Logan

In the near future, a weary Logan cares for an ailing Professor X in a hideout on the Mexican border. But Logan’s attempts to hide from the world and his legacy are upended when a young mutant arrives, pursued by dark forces.
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Credits: TheMovieDb.

Film Cast:

  • Logan / X-24 / Wolverine: Hugh Jackman
  • Laura / X-23: Dafne Keen
  • Charles Xavier / Professor X: Patrick Stewart
  • Gabriela: Elizabeth Rodriguez
  • Pierce: Boyd Holbrook
  • Caliban: Stephen Merchant
  • Dr. Rice: Richard E. Grant
  • Macon: Stephen Dunlevy
  • Will Munson: Eriq La Salle
  • Kathryn Munson: Elise Neal
  • Nate Munson: Quincy Fouse
  • Federale Commander: Al Coronel
  • Federale Lieutenant: Frank Gallegos
  • Federale: Anthony Escobar
  • Rey: Reynaldo Gallegos
  • Mohawk: Krzysztof Soszynski
  • Bone Breaker: Daniel Bernhardt
  • Pretty Boy: Ryan Sturz
  • Reaver: Jef Groff
  • Reaver: Brandon Melendy
  • Reaver: Oren Hawxhurst
  • Reaver: Jeremy Fitzgerald
  • Reaver: Chris Palermo
  • Reaver: Paul Andrew O’Connor
  • Reaver: Clinton Roberts
  • Reaver: Rocky Abou-Sakher
  • Reaver: Keith Jardine
  • Reaver: Jean Claude Leuyer
  • Reaver: Andrew Arrabito
  • Reaver: Sebastian James
  • Reaver: Aaron Matthews
  • Reaver: Garrett Hammond
  • Reaver: Matt McClain
  • Motel Manager: Maureen Brennan
  • Rictor: Jayson Genao
  • Rebecca: Hannah Westerfield
  • Bobby: Bryant Tardy
  • Charlotte: Ashlyn Casalegno
  • Delilah: Alison Fernandez
  • Lizard Boy: Parker Lovein
  • Mexican Staff Member: Jimmy Gonzales
  • Convenience Store Clerk: Dave Davis
  • Jackson: Lennie Loftin
  • Bartender: Mark Ashworth
  • Old Doctor: James Handy
  • Prom Teen #1: Bryce Romero
  • Prom Teen #2: Phi Vu
  • Prom Teen #3: Chester Rushing
  • Prom Teen #4: David Simpson
  • Bridesmaid: Lauren Gros
  • Mourning Widow: Vanessa Cloke
  • Maria: Doris Morgado
  • Infirmary Nurse: Katie Anne Mitchell
  • Car Dealer: Lara Grice
  • Major: James Moses Black
  • Banger: Ned Yousef
  • Banger: Michael Lehr
  • Banger: Baxter Humby
  • Banger: Bryan Sloyer
  • Banger: Daniel Hernández
  • Federale: John Bernecker
  • Federale: Evan Dane Taylor
  • Federale: Joe Nin Williams
  • Federale: Toby Holguin
  • Federale: Robert Wu
  • Federale: Panuvat Anthony Nanakornpanom
  • Federale: Victor Winters-Junco
  • Federale: Eyad Elbitar
  • Federale: Craig Henningsen
  • Valet: Han Soto
  • Pine Cone Girl: Rissa Rose Kilar
  • Jonah: Salef Celiz
  • Mutant Child: Aidan Kennedy
  • Mutant Child: Nayah Murphy
  • Mutant Child: Chase Cubia
  • Mutant Child: Emma Teo
  • Mutant Child: Vincenzo Lucatorto
  • Mutant Child: Noell Jellison
  • Mutant Child: Haley Glass
  • Mutant Child: Ella Rowbotham
  • Mutant Child: Hudson Wright
  • Mutant Child: Sebeon Jackson
  • Glowing Eyes Boy: Kelton DuMont
  • Jackson’s Henchman: Damon Carney
  • Screaming Casino Woman: Cynthia Woods
  • Bumpy Skinned Kid: Mali O’Connor
  • Rhodes: David Kallaway
  • Border Guard: Robert Vargas
  • Helicopter Pilot: David Paris
  • Special Forces (uncredited): Gonzalo Robles
  • Pastor: John Raymond
  • Reaver (uncredited): Tim Connolly
  • (uncredited): Juan Gaspard

