Train Passenger: Mina Kweon
• Korean Train Passenger: Earl T. Kim
• Korean Train Passenger: Arthur Lee
• Sokovian Family: Verity Hewlett
• Sokovian Family: Michael Matovski
• Sokovian Family: Alma Noce
• Sokovian Family: Riccardo Richetta
• Sokovian Woman: Constanza Ruff
• Tub Family Child: Monty Mclaren-Clark
• Sokovian Driver: Julia Krynke
• Sokovian SUV Driver: Tony Christian
• Sokovian SUV Passenger: Ian Kay
• Sokovian Police Captain: Barry Aird
• Specialist Cameron Klein: Aaron Himelstein
• F.R.I.D.A.Y. (voice): Kerry Condon
• Nathaniel Pietro Barton: Jaiden Stafford
• Thanos (uncredited): Josh Brolin
• Youth (uncredited): Robert J. Fraser
• Asgardian God (uncredited): Daniel Westwood
• Hulk (voice, uncredited): Lou Ferrigno
• Sokovian Boy (uncredited): Zakk Pierce

Film Crew:

• Original Music Composer: Danny Elfman
• Thanks: Hayao Miyazaki
• Sound Re-Recording Mixer: Christopher Boyes
• Casting: Sarah Halley Finn
• Hair Designer: Christine Beveridge
• Original Music Composer: Brian Tyler
• Characters: Stan Lee
• Producer: Kevin Feige
• Foley Editor: Dee Selby
• Set Decoration: Richard Roberts
• Executive Producer: Patricia Whitcher
• Hair Designer: Jeremy Woodhead
• Writer: Joss Whedon
• Costume Design: Alexandra Byrne
• Visual Effects Producer: Nina Fallon
• Editor: Jeffrey Ford
• Director of Photography: Ben Davis
• Characters: Jack Kirby
• Executive Producer: Jon Favreau
• Production Design: Charles Wood
• Executive Producer: Louis D’Esposito
• Executive Producer: Alan Fine
• Executive Producer: Victoria Alonso
• Executive Producer: Jeremy Latcham
• Line Producer: Lee Ji-seung
• Makeup Artist: Allan A. Apone
• Visual Effects Producer: Ron Ames
• Visual Effects Producer: Hal Couzens
• Lead Animator: Michael Lum
• Hairstylist: Giorgio Gregorini
• Assistant Camera: Teo Lee
• Art Direction: Mike Stallion
• Production Supervisor: Tariq Anam Khan
• Casting: Reg Poerscout-Edgerton
• Editor: Lisa Lassek
• Line Producer: Nicholas Simon
• Standby Art Director: Oli van der Vijver
• Casting Associate: Tamara Hunter
• Supervising Art Director: Ray Chan
• Co-Producer: Mitchell Bell
• Steadicam Operator: B. J. McDonnell
• Storyboard Artist: Bryan Andrews
• Sound Designer: David Acord
• Visual Effects Production Manager: Kim Jin-hee
• Compositing Supervisor: Jonathan Cheetham
• Assistant Art Director: Matt Wynne
• Costume Assistant: Heidi McQueen-Prentice
• Costume Supervisor: Dan Grace
• Art Direction: Thomas Brown
• Art Direction: Jordan Crockett
• Art Direction: Mark Swain
• Sound Re-Recording Mixer: Lora Hirschberg
• Makeup Artist: John Blake
• Art Direction: Phil Sims
• Property Master: Barry Gibbs
• Sculptor: Francis Poirier
• Swing: Terry Royce
• Visual Effects Producer: Kerstin Kensy
• Assistant Art Director: Gary Jopling
• Script Supervisor: Paula Casarin
• Boom Operator: Kate Morath
• Digital Compositor: Paul Norris
• Set Decoration: Sheona Mitchley
• Visual Effects Supervisor: Florian Gellinger
• Compositing Supervisor: Jonathan Weber
• Supervising Sound Editor: Frank E. Eulner
• Dialogue Editor: Matthew Hartman
• Visual Effects Producer: Lily Shapiro
• Associate Producer: Daniel S. Kaminsky
• Visual Effects Producer: Sarah Swick
• Assistant Costume Designer: Richard Sale
• Props: Sophie Tarver
• Associate Editor: Matthew Schmidt
• Hairstylist: Gabriele Gregorini
• Makeup Artist: Federico Carretti
• Visual Effects Coordinator: Ilona Blyth
• Visual Effects Producer: Natasha Anne Francis
• Dialogue Editor: Marshall Winn
• Painter: Robert J. Dugdale
• Script Supervisor: Lizzie Pritchard
• Visual Effects Supervisor: Alessandro Cioffi
• Visual Effects Supervisor: Olcun Tan
• Still Photographer: Jay Maidment
• Visual Effects Supervisor: Paul Butterworth
• Visual Effects Supervisor: Nigel Denton-Howes
• Visual Effects Supervisor: Simon Carr
