Captain Marvel

The story follows Carol Danvers as she becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races. Set in the 1990s, Captain Marvel is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe.
<%%item_is_not_adult%%

Credits: TheMovieDb.

Film Cast:

  • Carol Danvers / Vers / Captain Marvel: Brie Larson
  • Nick Fury: Samuel L. Jackson
  • Talos / Keller: Ben Mendelsohn
  • Yon-Rogg: Jude Law
  • Supreme Intelligence / Dr. Wendy Lawson: Annette Bening
  • Korath: Djimon Hounsou
  • Ronan the Accuser: Lee Pace
  • Maria Rambeau: Lashana Lynch
  • Minn-Erva: Gemma Chan
  • Agent Phil Coulson: Clark Gregg
  • Bron-Charr: Rune Temte
  • Att-Lass: Algenis Perez Soto
  • Young Carol (13 Years Old): Mckenna Grace
  • Monica Rambeau (11 Years Old): Akira Akbar
  • Norex: Matthew Maher
  • Soh-Larr: Chuku Modu
  • Hero Torfan: Vik Sahay
  • Steve Danvers: Colin Ford
  • Joseph Danvers: Kenneth Mitchell
  • Cadet Officer: Stephen A. Chang
  • Bret Johnson: Pete Ploszek
  • Spider: Matthew ‘Spider’ Kimmel
  • Cajun: Stephen ‘Cajun’ Del Bagno
  • Young Carol (6 Years Old): London Fuller
  • Monica Rambeau (5 Years Old): Azari Akbar
  • Skrull Main Tech: Mark Daugherty
  • Skrull Tech #1: Diana Toshiko
  • Mall Security Guard: Barry Curtis
  • Surfer Girl Talos #1: Emily Ozrey
  • Surfer Girl Talos #2: Abigaille Ozrey
  • Older Lady on Train: Marilyn Brett
  • Stan Lee: Stan Lee
  • Biker (The Don): Robert Kazinsky
  • Medical Examiner: Nelson Franklin
  • Bartender: Patrick Brennan
  • Security Chief: Patrick Gallagher
  • Agent Whitcher: Ana Ayora
  • Monica’s Grandmother: Lyonetta Flowers
  • Monica’s Grandfather: Rufus Flowers
  • Soren: Sharon Blynn
  • Talos’ Daughter: Auden L. Ophuls
  • Talos’ Daughter: Harriet L. Ophuls
  • Accuser #1: Matthew Bellows
  • Tom the Neighbor: Richard Zeringue
  • Talos-Kree Soldier: Duane Henry
  • Steve Rogers / Captain America (uncredited): Chris Evans
  • Natasha Romanoff / Black Widow (uncredited): Scarlett Johansson
  • James ‘Rhodey’ Rhodes / War Machine (uncredited): Don Cheadle
  • Bruce Banner / The Hulk (uncredited): Mark Ruffalo
  • Lady in Subway Station (uncredited): Kelly Sue DeConnick
  • Skrull Spy 2 (uncredited): Vinny O’Brien
  • Kree Rail Passenger (uncredited): Joey Courteau

Film Crew:

  • First Assistant “A” Camera: Bill Coe
  • Supervising Sound Editor: Christopher Boyes
  • Sound Designer: Gary Rydstrom
  • Costume Design: Sanja Milković Hays
  • Casting: Sarah Halley Finn
  • Thanks: Stan Lee
  • Producer: Kevin Feige
  • ADR Mixer: Doc Kane
  • Foley Artist: Jana Vance
  • Sound Effects Editor: Dee Selby
  • Executive Producer: Patricia Whitcher
  • Stunt Coordinator: Hank Amos
  • Second Unit Director: Jeff Habberstad
  • Production Design: Andy Nicholson
  • Boom Operator: Jonathan Fuh
  • Sound Effects Editor: Teresa Eckton
  • Set Decoration: Lauri Gaffin
  • Special Effects Supervisor: Daniel Sudick
  • Director of Photography: Ben Davis
  • Unit Production Manager: Susan McNamara
  • Thanks: Jack Kirby
  • Thanks: Joe Simon
  • Set Designer: Scott Herbertson
  • Music Supervisor: Dave Jordan
  • Camera Operator: Michael St. Hilaire
  • Art Direction: Lauren E. Polizzi
  • Supervising Art Director: Andrew Max Cahn
  • Music Arranger: Tim Jones
  • Story: Ryan Fleck
  • Story: Anna Boden
  • Editor: Elliot Graham
  • Executive Producer: Louis D’Esposito
  • Second Unit Director of Photography: Igor Meglic
  • Art Direction: Beth Mickle
  • Original Music Composer: Pinar Toprak
  • Production Manager: Paddy Cullen
  • Executive Producer: Victoria Alonso
  • Editor: Debbie Berman
  • Camera Operator: Geoffrey Haley
  • Stunt Double: Michelle Lee
  • Aerial Director of Photography: Michael Kelem
  • Thanks: Roy Thomas
  • Makeup Artist: Jason Collins
  • ADR Voice Casting: Barbara Harris
  • Prosthetic Makeup Artist: Bruce Spaulding Fuller
  • Set Costumer: Charlie Dicus
  • Camera Operator: Christopher Duskin
  • Stunt Double: Charles Ingram
  • Special Effects Makeup Artist: Carlton Coleman
  • Still Photographer: Matt Kennedy
  • Art Direction: Kasra Farahani
  • Assistant Director of Photography: Matthew J. Lloyd
  • Thanks: Gene Colan
  • Script Supervisor: Samantha C. Kirkeby
  • Executive Producer: Jonathan Schwartz
  • Story: Nicole Perlman
  • Visual Effects Producer: Grace Hendley
  • Gaffer: Ross Dunkerley
  • Assistant Costume Designer: Mairi Chisholm
  • Assistant Costume Designer: Irena Stepić
  • Makeup Artist: Jake Garber
  • Storyboard Artist: Bryan Andrews
  • Sound Designer: David Acord
  • Music Arranger: Emir Isilay
  • Makeup Artist: R.J. McCasland
  • Visual Effects Producer: Paul Driver
  • Costume Supervisor: Linda Matthews
  • Art Direction: Elena Albanese
  • Sound Re-Recording Mixer: Lora Hirschberg
  • Costume Supervisor: Wendy M. Craig
  • Set Decoration Buyer: Jill Broadfoot
  • Property Master: Andrew Petrotta
  • Music Editor: Tom Kramer
  • Set Designer: Kevin Cross
  • Art Department Coordinator: Stephanie Higgins Frey
  • First Assistant Director: Lars P. Winther
  • Set Designer: Tammy S. Lee
  • Construction Coordinator: Anthony Syracuse
  • Visual Effects Supervisor: Ed Bruce
  • Sculptor: Cuitlahuac Morales Velazquez
  • Script Supervisor: Kerry Lyn McKissick
  • Set Designer: Tim Croshaw
  • Location Manager: Bonnie Marquette
  • Visual Effects Producer: Ilona Blyth
  • Costumer: Tricia Yoo
  • Set Designer: Mike Stassi
  • Supervising Sound Editor: Gwendolyn Yates Whittle
  • Key Costumer: John M. ‘Jack’ Wright
  • Music Editor: Joseph Bonn
  • Visual Effects Supervisor: Paul Butterworth
  • Stunt Coordinator: James M. Churchman
  • Music Editor: Amanda Goodpaster
  • Dialogue Editor: Brad Semenoff
  • Makeup Department Head: Heba Thorisdottir
  • Visual Effects Supervisor: Trent Claus
  • Set Costumer: Bob Moore Jr.
  • Compositing Supervisor: Edson Williams
  • Dolby Consultant: James Wright
  • Sculptor: J. Bryan Holloway
  • Transportation Coordinator: Geno Hart
  • Set Designer: Ernie Avila
  • Key Set Costumer: Mustapha Mimis
  • Special Effects Makeup Artist: Cary Ayers
  • Production Supervisor: Don J. Hug
  • Sculptor: Duncan Crawford
  • Costumer: Askia Won-Ling Jacob
  • Aerial Director of Photography: David B. Nowell
  • Visual Effects Editor: John Polyson
  • Visual Effects Editor: Kosta Saric
  • Visual Effects Supervisor: Christopher Townsend
  • Wigmaker: Natasha Ladek
  • Visual Effects Producer: Jason Bath
  • Hairstylist: Laurel Kelly
  • Sound Effects Editor: J.R. Grubbs
  • Makeup Artist: Alexei Dmitriew
  • Hair Department Head: Janine Rath
  • Set Dresser: Sean Ginevan
  • Key Costumer: Pamela Waggoner
  • Visual Effects Supervisor: Malte Sarnes
  • Set Decoration Buyer: Samuel J. Tell
  • Head of Animation: Steve Nichols
  • Hair Department Head: Camille Friend
  • Rigging Gaffer: Dana Arnold
  • Visual Effects Editor: Liana Jackson
  • Digital Effects Supervisor: Hanzhi Tang
  • VFX Editor: Tony Bacigalupi
  • Camera Operator: Sarah Levy
  • Key Makeup Artist: Malanie J. Romero
  • Gaffer: Michael Ambrose
  • Camera Operator: Onofrio Nino Pansini
  • Special Effects Makeup Artist: Danny Wagner
  • Visual Effects Coordinator: Harrison Goldstein
  • Senior Animator: Stewart Alves
  • Special Effects Makeup Artist: Erica Akin
  • Lead Animator: Mathieu Dimuro
  • Story: Meg LeFauve
  • Animation Supervisor: Adrian Millington
  • CG Supervisor: Celia Jepson
  • Special Effects Technician: Roy K. Cancino
  • Layout Supervisor: Gregory Bossert
  • Compositing Supervisor: Ryan B. Clarke
  • Assistant Editor: Jess Jansen
  • Stunt Double: Hannah Betts
  • Rigging Grip: King Lanaux
  • Electrician: Richard Landry
  • Set Designer: David Moreau
  • Rigging Gaffer: Jason C. Fitzgerald
  • Animation Supervisor: Liz Bernard
  • Art Department Coordinator: Andrea Carter
  • Visual Effects Supervisor: Craig Hammack
  • Makeup Artist: Thomas Floutz
  • Set Costumer: Jody Felz
  • Hairstylist: Louisa V. Anthony
  • Assistant Art Director: Michael Gowen
  • Co-Producer: David J. Grant
  • Craft Service: Jeff Winn
  • Casting Associate: Jason B. Stamey
  • Visual Effects Producer: Michael Perdew
  • Key Hair Stylist: Pauletta O. Lewis
  • Visual Effects Producer: Erin D. O’Connor
  • Makeup Artist: Suzanne Diaz
  • Visual Effects Supervisor: Oliver Schulz
  • Costumer: Cookie Lopez
  • Foley Mixer: Blake Collins
  • Transportation Captain: Adam Pinkstaff
  • Makeup Artist: Jennifer Zide
  • Animation Director: Bernd Angerer
  • Transportation Co-Captain: Angel DeSanti
  • Boom Operator: Richard Bullock Jr.
  • Sound Mixer: Pud Cusack
  • Visual Effects Producer: Mare McIntosh
  • Foley Artist: Ronni Brown
  • Best Boy Grip: Jeremy Brussell
  • Art Direction: Jason T. Clark
  • Animation Supervisor: Eric Petey
  • Camera Operator: Ian Clampett
  • Best Boy Electric: John Lacy
  • VFX Editor: Luke Botteron
  • Visual Effects Coordinator: Cole Darby
  • Storyboard Artist: Darrin Denlinger
  • Lighting Technician: Brian Minzlaff
  • Set Costumer: Steven Butler
  • Animation Supervisor: Simone Kraus Townsend
  • Set Dresser: David Ladish
  • Unit Publicist: John M. Pisani
  • Lighting Technician: Buzzy Burwell
  • Costumer: Craig Anthony
  • Story: Geneva Robertson-Dworet
  • Key Grip: Michael Anderson
  • Key Grip: Peter Chrimes
  • VFX Editor: Lei Zhang
  • Visual Effects Producer: Damien Carr
  • Contact Lens Painter: Kevin Carter
  • CG Artist: Cristiano Cesolari
  • Transportation Captain: Michael Connor
  • Hair Department Head: Jaime Leigh McIntosh
  • Key Set Costumer: Jessica Pazdernik
  • Set Designer: Shamim Seifzadeh
  • Special Effects Makeup Artist: Samantha Ward
  • Visual Effects Supervisor: Dominik Zimmerle
  • Extras Casting: Sandra Marthon
  • Leadman: Anthony Carlino
  • Lighting Technician: Thomas M. Dangcil
  • Best Boy Grip: Chad Herr
  • Visual Effects Supervisor: Brendan Seals
  • Dialogue Editor: James Spencer
  • Lighting Technician: Christopher Pritzlaff
  • Casting Assistant: Molly Doyle
  • Set Dresser: Sam Hensen
  • Storyboard Artist: Federico D’Alessandro
  • Compositing Supervisor: Alexey Kuchinsky
  • Set Designer: Julien Pougnier
  • Standby Painter: Andrew P. Flores
  • CG Supervisor: Alexander Schumann
  • Visual Effects Editor: Robert Drwila
  • Set Costumer: Tiffany Barry
  • Key Hair Stylist: Karen Bartek
  • Makeup Artist: Vasilios Tanis
  • First Assistant Editor: Kimberly Boritz
  • Lead Animator: Ngan Chung
  • CG Supervisor: Andrew Zink
  • Studio Teacher: Laura Galinson
  • Rigging Grip: Max Patrucco
  • Dolly Grip: James D. Wickman
  • Visual Effects Coordinator: Chelsea Mirus
  • Aerial Camera Technician: Jared Slater
  • Set Dresser: Mike Sunga
  • Visual Development: Andy Park
  • Assistant Art Director: Erin E. Riegel
  • Makeup Artist: Alexandria Storm
  • Key Costumer: Jimmy Jay
  • Sound Effects Editor: Kimberly Patrick
  • Art Direction: Jordan Ferrer
  • Rigging Grip: Gary J. Dodd
  • Rigging Grip: Darin Devonshire
  • Production Controller: Ross Jensen
  • Additional Hairstylist: Marc Boyle
  • Visual Effects Producer: Massimo Meo
  • VFX Editor: Alex Holcombe
  • Pilot: Kevin LaRosa Jr.
  • Epk Camera Operator: Sean Ricigliano
  • Dialogue Editor: Chris Gridley
  • Techno Crane Operator: Bogdan Iofciulescu
  • Compositing Supervisor: Mortimer Warlimont
  • Foley Editor: Shaun Farley
  • Rigging Grip: Robert J. Reilly
  • Second Second Assistant Director: Emily Neumann
  • Visual Effects Production Manager: Kenneth Coyne
  • Visual Effects Production Manager: Nicholas Murphy
  • Music Coordinator: Trygge Toven
  • 3D Generalist: Sebastian Schmall
  • VFX Editor: Jan Reichmann
  • Rigging Grip: Ryan Chamberlain
  • Rigging Grip: Dan Wyssmann
  • Visual Effects Coordinator: Sara Bold
  • Stunt Double: Joanna Bennett
  • Set Dresser: David Napoli
  • Second Second Assistant Director: Erin Stern
  • Set Designer: Patrick Dunn-Baker
  • Storyboard Artist: Anthony Liberatore
  • Set Decoration Buyer: Sara Gardner-Gail
  • Construction Buyer: David Christopher Campbell
  • Dolly Grip: Jim Leidholdt
  • Visual Effects Coordinator: Katrissa ‘Kat’ Peterson
  • Construction Foreman: Travis Huffman
  • Art Department Assistant: Rahma Farahat
  • Stereoscopic Coordinator: Andy Yamada
  • Transportation Co-Captain: Wayne Roberts
  • Visual Effects Producer: Praveen Kilaru
  • Best Boy Electric: Morten Petersen
  • CG Supervisor: Tonio Freitag
  • Special Effects Makeup Artist: Cassie Russek
  • CG Supervisor: Noah Vice
  • Visual Effects Coordinator: Lucas John Ng
  • Visual Effects Supervisor: Josh Dagg
  • Visual Effects Producer: Julien Cimino
  • Rigging Grip: Daniel Vlahos
  • Ager/Dyer: Ian Churchill
  • Visual Effects Coordinator: Eva Mularonek
  • Compositing Supervisor: Micah Gallagher
  • Special Effects Technician: Michael A. Tice
  • Electrician: Jerardo Gomez
  • Assistant Property Master: Bradley Good
  • Visual Effects Production Manager: Katie Stetson
  • Visual Effects Supervisor: Christian Kaestner
  • Ager/Dyer: Rob Phillips
  • Visual Effects Producer: Ryan Flick
  • Ager/Dyer: Katy Johnson
  • Visual Effects Coordinator: Sarah Cave
  • Visual Effects Producer: Lee Briggs
  • Foley Artist: Geoff Vaughan
  • Lead Animator: Bill Bridges
  • Visual Effects Coordinator: Errol Stussi
  • Visual Effects Supervisor: Nick Crew
  • Visual Effects Producer: Carlos Ciudad
  • Lead Animator: Simon Pickard
  • Visual Effects Coordinator: Juliette Lemaire
  • Modeling: Matt Dicken
  • Ager/Dyer: Sebastien Jutras
  • Creature Technical Director: Avijit Das
  • Foley Supervisor: Qianbaihui Yang
  • VFX Lighting Artist: Miguel Lleras Villaveces
  • Visual Effects Coordinator: Lane Howard
  • Creature Technical Director: Gem Ronn Cadiz
  • Visual Effects Production Manager: Mark Story
  • Special Effects Technician: Darin O’Neill
  • Contact Lens Technician: Sean Kenney
  • Special Effects Technician: Kevin Bowers
  • Matte Painter: Sun Lee
  • