Taken

While vacationing with a friend in Paris, an American girl is kidnapped by a gang of human traffickers intent on selling her into forced prostitution. Working against the clock, her ex-spy father must pull out all the stops to save her. But with his best years possibly behind him, the job may be more than he can handle.
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Credits: TheMovieDb.

Film Cast:

  • Bryan Mills: Liam Neeson
  • Kim Mills: Maggie Grace
  • Sam Gilroy: Leland Orser
  • Lenore St John: Famke Janssen
  • Mark Casey: Jon Gries
  • Bernie Harris: David Warshofsky
  • Sheerah: Holly Valance
  • Amanda: Katie Cassidy
  • Stuart St John: Xander Berkeley
  • Jean-Claude Pitrel: Olivier Rabourdin
  • Patrice Saint-Clair: Gérard Watkins
  • Pharmacist: Marc Amyot
  • Marko Hoxha: Arben Bajraktaraj
  • Anton: Radivoje Bukvić
  • Undercover Agent: Mathieu Busson
  • Gio: Michel Flash
  • Peter: Nicolas Giraud
  • Leka: Rubens Hyka
  • Isabelle Pitrel: Camille Japy
  • Vinz: Valentin Kalaj
  • Prostitute: Fani Kolarova
  • Gregor: Goran Kostić
  • Gilles: Christophe Kourotchkine
  • Jean-Claude’s Assistant: Edwin Krüger
  • Ali: Jalil Naciri
  • Ingrid: Anca Radici
  • Victor: Nathan Rippy
  • Girl with the Jacket: Héléna Soubeyrand
  • Nezir: Tommy Spahija
  • Dardan: Anatole Taubman
  • Taxi Driver: Bertrand Treuil
  • Singh: Opender Singh
  • Paper Shop Clerk: Christy Reese
  • Security Stuart’s Mansion: George Hertzberg
  • Sheik Raman: Nabil Massad
  • Maid: Ivette González

Film Crew:

  • Producer: Luc Besson
  • Screenplay: Robert Mark Kamen
  • Casting: Ferne Cassel
  • Casting: Nathalie Chéron
  • Stunts: Gilles Conseil
  • Foley: Christophe Bourreau
  • Producer: Pierre-Ange Le Pogam
  • Costume Design: Olivier Bériot
  • Casting Assistant: Bouchra Fakhri
  • Director: Pierre Morel
  • Production Design: Hugues Tissandier
  • Stunts: Affif Ben Badra
  • Producer: India Osborne
  • Original Music Composer: Nathaniel Méchaly
  • Director of Photography: Michel Abramowicz
  • Set Costumer: Kevin Ian Ackerman
  • Set Decoration: Alain Pitrel
  • Editor: Frédéric Thoraval
  • Property Master: Dana MacDuff
  • Set Costumer: Michelle Margolis
  • Camera Operator: Carl Bartels
  • Script Supervisor: Isabelle Querrioux
  • Stunts: Christian Bergner
  • Stunts: Patrice Cossoneau
  • Costume Design: Corinne Bruand
  • Makeup Department Head: Cindy Barr-Bright
  • Costume Supervisor: Betsy Glick
  • Stunts: Carlos Bonelli
  • Sound Re-Recording Mixer: Vincent Cosson
  • Sound Re-Recording Mixer: François-Joseph Hors
  • Steadicam Operator: Brad Grimmett
  • Visual Effects Supervisor: Roxane Fechner
  • Second Unit Director of Photography: Gil Pannetier
  • ADR Editor: Adrien Arnaud
  • Still Photographer: Sam Urdank
  • Gaffer: Brett Laumann
  • Armorer: Marc Leroyer
  • Set Costumer: Sybil Mosely
  • Rigging Grip: Lars Ian Wolfe
  • Special Effects Supervisor: Georges Demétrau
  • Gaffer: William Gally
  • Stunts: Alain Barbier
  • Set Costumer: Safowa Bright-Asare
  • Still Photographer: Stéphanie Branchu
  • Visual Effects Coordinator: Elodie Glain
  • Music Supervisor: Alexandre Mahout
  • Stunts: Sybille Blouin
  • Armorer: Jean-Claude Lecoq
  • Dialogue Editor: Maud Lombart
  • Steadicam Operator: Éric Le Roux
  • Steadicam Operator: Katie Boyum
  • Stunts: Malki Attar
  • Stunts: Francis Auguy
  • Stunts: Vincent Bersoulle
  • Stunts: Serge Beuchat
  • Stunts: Georges Branche
  • Stunts: Régis Desissert
  • Key Grip: Gary A. Beaird
  • First Assistant Editor: Mickaël Dumontier
  • Dolly Grip: Steve Redondo
  • Property Master: Manuel Mougin
  • Armorer: Marc Lemeslier
  • Visual Effects Coordinator: Nathalie Reno
  • Key Grip: Stéphane Birzin
  • Rigging Gaffer: Marc Mulero
  • Rigging Gaffer: Joel Spinola
  • Rigging Grip: Geoffrey Thiery
  • Rigging Grip: Jerry Antonetti
  • Rigging Grip: Damian Fusca
  • Casting Assistant: Amy De Souza
  • Casting Assistant: Jérôme Sacerdot
  • Set Costumer: Christina DeMasi
  • Wardrobe Supervisor: Capucine Martin
  • Boom Operator: Damien Berger
  • Boom Operator: Pierre Dachery
  • Boom Operator: Jean-Pierre Houël
  • Boom Operator: Alexis Lis
  • Supervising Sound Editor: Alexandre Widmer
  • Swing: Tiffany Cowsill