Film Crew:

  • Story: James Mangold
  • Additional Photography: Phedon Papamichael
  • Editor: Michael McCusker
  • Casting: Lisa Beach
  • Casting: Sarah Katzman
  • Director of Photography: John Mathieson
  • Screenplay: Scott Frank
  • Casting: Priscilla John
  • Original Music Composer: Marco Beltrami
  • Executive Producer: Joseph M. Caracciolo Jr.
  • Producer: Lauren Shuler Donner
  • Characters: Stan Lee
  • First Assistant Director: Josh McLaglen
  • Costume Design: Daniel Orlandi
  • Producer: Simon Kinberg
  • Set Decoration: Bradford Johnson
  • Production Design: François Audouy
  • Co-Producer: Dana Robin
  • ADR Mixer: David Betancourt
  • Sound Re-Recording Mixer: David Giammarco
  • Sound Re-Recording Mixer: Paul Massey
  • Additional Music: Marcus Trumpp
  • Supervising Art Director: Chris Farmer
  • Set Decoration: Peter Lando
  • Stunt Coordinator: Gary Hymes
  • Editor: Dirk Westervelt
  • Makeup Designer: Joel Harlow
  • Art Direction: Luke Freeborn
  • Characters: Craig Kyle
  • Characters: Christopher L. Yost
  • Storyboard Artist: John Coven
  • Characters: Roy Thomas
  • Characters: Len Wein
  • Screenplay: Michael Green
  • Orchestrator: Dana Niu
  • Producer: Hutch Parker
  • Characters: Chris Claremont
  • Art Department Coordinator: Cindy M. Ichikawa
  • Second Unit Director: Garrett Warren
  • Art Direction: Scott Plauche
  • Visual Effects Supervisor: Chas Jarrett
  • Casting Assistant: Adam Stephenson
  • Visual Effects Supervisor: Berj Bannayan
  • Casting: Sally Stiner
  • ADR Voice Casting: Julianne Gabert
  • Assistant Production Coordinator: Dustin DellaVecchia
  • Characters: John Romita, Sr.
  • First Assistant Camera: Basil Smith
  • Conceptual Design: Christian Cordella
  • Costume Supervisor: Elaine Ramires
  • Local Casting: Elizabeth Coulon
  • Foley Artist: Dan O’Connell
  • Visual Effects: Brian Adler
  • Assistant Art Director: Matthew Gatlin
  • Additional Sound Re-Recording Mixer: Craig Henighan
  • Sound Designer: Hamilton Sterling
  • Scoring Mixer: John Kurlander
  • Foley Artist: John T. Cucci
  • Gaffer: Andy Ryan
  • Music Supervisor: Ted Caplan
  • Additional Music: Brandon Roberts
  • Stunts: Rocky Abou-Sakher
  • Steadicam Operator: David Luckenbach
  • Still Photographer: Ben Rothstein
  • Set Designer: Walter Schneider
  • Stunts: Andy Abele
  • Visual Effects Producer: Allan Magled
  • ADR Mixer: Jon Vogl
  • Conceptual Design: Keith Christensen
  • Dialogue Editor: Jim Brookshire
  • Additional Editing: John Berri
  • Script Supervisor: Sheila Waldron
  • Dialect Coach: Jess Platt
  • Makeup Artist: Sara Roybal
  • Makeup Artist: Karri Farris
  • Camera Operator: Joseph V. Cicio
  • Digital Intermediate: Marisa Clayton
  • Set Designer: Brian A. Waits
  • Set Costumer: Annette Farnsworth
  • ADR Editor: Laura Graham
  • Hair Department Head: Gloria Pasqua Casny
  • Set Designer: Jessica Stumpf
  • Second Unit Director of Photography: Lukasz Jogalla
  • Property Master: J.P. Jones
  • Supervising Dialogue Editor: Teri E. Dorman
  • Makeup Artist: Bailey Domke
  • Rigging Gaffer: Ferdinand Duplantier Jr.
  • Makeup Artist: Rob Hinderstein
  • Production Supervisor: Jessica Derhammer
  • Makeup Artist: Courtney Lether
  • Makeup Artist: Remi Savva
  • Co-Producer: Kurt Williams
  • ADR Engineer: Derek Casari
  • Location Manager: Sean J. Donnelly
  • Set Medic: Jennifer Brown
  • Camera Operator: Michael Applebaum
  • VFX Supervisor: Jeffrey Kalmus
  • Special Effects Supervisor: Garry Elmendorf
  • Location Scout: Rebecca Puck Stair
  • Stunts: Christopher Heskey
  • Makeup Artist: Brian Penikas
  • ADR Recordist: Christine Sirois
  • Grip: Ted Gregg
  • Key Costumer: Nora Phillips Pedersen
  • Seamstress: Giselle Spence
  • Wigmaker: Khanh Trance
  • Lighting Technician: Jonathan Terpstra
  • Ager/Dyer: Benj Gibicsar
  • Casting: Barbie Block
  • Casting Associate: Beth Lipari
  • Foley Editor: Matthew Harrison
  • Rigging Grip: Rob Skuse
  • Assistant Costume Designer: Mary Iannelli
  • Construction Coordinator: Steven DeSantis
  • Storyboard Artist: Gabriel Hardman
  • First Assistant Camera: Christopher Norris
  • Makeup Artist: Adam Walls
  • Digital Intermediate: Skip Kimball
  • Orchestrator: Pete Anthony