• Assistant Art Director: Jim Barr
• Assistant Art Director: Oliver Goodier
• Art Direction: Matthew Robinson
• Sound Effects Editor: David Chrastka
• Visual Effects Producer: Allison Paul
• Visual Effects Producer: Jennifer Silver
• Set Costumer: Dan Blacklock
• Second Unit Director of Photography: John Gamble
• Steadicam Operator: Julian Morson
• Camera Operator: Sam Renton
• Visual Effects Supervisor: Trent Claus
• Visual Effects Supervisor: Rocco Passionino
• Camera Operator: Clive Jackson
• Visual Effects Supervisor: Tim LeDoux
• Visual Effects Producer: Jason Sanford
• Visual Effects Producer: Allan Magled
• Stunts: Neil Fingleton
• Visual Effects Editor: George McCarthy
• Compositing Supervisor: Edson Williams
• Visual Effects Editor: Michael Harden
• Compositing Supervisor: Stephen Lawes
• Greensman: Ian Whiteford
• Visual Effects Supervisor: Chad Wiebe
• Visual Effects Editor: Joel Thompson
• Aerial Director of Photography: Jeremy Braben
• Visual Effects Production Manager: Pauline Burns
• Choreographer: Francesca Jaynes
• Wigmaker: Alex Rouse
• Visual Effects Editor: Abhishek Chauhan
• Visual Effects Editor: Arvind Chaurasiya
• Visual Effects Editor: Omkar Iyer
• Visual Effects Supervisor: Robert Duncan
• Visual Effects Editor: Cameron Sharp
• Costumer: Askia Won-Ling Jacob
• Visual Effects Coordinator: Jennifer Mizener
• Underwater Camera: Mike Valentine
• Visual Effects Producer: Steve Griffith
• Best Boy Electric: Leonardo Beltrame
• Visual Effects Supervisor: Christopher Townsend
• First Assistant Editor: Emma McCleave
• Visual Effects Producer: Andy Taylor
• Key Costumer: Nicholas Roche-Gordon
• Assistant Art Director: Patrick O’Connor
• Visual Effects Producer: Jason Bath
• Rigging Gaffer: Warren Evans
• Key Costumer: Maurizio Torti
• Makeup & Hair: Paula Price
• Prosthetic Supervisor: Nik Williams
• Compositors: Chris O’Connell
• Visual Effects Supervisor: Markus Degen
• Gaffer: David Smith
• Animation Supervisor: Marc Chu
• Animation Supervisor: Erik De Boer
• First Assistant Editor: Tommy Aagaard
• Animation Supervisor: Nadav Ehrlich
• Key Makeup Artist: Raine Edwards
• Visual Effects Producer: Ryan Stafford
• Stereoscopic Supervisor: Evan Jacobs
• Visual Effects Editor: Sam Lane
• Costume Assistant: Emma Harding
• Camera Operator: Mannie Ferreira
• Visual Effects Editor: Steve McLeod
• Hairstylist: Zoe Tahir
• Sound Re-Recording Mixer: Gary Summers
• Second Unit Director: John Mahaffie
• Camera Operator: Mark Moriarty
• Camera Operator: Stefan Stankowski
• Script Supervisor: Navarutt Roongaroon
• Visual Effects Producer: Chris Anderson
• Visual Effects Producer: Dusan Strugar
• Script Supervisor: Cathy Doubleday
• Dialect Coach: Sarah Shepherd
• Script Supervisor: Lori Grabowski
• Animation Supervisor: Stephen Enticott
• Art Department Coordinator: Kim Breece
• Visual Effects Coordinator: Lexie Busby
• Modelling Supervisor: Tristan Connors
• Lead Animator: Mathieu Dimuro
• Compositors: Brian N. Bentley
• Stereoscopic Editor: Dhirendra Chhatpar
• Animation: Anthony Rizzo
• Makeup & Hair: Flora Moody
• Visual Effects: Leonard F.W. Green
• Visual Effects Supervisor: Ken McGaugh
• ADR Supervisor: Katy Wood
• Senior Animator: Christian Liliedahl
• Prosthetic Makeup Artist: Robb Crafer
• Visual Effects Producer: Daniel Matley
• Senior Animator: Chris Lentz
• Creature Technical Director: Jessica Amber Hurst
• Senior Generalist: Rob Meyers
• Creature Technical Director: Natapon Huangsakuncharoen
• Layout Supervisor: John M. Levin
• Hairstylist: Loulia Sheppard
• Visual Effects Supervisor: Jamie Hallett
• Set Dresser: Paul Dennis
• Hair Designer: Luca Vannella
• 2D Sequence Supervisor: David Rouxel
• Visual Effects Supervisor: Philippe Rebours
• Visual Effects Editor: Maura Hogan
• Aerial Camera: Richard Roles