Movie Reviews:

  • GeekMasher: One of my best films of all time. Apart from they made a second one, this a great movie! Liam Neeson trying to save this daughter, in France, from being sold to the highest bidder. An action packed film with good acting and great fight scenes.
  • Per Gunnar Jonsson: This is a very good action/thriller flick. It currently holds a 7.9 rating at IMDb which it certainly deserves. The few people giving this a 1 or 2 star rating must be disgruntled French people who do not like to see the French government officials portrayed as corrupt bastards (which they often are anyway).

    I generally like Liam Neeson so the fact that he is in the movie kind of got the movie off to a good start already. In this movie he plays a real badass, I-kick-the-shit-out-of-anyone-standing-in-my-way, former CIA agent hunting down the despicable low-life that kidnapped his daughter. I really, really liked the role he played in this movie. He makes characters like Bourne look like wussy. Even I was surprised when he actually shot the wife of the corrupt French government bastard to get him to talk. That was just awesome.

    The movie is pretty much action all the way. Well, it starts off laying the groundwork for the story and here Liam Neeson is indeed playing a fairly timid father that seems to be a bit out of his depth. Once he gets thrown into his right element he quickly casts of the sheep’s fur and reveals the wolf (sabre-toothed) underneath.

    This is really a textbook action/thriller movie. A very enjoyable hour and a half indeed.

  • kineticandroid: Daddy knows best — especially when it comes to a mostly untrustworthy cast of Europeans — in this action film. Liam Neeson’s performance elevated this from being forgettable. Otherwise, I kind of didn’t care.
  • Gimly: Probably not good enough to have started the Revenge-Renaissance that it somehow did, but still a pretty entertaining time. _Taken_ does hit a lot of clichés though, and I mean, it starts hitting them right away. We’re literally only minutes into the film before we find out that Neeson’s lead character is divorced, and his wife has re-married to a decent, rich provider, but one who’s bookish and could never take him in a fight, and that the present he got for his daughter is for an interest that she no longer has. But once we get into the action proper, it’s pretty great.

    _Final rating:★★★ – I liked it. Would personally recommend you give it a go._

  • JPV852: Random viewing tonight, just wanted a slick and simple action-thriller and this fit the bill. Liam Neeson kicks ass and can see why his career in this genre really took off. The camera work was probably the biggest drawback (shaky cam), likely trying emulate the Bourne franchise or something. But entertaining flick that doesn’t overstay its welcome coming in at around 90-minutes. **4.0/5**
  • John Chard: Your arrogance offends me.

    It is proof positive that you can still have a basic and formulaic genre piece and the multiplex crowd will forgive it the sins of film making. For here we have a revenge thriller that is over reliant on a ream of contrivances? The kind that people scoff at when horror pictures not wanting to be serious get screamed down for?. There is also some pretty poor acting performances on show, the usually reliable Famke Jansen looks lost when asked to show emotion, Maggie Grace needs to go back to acting school, whilst some of the French actors on show give French actors a bad name.

    However the true saving grace in the movie, outside of some serious revenge fuelled torture sequences, is Liam Neeson in the lead role of Bryan Mills. Charismatic and believable as a father hell bent on finding the one thing worthwhile that he has in his life, it’s only here that Luc Besson & Robert Mark Kamen’s uneven writing gets any sort of urgency to go with the tidily put together action sequences. Taken is an enjoyable film if taken within the context of its genre, and for sure the subject matter of skin trafficking is a noteworthy plot, but no one can surely deny it doesn’t have a shallow core and honestly isn’t giving anything new to a pretty stagnated formula…

    By the by, the thrills ensure popcorn pleasing pleasures and thus it’s rated as such. 7/10

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