Elastigirl springs into action to save the day, while Mr. Incredible faces his greatest challenge yet – taking care of the problems of his three children.
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Credits: TheMovieDb.
Film Cast:
- Bob Parr / Mr. Incredible (voice): Craig T. Nelson
- Helen Parr / Elastigirl (voice): Holly Hunter
- Violet Parr (voice): Sarah Vowell
- Dashiell Parr (Dash) (voice): Huck Milner
- Lucius Best / Frozone (voice): Samuel L. Jackson
- Winston Deavor (voice): Bob Odenkirk
- Rick Dicker (voice): Jonathan Banks
- Evelyn Deavor (voice): Catherine Keener
- Jack-Jack Parr (voice): Eli Fucile
- Monster Jack-Jack Parr (voice): Nicholas Bird
- Screenslaver / Pizza Guy (voice): Bill Wise
- Edna “E” Mode (voice): Brad Bird
- Tony Rydinger (voice): Michael Bird
- Karen / Voyd (voice): Sophia Bush
- Krushauer / Helectrix (voice): Phil LaMarr
- Gus Burns / Reflux (voice): Paul Eiding
- Ambassador (voice): Isabella Rossellini
- Underminer (voice): John Ratzenberger
- Mayor (voice): Barry Bostwick
- Detective (voice): Adam Rodríguez
- Detective (voice): Jere Burns
- Honey Best (voice): Kimberly Adair Clark
- Valet (voice): Usher
- Chad Brentley (voice): Adam Gates
- Victor Cachet (voice): Michael B. Johnson
Film Crew:
- Executive Producer: John Lasseter
- Supervising Sound Editor: Ren Klyce
- Production Design: Ralph Eggleston
- Supervising Technical Director: Rick Sayre
- In Memory Of: Bud Luckey
- Additional Storyboarding: Nathan Stanton
- Layout: Gregg Olsson
- Storyboard Artist: Louis Gonzales
- Layout: Mark Sanford
- Supervising Animator: Alan Barillaro
- Animation: Shawn Krause
- Animation: David DeVan
- Animation: Brett Coderre
- Supervising Animator: Dave Mullins
- Story Artist: Sanjay Patel
- Animation: Michael Venturini
- Animation: Kureha Yokoo
- Animation: Ron Zorman
- Animation: Paul Mendoza
- Foley Editor: Dee Selby
- Story Consultant: Michael Arndt
- Thanks: Matthew Robbins
- Sound Effects Editor: Teresa Eckton
- Music: Michael Giacchino
- Music Editor: Stephen M. Davis
- Writer: Brad Bird
- Story Consultant: Peter Sohn
- Scoring Mixer: Joel Iwataki
- Animation: Kevin Andrus
- Foley Mixer: Scott Curtis
- Casting: Kevin Reher
- Producer: John Walker
- Editor: Stephen Schaffer
- Foley Artist: Shelley Roden
- ADR Recordist: Jeanette Browning
- Production Assistant: Chris Haynes
- Sound Effects Editor: Steve Bissinger
- Story Consultant: Mark Andrews
- Head of Production: Jonathan Null
- ADR Voice Casting: Terri Douglas
- Story Supervisor: Ted Mathot
- Storyboard Artist: Derek Thompson
- Casting: Natalie Lyon
- Musician: George Doering
- Lighting Artist: Josée Lajoie
- Orchestrator: Cameron Patrick
- Foley Artist: John Roesch
- Post Production Supervisor: Jessie Thiele
- Additional Storyboarding: Jeffrey Lynch
- Storyboard Artist: Kevin O’Brien
- Additional Storyboarding: Tony Fucile
- Animation: Alli Sadegiani
- Sound Effects Editor: Frank E. Eulner
- Animation: Michael Bidinger
- ADR Supervisor: Cheryl Nardi
- Sound Re-Recording Mixer: Michael Semanick
- Assistant Editor: Ben Morris
- Publicist: Chris Wiggum
- Stunts: Robert Alonzo
- Storyboard Artist: Joe Giampapa
- Colorist: Mark Dinicola
- Animation: James W. Brown
- Director of Photography: Erik Smitt
- Animation: Leslie Watters
- Layout: Adam Schnitzer
- Sound Effects Editor: Steve Orlando
- Digital Compositor: Nestor Benito
- Orchestrator: Jeff Kryka
- Orchestrator: Norman Ludwin