• Art Direction: Domenico Sica
• Set Decoration: Chris ‘Flimsy’ Howes
• Costume Supervisor: Stefano De Nardis
• Special Effects Coordinator: Ben Vokes
• Camera Operator: Ki S. Hwang
• Camera Operator: Derek Walker
• Still Photographer: Lee Jae-hyeok
• First Assistant Director: Jamie Christopher
• Key Grip: John Flemming
• Makeup & Hair: Deborah Taylor
• Costumer: Peter White
• CG Artist: Matt Anderson
• First Assistant “C” Camera: Emiliano Topai
• Casting Associate: Jason B. Stamey
• Visual Effects Coordinator: Jayce Attewell
• Visual Effects Coordinator: Kelly Chow
• Visual Effects Coordinator: Devika Kawle
• Visual Effects Producer: Michael Perdew
• Visual Effects Producer: Marie Rheinschild-Jordan
• Visual Effects Production Manager: Mark Webb
• Visual Effects Coordinator: Sze Jia Eng
• Visual Effects Coordinator: Arushi Govil
• Visual Effects Coordinator: Liz Mann
• Visual Effects Coordinator: Becky Pownall
• Casting Associate: Lillie Jeffrey
• Supervising Armorer: Jon Baker
• Assistant Art Director: Rhys Ifan
• Visual Effects Coordinator: Samantha Dark
• Compositing Supervisor: Mark Bakowski
• Makeup & Hair: Renata Gilbert
• Gaffer: Stefano Marino
• Production Sound Mixer: Peter Lindsay
• Visual Effects Coordinator: Joseph Payo
• Visual Effects Coordinator: Toby White
• Assistant Hairstylist: Laura Lilley
• Makeup Artist: Federico Laurenti
• Lead Animator: Daniel Mizuguchi
• Visual Effects Coordinator: Mare McIntosh
• Seamstress: Elizabeth Farrer
• Set Costumer: Kate Walling
• Visual Effects Coordinator: Anna-Lena Carl
• Props: Steven Thompson
• Assistant Art Director: Oliver Carroll
• Production Manager: Erik Paoletti
• Hairstylist: Michela Maucione
• Visual Effects Production Manager: Simone Fischer
• Storyboard Artist: Darrin Denlinger
• Animation Supervisor: Simone Kraus Townsend
• Prosthetic Makeup Artist: Adrian Rigby
• Standby Painter: Keith Connolly
• Production Manager: Chidchanok Plodripu
• Makeup Artist: Vincenzo Mastrantonio
• Sound Engineer: Eun Hui-su
• Lead Animator: Robyn Luckham
• Hairstylist: Massimo Allinoro
• Second Assistant “A” Camera: Ryan Taggart
• Makeup & Hair: Joceline Andrews
• Visual Effects Editor: Andrew Poole
• Digital Intermediate: Laura Holeman
• Visual Effects Supervisor: Chris LeDoux
• Compositing Supervisor: Arek Komorowski
• Compositing Supervisor: Dominik Zimmerle
• Makeup Artist: Rossella Gregorio
• Libra Head Technician: Gareth Viner
• Sequence Supervisor: Brendan Seals
• Armorer: Liam McCartney
• Production Coordinator: Chanida ‘Chompoo’ Yasiri
• Costumer: Elena Pascaniuc
• Production Coordinator: Norma Marie Mascia
• Production Supervisor: Hannah Godwin
• Painter: Sandro Ercolini
• Visual Effects Supervisor: Geoffrey Baumann
• First Assistant Director: Terry Madden
• Art Department Coordinator: Fliss Jaine
• Costume Assistant: Terry Archer
• CG Artist: Alexander Schumann
• Visual Effects Editor: Robert Drwila
• Visual Effects Production Manager: TJ Falls
• Visual Effects Supervisor: Ben Snow
• Visual Effects Supervisor: Immanuel Morris
• Construction Manager: John Bohan
• Assistant Art Director: Andrea Borland
• Visual Effects Coordinator: Lauren Fong
• Electrician: Paul Kelly
• First Assistant “A” Camera: David Cozens
• Key Grip: Claudio Del Gobbo
• Costume Assistant: Sarah Dutton
• Armorer: Gary Alan Hawker
• 2D Supervisor: Alexandre Cancado
• Conceptual Illustrator: Andy Park
• Visual Effects Supervisor: Keith Sellers
• Prop Maker: Jeremy King
• Conceptual Illustrator: Paul Chandler
• Foley Editor: Jim Likowski
• Visual Effects Coordinator: Leanna Kruse
• Wardrobe Supervisor: Zureta Schulz
• Assistant Costume Designer: Laura Smith
• Sculptor: Gavin Fulcher
• Assistant Costume Designer: Sarah Young
• Stereoscopic Editor: Stephanie Ross
• Costume Illustrator: Darrell Warner
• Creature Technical Director: Waikit Wan