  • Orchestrator: Rossano Galante
  • Rigging Grip: Charley Gilleran
  • Storyboard Artist: Benton Jew
  • Production Coordinator: Lori Berlanga
  • Production Sound Mixer: Paul Ledford
  • Translator: Andrés Moret Urdampilleta
  • Foley Mixer: James Ashwill
  • Key Costumer: Stuart Gordon Tribble
  • Visual Effects Coordinator: Teresa Berus
  • Orchestrator: Mark Graham
  • Production Accountant: Sherry Kecskes
  • Hairstylist: Chase Heard
  • First Assistant Camera: Larry Nielsen
  • Set Designer: Nicole Reed LeFevre
  • Production Coordinator: Kerri Smeltzer
  • Visual Effects Supervisor: Doug Spilatro
  • ADR Voice Casting: Johnny Gidcomb
  • Stunts: Matt Thompson
  • Animation: Andrew McCartney
  • Location Scout: Rowan Stanland
  • Visual Effects Supervisor: Anthony Smith
  • Fight Choreographer: Steven John Brown
  • Gaffer: Jaim O’Neil
  • Rigging Grip: Max Patrucco
  • Visual Effects Coordinator: Chelsea Mirus
  • Animal Wrangler: Cris Rankin
  • Driver: Gary L. Horton
  • Post Production Consulting: Anthony Dixon
  • Art Direction: Jordan Ferrer
  • 3D Modeller: Preethi Venkateswaran
  • Visual Effects Coordinator: Laura Dochtermann
  • Visual Effects Supervisor: Keith Sellers
  • Casting Associate: Francesca Bradley
  • Casting Associate: Amelia Chen Miley
  • Casting Associate: Brittany A. Jones
  • Ager/Dyer: Mark D. Spain
  • Ager/Dyer: Melissa Binder
  • Script Coordinator: Aaron Wiener
  • Aerial Coordinator: Cory Fleming
  • Dolly Grip: Joe Cassano
  • Epk Camera Operator: Michael Fitzgerald
  • Key Grip: Jimi Ryan
  • Key Grip: Walter ‘Bud’ Scott
  • Rigging Grip: Jean-Paul Bernard
  • ADR Recordist: Tyler Heath
  • ADR Recordist: Aidan Dykes
  • Boom Operator: Brian Maratea
  • Foley Mixer: Roberto Dominguez Alegria
  • Hairstylist: Natalie Rose
  • Makeup Artist: Karen Romero
  • First Assistant Editor: Daniel M. Nussbaum
  • Musician: Matt Chamberlain
  • Location Scout: Ryan Schaetzle
  • Animal Coordinator: Sid Yost
  • Grip: Joe Sökmen
  • Location Scout: Matthew McLellan
  • Assistant Editor: Zach Marshall
  • Second Assistant Director: Michael Musteric
  • Art Department Assistant: Marian Gay
  • Set Decorating Coordinator: Aimee Huber
  • Set Dresser: Jonathan Lheureux
  • Set Dresser: Robert J. Moore Jr.
  • Storyboard Artist: Jesse Michael Owen
  • Set Dresser: Alejandra Tovar
  • Boom Operator: Steven Willer
  • Special Effects: Erdwin J. Clausen Jr.
  • Special Effects Coordinator: Brittany Dewees
  • Special Effects: Scott Dwyer
  • Special Effects: Molly Federline
  • Special Effects: Skylar Gorrell
  • Special Effects: Matthew James Kutcher
  • Special Effects: Stephen Meagher
  • Grip: Ryan Chamberlain
  • Grip: Nathan Fung
  • Grip: Michael Feduccia
  • Digital Effects Producer: McKay Johnson
  • Grip: Michael Koepke
  • Second Assistant Camera: Jeffrey Lamm
  • Grip: Kevin Luster
  • Key Grip: Brady McElroy
  • Grip: Gael Whettnall
  • Grip: Dan Wyssmann
  • Animation: Duck Lee
  • Animation: Jessica Zanetti
  • Animation: Nicolas Torres
  • Musician: Andrew Synowiec
  • Casting Associate: Karlee Fomalont
  • Casting Assistant: Rebecca Llorella
  • Casting Assistant: Andreya Lynham
  • Assistant Editor: Matt Landsman
  • Digital Intermediate: Carrie Oliver
  • Post Production Assistant: Tessa Rubin
  • Location Scout: Cristal Jones
  • Location Scout: Clark Deal
  • Location Scout: Marie-Jeanne Orona
  • Location Scout: Deborah Wakshull
  • Location Scout: Ron Uribe
  • Location Manager: Aurora Ann Quinones
  • Musician: Wade Culbreath
  • Scoring Mixer: Tyson Lozensky
  • Assistant Production Coordinator: Trang Dang
  • Production Coordinator: Bryan Schnitzer
  • Casting Assistant: Rosemary Finney
  • Production Accountant: Nicole Flowers
  • Set Medic: John Lavis
  • Score Engineer: Jeff Gartenbaum
  • Lighting Technician: Jordan Whaley
  • Stunts: Daniel Hargrave
  • Assistant Property Master: Patrick Russo
  • Grip: Nathan Hughes
  • ADR Recordist: Tristan Rose
  • ADR Engineer: Arif Chagla
  • Thanks: Dave Cockrum
  • Construction Foreman: Jeremy Johnson
  • Costume Assistant: Grant McCord
  • VFX Artist: Adrien Flanquart
  • Animation: Shaila Tobin
  • Animation: Paul Zeke
  • Visual Effects: Michael Furniss