- Animation: Frank E. Abney III
- Foley Editor: Thom Brennan
- Producer: Nicole Paradis Grindle
- Animation: Royce Wesley
- Orchestrator: Brad Dechter
- Sound Effects Editor: Jonathan Borland
- Foley Mixer: Blake Collins
- Set Dressing Artist: Nick Pitera
- Story Artist: Dean Kelly
- Software Engineer: Ryan Kautzman
- Sequence Lead: Greg Gladstone
- Animation: Michal Makarewicz
- Layout: Mike Leonard
- Animation: Andrew Coats
- Modeling: Lou Hamou-Lhadj
- Production Coordinator: Amanda Deering Jones
- Visual Effects Supervisor: Bill Watral
- Animation: Adam Rodriguez
- Animation: Shaun Chacko
- Projection: John “JT” Torrijos
- Animation: Michael Stocker
- VFX Artist: Andrew Wheeler
- Set Designer: Paul Abadilla
- Story Artist: Octavio E. Rodriguez
- First Assistant Editor: C.J. Hsu
- Director of Photography: Mahyar Abousaeedi
- Layout: Matthew Silas
- Animation: Paul Diaz
- Animation: Simon Christen
- Animation: K. C. Roeyer
- Musician: Matt Chamberlain
- Animation: Don Crum
- Animation: Jean-Claude Tran
- Assistant Editor: Geoffrey Sledge
- Story Artist: Austin Madison
- Visual Effects: Aaron Conover
- Second Film Editor: Anthony J. Greenberg
- Additional Music: Mick Giacchino
- Supervising Sound Editor: Coya Elliott
- Visual Effects Technical Director: Amit Baadkar
- Visual Effects Technical Director: Jim Cody Harrington
- Story Manager: Megan Bartel
- Animation Director: Evan Bonifacio
- Animation: Jude Brownbill
- Animation: Michael Chia-Wei Chen
- Set Supervisor: Nathan Fariss
- Animation: Justin Farris
- Animation: Graham Finley
- Graphic Designer: Craig Foster
- Animation: Joey Gilbreath
- Animation: Aron Hatfield
- Animation Director: Travis Hathaway
- Animation: Tsung-Yin Hsieh
- Animation: Guilherme Sauerbronn Jacinto
- Layout: Robert Kinkead
- Digital Compositor: Mitch Kopelman
- Animation: Aaron Koressel
- Animation: Bruce Kuei
- Animation: John Chun Chiu Lee
- Animation: Holger Leihe
- Animation: Cameron Miyasaki
- Animation: Javier Moya Alonso
- Lighting Artist: Burt Peng
- Layout: Jan Pfenninger
- Shading: Kiki Mei Kee Poh
- Animation: Jayson Price
- Lighting Artist: Jordan Rempel
- Animation: Nickolas Rosario
- Animation: Allison Rutland
- Layout: Leo Santos
- Animation: Michael Sauls
- Animation: Brett Schulz
- Animation: Stefan Schumacher
- Animation: Terry Song
- Animation: Matthew Strangio
- Animation: Raphael Suter
- Animation: Jessica Torres
- Animation: Ricky Wight
- Animation: Alon Winterstein
- Animation: Tom Zach
- Shading: Maria Lee
- Assistant Editor: Christopher Zuber
- Assistant Accountant: Emily Engie
- Publicist: Briana Gardner
- Animation: Amanda Wagner
- Layout: Jahkeeli Garnett
- Musician: Mark LeVang
- Musician: Mark Gasbarro
- Production Coordinator: Gerisa Macale
- Animation: Dovi Anderson
- Animation: Claudio de Oliveira
- Animation: Jae Hyung Kim
- Animation: Dan Nguyen
- Animation: Tim Pixton
- Animation: Benjamin Su
- Thanks: Rob Rowe
- Editorial Manager: Leslie Pao
- Thanks: Becky Neiman
- Animation: Brendan Beesley
- Animation: Joshua Dai
- Animation: Mike Stern
- Lighting Artist: Andy Lin
- Production Coordinator: Jon Bryant
- Production Coordinator: Alyssa Mar
- Set Dressing Artist: Michael Rutter
- Software Engineer: Winston O. Good
- Musician: Serena McKinney
- Set Designer: Tim Evatt
- Animation: Lance Fite
- Animation: Catherine Hang-Hicks
- Animation: Ben Rush
- Animation: David Torres
- Animation Manager: Max Sachar
- Compositing Artist: Dorien Gunnels