• Costume Coordinator: Kate Chadderton
• Makeup & Hair: Sara Riesel
• Makeup Artist: Federica Bastreghi
• Post Production Coordinator: Adam Cole
• Epk Camera Operator: Sean Ricigliano
• Costume Assistant: Claudio Manzi
• Visual Effects Supervisor: Marco Raposo de Barbosa
• Lead Animator: Arslan Elver
• Executive Producer: Angela Phillips
• Drone Pilot: Peter Ayriss
• Matchmove Supervisor: Michael Karp
• First Assistant Director: Simon Downes
• Hairstylist: Claudia Catini
• Makeup Artist: Melissa Mazzocco
• Electrician: Mike Farr
• Costumer: Simone Carlo Toniato Toso
• Script Supervisor: Xenia Taylor
• Visual Effects Coordinator: Nikola D. Nikolov
• First Assistant “A” Camera: Simon Hume
• First Assistant “B” Camera: Lewis Hume
• Makeup Artist: Barbara Pellegrini
• Electrician: Marco Raimondi
• Production Manager: Kate Hazell
• Production Coordinator: Bettina Lyster
• Visual Effects Coordinator: Lesly Cazares
• Visual Effects Coordinator: Mohak Sharma
• Makeup & Hair: Nicola Matthews
• Creature Technical Director: Tanner Scott
• Visual Effects Technical Director: Andrew Cadey
• Senior Animator: Sidney Kombo
• Lighting Technician: Terry Robb
• Assistant Camera: Jacob Lee Dean
• Production Coordinator: Hannah Collett
• Conceptual Illustrator: Rodney Fuentebella
• Visual Effects Editor: Francisco Ramirez
• Visual Effects Coordinator: David Masure-Bosco
• Assistant Costume Designer: Eilish Zebrasky
• Costumer: Zanele Mhlanga
• Construction Buyer: Tracy Low
• Matchmove Supervisor: Simon Pynn
• Hairstylist: Paola Genovese
• Makeup Artist: Renato Francola
• Lighting Technician: Jamie Garside
• Lighting Technician: Jack Powell
• Stunts: Erol Mehmet
• Lighting Technician: Jack Ridout
• Visual Effects Editor: Jason Solberg
• Electrician: Christopher H. Sipes
• Visual Effects Coordinator: Genevieve Claire
• 3D Artist: Philip Trieu
• Layout Supervisor: Christopher Sweet
• Visual Effects Coordinator: Carine Ong
• Visual Effects Editor: Tristan Fisher
• Visual Effects Supervisor: Michael Mulholland
• Construction Coordinator: Maria Constantinides
• CG Artist: Nando Stille
• Dolly Grip: Jack Flemming
• Senior Animator: Mike Mulock
• Visual Effects Coordinator: Melanie Marlar
• Visual Effects Coordinator: Shayna Banaag
• Visual Effects Production Manager: Lee Briggs
• Textile Artist: Greer Whitewick
• Visual Effects Producer: Georgie Uppington
• Visual Effects Coordinator: Alejandra Viejo Lopez De Roda
• Art Department Assistant: Alison Clements
• Best Boy Grip: Zahir Karriem
• Production Accountant: Maria Fiorito
• Visual Effects Supervisor: Dan Seddon
• Stereoscopic Editor: Gina Zappala
• Hairstylist: Aniello Piscopo
• Hairstylist: Gaetano Panico
• Visual Effects Coordinator: James Yeoman
• Lighting Technician: Joe Hissey
• Key Set Costumer: Tom Hornsby
• Epk Camera Operator: Pier Laurenza
• Lighting Technician: Mike King
• Lighting Technician: Andrew Purdy
• Visual Effects Production Manager: Natalie Lovatt
• Sequence Lead: John Seru
• Creature Technical Director: Nick van Diem
• Second Assistant “C” Camera: Will Morris
• Libra Head Technician: Joe Buxton
• Assistant Camera: Houston Hadden
• Costumer: Frieda Basso Boccabella
• Sequence Supervisor: Brad Floyd
• Visual Effects Coordinator: Timothy Trimmings
• First Assistant “C” Camera: Max Glickman
• Digital Imaging Technician: Tom Gough
• Production Coordinator: Lebo “Boo” Motjuoadi
• Art Department Assistant: Claire Shakespeare
• Art Department Assistant: Jessica Goodall
• VFX Artist: John Walker
• Visual Effects Coordinator: Ale Melendez
• Matchmove Supervisor: Souvik Mitra
• Stereoscopic Supervisor: Prateek Kaushal
• Visual Effects Coordinator: Mark Divekar
• Visual Effects Coordinator: Max Rees
• Libra Head Technician: Mario Spanna
• Music Arranger: John Carey