Movie Reviews:

  • anythingbutfifi: **LOGAN REVIEW: THE WOLVERINE GETS A SUPER SEND-OFF**

    “Owing to its agitated hero’s misfortunes through the ages, this is a film that’s acutely aware of the dangers of emotional exploitation, and it spares its audience a similar fate. With Logan, Mangold and co-writer Scott Frank tell the definitive story of the Wolverine, in an involving and deeply satisfying series finale. It shows the fate of mutants when age starts to weary them, with stakes that feel real, and empathy that’s earned.”

    READ THE FULL REVIEW AT SBS MOVIES: http://www.sbs.com.au/movies/review/logan-review-wolverine-gets-super-send

  • Movie Queen41: There may be some fine performances in this movie, but I honestly think the critics overrated this latest entry in the X-Men saga. The performances of Wolverine and Prof. X by Hugh Jackman and Patrick Stewart are extraordinary. They create a believable and loving father-son bond between their characters, with Logan caring for the ninety year old leader of the X-Men after a horrible event occurs at the Xavier school the year before. Stephen Merchant takes over the role of Caliban from Tómas Lemarquis, who played the character in X-Men Apocalypse, and transforms him into an ally to Logan and Charlies. Merchant is quite good in the role. But what really dragged down the movie is its nihilism. The other X-Men are completely missing from the film and mutants have been wiped out almost completely. A sense of doom and hopelessness looms over the film. This movie completely upends the warm and hopeful epilogue of Days of Future Past, where the X-Men were restored to life and glory and mutants weren’t extinct after all. Death seems to stalk Logan and Charles wherever they go. There is also a conspicuous lack of significant female characters in this movie, too. The only female of note is Laura/ X-23, and she spends most of the film mute. There is also a complete lack of any strong or memorable villains. No one ever reaches the level of greatness like other X-Men villains such as Magneto or William Stryker. So, despite some good performances, this film is a bit overrated and also a little too bleak and depressing for my taste.
  • tmdb16528852: One of the best and most mature Marvel movies to date.