- Lighting Artist: Farhez Rayani
- Systems Administrators & Support: Teresa Conaty
- VFX Artist: Shaun Galinak
- Animation: Tomoyuki Harashima
- Animation: Tal Shwarzman
- Animation: Adam Burke
- Animation: Doug Frankel
- Animation: Ken Kim
- Animation: Kevin O’Hara
- Animation: Rob Duquette Thompson
- Animation: Jaime Landes Roe
- Animation: Sequoia Blankenship
- Musician: Scott Hosfeld
- Score Engineer: Greg Loskorn
- Animation: Kristoff Vergne
- Animation: Manuel Zenon Rodriguez
- Animation: Nathan Wall
- Animation: Kyle Mohr
- Visual Effects Technical Director: Hiroaki Narita
- VFX Artist: Max Rodriguez
- Stereoscopic Technical Director: Erin Lehmkühl
- Logistics Coordinator: Edgar A. Ochoa
- Additional Storyboarding: Domee Shi
- Sound Re-Recording Mixer: Nathan Nance
- Shading: Weera Tom Wichitsripornkul
- Stereoscopic Technical Director: Stewart Pomeroy
- Costume Designer: Deanna Marsigliese
- Story Artist: Brian Kalin O’Connell
- Story Artist: Bobby Rubio
- Modeling: Tanja Krampfert
- Story Artist: Bill Presing
- Color Grading: Susan Brunig
- Art Direction: Josh Holtsclaw
- Story Artist: Michael Daley
- Security: Brian Rankin
- Production Coordinator: Emily Goldsborough
- Animation Coordinator: Daniel LaPook
- Assistant Editor: Jonathan Vargo
- Visual Effects Technical Director: Evan Denmark
- Layout: Ryan Heuett
- Animation: Montaque Ruffin
- Animation Manager: Hannah Ghioni
- Associate Editor: Katie Schaefer
- Production Manager: Sabine Koch O’Sullivan
- Story Artist: Melody Cisinski
- Producer’s Assistant: Samantha Gurash
- Story Manager: Kathryn Hendrickson
- Production Assistant: Mia Stapleton
- Software Engineer: David Eberle
- General Manager: Josh Lowden
- Background Designer: Emre Emin
- Modeling: Nancy Tsang
- Shading: Jacob Kuenzel
- Tailor: Mariana Galindo
- Visual Effects Technical Director: Cari Reiche
- Visual Effects Technical Director: Itamar Belson
- Stereoscopic Technical Director: Erin Onstine
- Set Dressing Artist: Tracy Lee Church
- Layout: Alexander Curtis
- Layout: Andy Grisdale
- Layout: Arjun Rihan
- Layout: Seong-Young Kim
- Animation: Christopher Chua
- Animation: Jordi Oсate Isal
- Story Artist: Rosanna Sullivan
Movie Reviews:
- r96sk: A good sequel.
‘Incredibles 2’ isn’t too far away from the preceding film, which is always a big plus for a follow-up. This one is definitely the more funnier of the two, there are some very amusing moments; especially with Jack-Jack (Eli Fucile/Nick Bird).
From a plot point of view, the antagonists are better though unfortunately they do go down the obvious direction with them. I felt a few pacing issues too, it’s a slow burner. The animation is very solid, as are the voice cast.
Speaking of the cast, all of the main lot return with the exception of Spencer Fox (Dash) – whose absence I didn’t really notice in truth. Everyone’s as good as they are in the original, while the additions of Winston (Bob Odenkirk) and Evelyn (Catherine Keener) are welcomed. There’s also a small yet nice role for Odenkirk’s ‘Better Call Saul’ co-star Jonathan Banks (Dicker).
This does some things greater than ‘The Incredibles’, but other things less so. Nevertheless, it’s a very respectable Disney sequel.
- Gimly: Doesn’t hold a candle to the original _Incredibles_, and it’s like… **really** on the nose, but _Incredibles 2_ is still a good time.
Final rating:★★★ – I liked it. Would personally recommend you give it a go.