• Visual Effects Technical Director: Paul Lemeshko
• Set Dresser: Dan Riches
• Second Assistant “B” Camera: James Perry
• CG Artist: Matthias Winkler
• Visual Effects Coordinator: Mat Thompson
• Visual Effects Coordinator: Fraehan Pagdiwalla
• Digital Compositor: Byron Tofas
• Colorist: Vanessa Taylor
• Modelling Supervisor: Michael Miller
• Props: Scott A. Riley
• Compositing Supervisor: David Jeffrey Phillips
• Painter: Ryan McPhail
• Set Dresser: Raul Contreras
• Electrician: Gary Nagle
• Libra Head Technician: David Tulett
• Second Assistant “C” Camera: David Pearce
• Visual Effects Coordinator: Jeff Winkle
• Visual Effects Producer: Lauren Weidel
• Senior Animator: Jeff Vacanti
• 2D Supervisor: Giuliano Dionisio Vigano
• Production Manager: Ashish Kukian
• Props: Andrew Ainscow
• Production Supervisor: Donovan Roberts-Baxter
• Digital Imaging Technician: Quentin Brown
• Libra Head Technician: Ian Speed
• Stereoscopic Editor: Abhijeet Yerunkar
• Stereoscopic Editor: Priyal Mahadik
• Stereoscopic Editor: Smeet Vedant
• Stereoscopic Editor: Vaibhav Marathe
• Set Dresser: Federico Vianelli
• Production Secretary: Craig Jamieson
• Compositing Supervisor: Theodor Groeneboom
• Stereoscopic Supervisor: Barry O’Brien
• Visual Effects Supervisor: Aleksandar Vishemirski
• Visual Effects Producer: Abbigail Keller
• Compositing Supervisor: Karim Sahai
• Costume Assistant: Alex Grace
• Assistant Art Director: Rocco Ceraolo
• Visual Effects Editor: Abraham Thomas
• Stereoscopic Editor: Lewis Menga
• Matchmove Supervisor: Matthew Salisbury
• Conceptual Illustrator: Philippe Gaulier
• Stereoscopic Supervisor: Sherin Varghese
• Visual Effects Coordinator: Craig Skerry
• CG Artist: David Schulz
• Visual Effects Production Manager: Rupert Smith
• Props: Michael Parkin
• Visual Effects Coordinator: Tu Nhi Lam
• Production Secretary: Ash Harris
• Lighting Artist: Nathan Englbrecht
• Compositing Supervisor: Jon Alexander
• Makeup Artist: Federica Emidi
• Colorist: Jeff Olm
• Stunts: Tom Aitken
• Set Costumer: Peter Edmonds
• Hairstylist: Pablo Cabello
• Compositing Supervisor: Jean Lapointe
• Makeup Artist: Coralie Gaspard
• Compositing Supervisor: Paolo Acri
• Visual Effects Coordinator: Julie Brown
• Standby Painter: Ian Zawadzki
• Electrician: Graham Driscoll
• Hairstylist: Alberta Giuliani
• First Assistant Director: Luca Lachin
• Set Costumer: Lucy Brookes
• Hairstylist: Madlen Mierzwiak
• Props: Nathan Payne
• Makeup Artist: Kat Ali
• Lighting Artist: Joerg Unterberg
• Hairstylist: Stefano Nigro
• Additional Photography: Jay Hunter
• Painter: Veronica Gambacurta
• Production Manager: Sanchari Chowdhury-Kesler
• Electrician: James Clemo
• Animation Supervisor: Raphael A. Pimentel
• Stereoscopic Coordinator: Tanissa Potrovitza Schoen
• Digital Intermediate: Bob Schneider
• Stunts: Park Ji-sun
• Makeup Artist: Claudia Tozzi
• Production Accountant: Lylie Almeida
• Lighting Artist: Cory Bedwell
• Compositing Supervisor: Troy Moore
• Second Assistant Director: Stewart Hamilton
• Makeup & Hair: Celina Dalnim Yun
• Visual Effects Producer: Franzisca Puppe
• Makeup & Hair: Moira Thomson
• Painter: Viviana Lo Russo
• Assistant Art Director: Mily Moreno
• Visual Effects Coordinator: Nicole Maria Nonis
• Painter: Thomas Kingsley
• Set Costumer: Katie Sheehy
• Modelling Supervisor: Lersak Bunupuradah
• Sequence Lead: Brian Delmonico
• Visual Effects Producer: Bojana Solomonova Vishemirski
• Stereoscopic Editor: Emily Mason
• Props: Rachel Minchin
• Art Department Assistant: Sophia Male
• Makeup Artist: Stacy Wodu
• Additional Photography: Michael Swan
• Assistant Camera: Derek Ueckermann
• Digital Imaging Technician: Ariana Bonavia
• Digital Imaging Technician: Peter Welch
• Epk Director: Jung Woo Park
• Dolly Grip: Dave Armstrong
• Electrician: Kieran Dawson
• Libra Head Technician: Rob Portus
• Russian Arm Operator: Larry Hurt
• Second Assistant “A” Camera: Dan Gamble
• Hairstylist: Claudia Bianchi
• Hairstylist: Michela Cingolani
• Hairstylist: Anna Cristofaro
• Hairstylist: Anna De Santis
• Hairstylist: Italo Di Pinto
• Hairstylist: Massimiliano Gelo
• Hairstylist: Simona Giovinazzo
• Hairstylist: Francesca Iamundo
• Hairstylist: Anna Righetti
• Hairstylist: Calisse Goffredo
• Hairstylist: Samantka Mura
• Hairstylist: Antonio Esposito
• Key Hair Stylist: Jung-Min Yoon
• Makeup & Hair: Ji Young Seo
• Makeup Artist: Elenia Contu
• Makeup Artist: Ilenia Corini
• Makeup Artist: Sara Franchina
• Makeup Artist: Giorgiana Gregorini
• Makeup Artist: Mariano Parisi
• Makeup Artist: Rosabella Russo
• Makeup Artist: Pasquale Valentini
• Makeup Artist: Diego Presopino
• Makeup Artist: Giovanna Iacoponi
• Makeup Artist: Sulet Meintjes
• Costume Assistant: Sekina Baker
• Costume Assistant: Emily Lancaster
• Key Set Costumer: Ashleigh Lennox
• Textile Artist: Liv Murton
• Textile Artist: Ivan Vasilev
• Textile Artist: Jay Barry Matthews
• Second Assistant Director: Kenneth Malicdem
• Assistant Editor: Dooyoung Cho
• Colorist: Jacqui Loran
• Art Department Coordinator: Boitumelo Poen
• Art Department Coordinator: Louisa Rawlins
• Assistant Art Director: Jongwoo Kim
• Greensman: Max Brennan
• Leadman: Massimo Papini
• Painter: Christopher Gardner
• Painter: Geoff Romero
• Prop Maker: Sophie Allen
• Props: Will Botton
• Props: Josh Burns
• Props: Gavin Grant
• Props: Carl Peters
• Props: Jamie Seymour
• Props: Kate Murray
• Storyboard Assistant: Dan Andrews
• Swing: Luciano Formigoni
• 3D Artist: Adedunmola Olanrewaju
• 3D Generalist: Guillermo Soria
• CG Artist: Daniel Trbovic
• CG Artist: Nik Kacevski
• CG Artist: Frederic Fourier
• CG Artist: Jon Ossitt
• CG Artist: Bernhard Esperester
• CG Artist: Pascal Xander
• Compositing Supervisor: Ranjit Gosavi
• Creature Technical Director: K. Kothandaraman
• Creature Technical Director: Jeremiah Grant
• Digital Effects Supervisor: Amy Shepard
• Layout Supervisor: Douglas L. Moore
• Lighting Artist: William Harley
• Lighting Artist: Andy Potter
• Lighting Artist: David Godwin
• Senior Animator: Brad Willis
• Senior Modeller: Jason Edwards
• Senior Modeller: Robin Konieczny
• Sequence Supervisor: Tom L. Hutchinson
• Stereoscopic Coordinator: Sarah Coppin
• Stereoscopic Coordinator: Siddharth Natarajan
• Stereoscopic Technical Director: Farzad ‘Fuzz’ Namdjoo
• VFX Artist: Filippo Giansante
• Visual Effects Compositor: Rosemary Chester
• Visual Effects Coordinator: Brendan Byrd
• Visual Effects Coordinator: Bryant Fox
• Visual Effects Coordinator: Tiffany Griffin
• Visual Effects Coordinator: Safiya Mason
• Visual Effects Coordinator: Janis Robertson
• Visual Effects Coordinator: Victoria Tracconi
• Visual Effects Coordinator: Eric Wahlstrom
• Visual Effects Coordinator: Ashwin Raju
• Visual Effects Coordinator: Julie Osborn
• Visual Effects Coordinator: Ashley Manning
• Visual Effects Coordinator: Mara Fröhlich
• Visual Effects Coordinator: Helena Saa
• Visual Effects Producer: Canda Kincses
• Visual Effects Producer: Michelle Machado
• Visual Effects Production Manager: Sinje Gebauer
• Visual Effects Supervisor: Alan Torres
• Visual Effects Supervisor: Katherine Renee Jones
• Visual Effects Supervisor: Olivier Dumont
• Visual Effects Technical Director: Aleksandar Chalyovski
• Epk Producer: Victor Chon
• Production Accountant: Jay Rosenwink
• Production Accountant: Alida Rubens
• Production Accountant: Christian Hainmüller
• Production Coordinator: Chris Hamilton
• Production Coordinator: Pamela Joyce
• Production Coordinator: Apurva Sharma
• Production Manager: Kelly McCarthy
• Production Secretary: Alex Barrett
• Software Engineer: Lisa Curtis Saunders
• Storyboard Artist: Jane Wu

Movie Reviews:

• Hotsake: There is a lot going on in this movie but it all just seemed kind of pointless and dull to me. Every now and then there would be a good scene or piece of dialogue but for the most part I felt myself getting bored and reaching for my phone to play Cribbage. I guess what I didn’t like most is that it all felt like a big filler episode instead of an action packed character driven story arc.
• Andres Gomez: Action, good Fx and a “not-completely-absurd” story. The actors perform well and you can identify them very well with their characters … but it is all old and without imagination.

  I suppose nobody was expecting anything else, though …

• Per Gunnar Jonsson: This is another one of those movies that you watch primarily for the special effects with you favourite super heroes slugging it out. It is a classical Hollywood product where the story is mostly there just as a vehicle for allowing the special effects team to do their business. As such it is a success.

  The movie starts of with a display of action and the afore mentioned special effects with an attack by the Avengers on a bad guy stronghold. Not surprisingly the events sows the seeds for things to come.

  The movie starts off with quite an interesting story idea with the activation of Ultron. However, once he materializes as a physical entity, it became a bit of seen that, been there and done that. Ultron just turns into yet another “standard” comic book villain a’ la Megatron running around trying to look intimidating while implementing his diabolical scheme. Okay, there was a bit of originality here and there but with the good start I kind of expected a wee bit more.

  Having said that, the movie does indeed fulfil its purpose of showing off a bunch of super heroes slugging it out in a flurry of special effects and, although the story idea was perhaps not used as intelligently as I had hoped, it is not bad (for this kind of movie of course) and hangs together pretty okay. Sure, it is somewhat contrived and the means by which Ultron tries to exterminate humanity is overly complicated but it is still a decent story.

  Overall the movie was entertaining and provided the necessary special effects and super hero fix for those who are inclined to enjoy those kind of movies. I certainly am and, not surprisingly, the kids liked it as well.

• Gimly: **A long form review originally posted in 2015:**

  I’ve just returned from two back-to-back viewings of _Avengers: Age of Ultron_, and I do not regret one bit going in for that second helping.

  I lost my steam on the _Age of Ultron_ wagon at a very inopportune moment. About three days before it came out. I was so heavily anticipating it for such a long time, that I was actually much more excited to see this movie when it was still two months away than I was waiting in line to get into the cinema it was playing at. The combination of the market-saturation and the fact that the _Ultron _hype-train has been running for literally years, with a first trailer dropping seven months before the damn thing came out, meant I got weary of the thing just a fraction too soon. But I’m a sucker for the MCU, and there was no way I was missing the sequel to my favourite superhero movie of all time.

  I won’t harp on too much, because I don’t want to spoil anything (especially given that the movie isn’t even out in most parts of the world), I will put out a spoilertalk on this blog at some point down the line, but for now just let me leave you with a couple of quick thoughts.

  _Age of Ultron_ is not the best film of all time. It’s not the best superhero film of all time, it’s not even the best MCU film. Honestly, I personally feel it’s not even the best MCU Phase 2 film. But it is still good. And that’s what’s important here. But what do I mean by that?

  Well, for starters, in and of itself, I loved it, a breach past an 80% approval rating from me is no small thing. The things we enjoyed from the first _Avengers_are here. The mesmerising action spectacles of course, but I more mean the character moments we got between the Avengers themselves, that was my favourite part of the first film and we get it here again in spades.

  Every new thing Joss has added to the plate works splendidly as well, real Hawkeye story, new heroes, a new villain, an updated world, all of these things are big ticks in lots of boxes.

  So if everything from _The Avengers_ works and everything they’ve added works great too, why is _Age of Ultron_ not a perfect film? For spoiler-free purposes I will not go into detail, but that’s okay because the answer is quite simple: Everything in _Age of Ultron_ is great. It’s what’s not in _Age of Ultron_ that’s the problem.

  Joss Whedon said that the film had to be cut by nearly an hour. That way you get more showings in, and that means more money. Now I’m not saying we need every minute of that hour back, but what we ended up being left with, was just enough for _Age of Ultron_ to be the _Thor: The Dark World_ of the _Avengers _franchise (it was a far superior film to _Dark World_, but hear me out). _Age of Ultron_ is little more than a holding pattern. The set-ups for future films take up too much time for the story to bear the weight of some actual story, but everything that occurs in the film itself somehow also has virtually no consequence on world it is a part of. I can’t say it more plainly than that: It’s a holding pattern. It introduces some stuff, but it doesn’t stand alone the first film did. It’s not such a big deal when the solo-movies do that (like the aforementioned _Dark World_) because we have _The Avengers_ films for those to pay off in. But when an _Avengers_ entry is just more of the same, I can’t fully get behind it.

  That all said, _Age of Ultron_ is of course a lot of fun. A huge amount of fun, I can’t state that enough. And there’s literally nothing more important something in the entertainment industry can be. These are just the things holding it back from taking it up to the next level (or if I’m being completely honest, even taking it to the level the first film was at).

  75%

  -_Gimly_

• tmdb44006625: The fact that Joss Whedon was able to salvage some sort of coherent film out of all he was forced to cram into a single movie is quite commendable. But the sad fact is that Avengers: Age of Ultron is really just a run of the mill “bad guy wants to destroy the world for reasons” actioner that we’ve seen done better many times before.

  Don’t get me wrong. The movie’s fun. The dialogue is frequently clever and humourous. And I really appreciated the quiet bits of storytelling that Whedon was able to sneak in. It’s just that at the end of the day, the villain is weak sauce, there’s way too much set up for other movies, and if I’m criticizing Man of Steel for having excessive destruction, I can’t give Avengers a pass since they needlessly blow up not one, not two, but three cities. Pretty sure many insurance agencies went bankrupt paying out all the victims.

• Justin Lopez: Movie was great but felt like there was just too much action and fighting. The creativity of the choreography gets lost in the whirlwind of action and this I noticed most in Captain America’s scenes. He does like a hundred different awesome things with his shield, but you don’t have time to really take it in because you’re already looking at Iron Man blasting 20 Ultron-bots to bits.
• LoganWright: This is the movie where Captain America became my favorite Avenger. Sure he doesn’t have monstrous abilities like Iron Man and Hulk, but to be holding his own on the same ground as them is just a testament to how great of a hero he truly is.
• BradleyStewart: It has become a well-known fact that coming out with a sequel that’s better than, if not on par with, the first one is an insane task. But kudos to Marvel for staying true to their colors with this sequel.
• Jane Hall: I expected more from Quicksilver. He would’ve been a great addition to the Avengers.
• JessieCollins: The thing that puzzles me is that in this film, Vision is presented to be a powerful hero, having the mind stone and all. But on the next films, he’s become more of like a side character that just wasn’t relevant anymore except for that little piece of stone on his forehead. Shame.
• John Smith: I’m glad to see that they found another role for Hawkeye other than being that one guy who seemed to be trying hard to keep up with the other more powerful heroes on the team. Now he’s more of like the thing that keeps the team together and it suits his character well.
• Justin Lopez: Movie was great but felt like there was just too much action and fighting. The creativity of the choreography gets lost in the whirlwind of action and this I noticed most in Captain America’s scenes. He does like a hundred different awesome things with his shield, but you don’t have time to really take it in because you’re already looking at Iron Man blasting 20 Ultron-bots to bits.
• 1RobertJohnson1: Avengers: Age of Ultron
  I liked plenty of the stuff in it but it was pretty much the same as the first movie. Still a good watch though if you’re not looking for anything serious.
• MichaelWilliams: The humor in this movie was not as witty as the first one. It felt too childish and cheesy.
• WilliamJones: Still good, clean Avengers fun though a bit messier. The first one was still better.
• DavidBrown1: With the vast array of heroes and their own personal character stories, you can expect how much of a challenge it is to bring together all these superheroes and have them work on a single mission on a single timeline. It’s not easy, experts.
• JosephWilson: I confirmed in this movie that what’s really making these films successful is the chemistry that the actors have. You can really see that everyone’s doing their best.
• richardmiller: Strong film from beginning to end. Has just enough humor, angst, and drama to make it a film worthy to be called a sequel.
• ThomasMoore: If you’re a fan of action, suspense, and awe worthy moments, then this movie is the right fit for you! Overall outstanding performance by everyone both on and off screen.
• JeffreyYoung: Despite the challenge of having to top their first Avengers film, Marvel did beautifully and the result was amazing. I hope to see more films like this in the future.