    The first half of this movie is a huge delight and a huge thrill. Hugh Jackman and Patrick Stewart are so entertaining to watch as characters they’ve known for 17 years. They’ve taken their characters a step further here in a script that allows them to explore themselves emotionally more than ever before. This movie is strictly part-drama. Yes, that’s right. Finally, a Marvel superhero movie you can confidently stamp the drama genre tag on.

    The effects, stunts and gore are really quite shocking. You can really feel the weight of each character’s immense power, and more importantly, the struggles that come along with them. This further fleshes out each character.

    The movie starts to lose the enjoyability of its ensemble halfway through, and what happens after is what you might expect from a typical X-Men film. Action, sci-fi and more action/sci-fi. The villains are as interesting as they can be I suppose. They lack much development but are there to fuel the real story. Anyway, I can’t say much else without spoiling the plot. I’ll just say that I wish the movie would have taken a different direction.

  • Gimly: If you don’t like superhero movies, this is the superhero movie for you. And if you do like superhero movies? Watch _Logan_ anyway. It’s bloody brilliant.

    _Final rating:★★★★ – An all round good movie with a little something extra._

  • buzybug: **** This review may contain spoilers ****

    We finally get the Wolverine we have been asking for, for the past 15 years and it’s his last time. Well, I guess he couldn’t have ended it in any better way as a last farewell to the fans and his signature role. Not only that but it looks like this one blows all the other superhero movies out of the water.

  • Reno: **A farewell and a welcome!**

    A perfect farewell to the only mutant who had solo films in ‘X-Men’ franchise. I never understood ‘X-Men’, I thought it was the worst superhero film series I’ve ever seen. But ‘Wolverine’ was the only reason I watched them all and particular, Hugh Jackman. There won’t be Logan now onwards, though a set of new generation welcomed in this film, while saying goodbye to the old guys. So now what happens in the future of this franchise is a very suspense. Yet Logan had been the precious gem in the crown of ‘X-Men’, that mean it won’t be the same anymore.

    After many years passed in the future, the last survivours of mutants hiding their identity and living among the humans. Logan and two others were attacked by the armed men when he decided to help a child mutant. Running away from them and looking for a place where they can be safe prioritised in the narration. More dramatised film in the franchise, but there are enough actions those who desire for that.

    It’s an emotional time for the hardcore fans of Logan/Hugh Jachman. One final great performance by him and the little kid was also good. A well shot film, with minimum graphics and more realistic stunt sequences. Well, not all were real, too strong fights, too bloody, despite having a child actor in it. Yeah, it is a good film, I liked it, but not a masterpiece as you might have heard of. But anyway, it is a must see for the ‘Wolverine’ fans.

    _7/10_

  • Per Gunnar Jonsson: I believe that I am about to disagree with quite a few people now. You see, I did not like this movie.

    Not that this came as much of a surprise to me. What I got was pretty much what I expected. From a technical point of view the movie is quite well done. Hugh Jackman and Patrick Stewart are doing good jobs as always. The action scenes are good. The cinematography is not at all bad. If you are into tragic drama and do not mind the super hero twist of the movie then this is a movie for you. The technical qualities is why this movie gets any stars at all from me. If I would judge it by story only then it would have gotten zero, null, nada, nicths, rien, ingenting.

    For me it was depressing, boring and not at all fun to watch. The only reason I watched it is because I, as a X-Men fan, simply had to watch it as well as having it in my collection but I would have been happier it this movie had never been made.

    Wolverine is more or less an unpleasant drinking bum clad in filthy ragged clothes. Professor X is half insane and apparently dangerous to himself and the people around him. We get absolutely no explanation as to how this sad state of affairs.

    The entire movie is dark in spirit with the X-Men all but died out and Wolverine and Professor X just waiting to die. Then in comes this female child who later turns out to be a female version of Wolverine. She pretty much lacks any form of charisma and she and Wolverine spends almost the entire time in a state of conflict, much due to Wolverine who seems to think everyone should go fuck themselves so that he can continue to self destruct.

    The bad guys are the usual evil corporation doing experiments on X-Men, genetics etc. Supposedly they were behind the almost extermination of X-Men but of course they keep their own little army of “enhanced” humans that doggedly harasses Wolverine & Co. There are some nice action sequences but there is really no good overall boss. No one with enough Charisma to take the role of the main adversary unless you count X-24 who only took part in a few parts of the movie.

    By the way, why the fuck do Wolverine, Laura as well as X-24 have to grunt like horny monkeys when they fight?

    The story is rather predictable with no major surprises, little depth and low on logic. A typical Hollywood drama. Not really anything to write home about.

    The movie is just so depressing from start to finish. As a last farewell to Wolverine and Professor X it is almost insulting. I know a lot of people seem to like it but I cannot understand why. At least not if you are a X-Men fan.

  • John Chard: The Last Cut Is The Deepest!

    Did we need another X-Men movie? In fact did we need another Wolverine movie? Well the result is there for all to see, with Logan not only showing itself to be undoubtedly the best Wolverine venture by far, but arguably the best X-Men picture as well. If, as expected (and surely to god it’s hoped so), this is the last we see of the grumpy metal clawed superhero, then what a fitting and triumphant bow out it is.

    James Mangold, the director, has managed to create an adult superhero movie without it really being a superhero pic, for he has created a film noir Western that happens to be about a superhero. Mangold’s love of noir and Westerns bursts from the screen, which for those who follow those wonderful stands of cinema, will come as no surprise having seen with notice his Copland and 3:10 To Yuma redux. There’s a perpetual grimness to the narrative that belies the quite often stunning surrounding locales, heavy themes such as men out of time – with destinies written (cue a deft comic book movie within a comic book chunk of metaphysics) – surrogates, mental illness, human ignorance, and on it goes, the narrative strong on intelligence as much as it is in wrought emotion. Western fans will also be buoyed by the part that the 1953 classic Western Shane has to play in things, considerably so as its importance narratively, orally and visually is mightily strong.

    Logan’s Run!

    Ah yes, well being “adult” is all well and good, but is Logan thrilling? Do we get pumped up Wolverine action, blood brains, splatter and mucho muscle flexing and pained roars of anger? Oh yes! Action from the off is never far away, and wonderfully staged and choreographed it is. Lots of memorable set-pieces, while also some cleverly constructed sequences such as Xavier’s mind seizures hold court and enthral. Yet the kicker with all that is we are clued in to the emotional baggage that the side-burn sporting protag carries with him. With each fight we sense the bigger picture, even as we watch in awe the emergence of Laura (ironic film noir name right there as it happens) – and her part in this very “human” story – the thrills and spills are propelled by a meaningful but battered heart.

    Tech credits are superb. Acting honours go to Jackman, who after giving 17 years of his life to the character, gives it his all and this multi faceted performance, in a perfect world, deserves Oscar recognition. Patrick Stewart, also, is immense, playing the nonagenarian Charles Xavier with such class, gracefulness and storming emotion that one can only admire. Film debutante Dafne Keen as Laura is utterly engrossing, quite a debut indeed, whilst Stephen Merchant as albino mutant tracker Caliban is effective to the point we hanker for more. Although the villains fronted by Boyd Holbrook (rote henchman leader) and Richard E. Grant (smarmy scientist git) just about pass muster, there’s nothing to damage the piece. Cinematography (John Mathieson) is “A” grade, the filters set on neo-noir, with the splendid film noir black and white version a fillip for the heart of noir lovers. All that is left is for the sound mix to boom and the director to steer with heart, brain and soul, without doubt both come up trumps.

    One of 2017s best films, a genre splicer that ticks all the boxes of great film making. 10/10

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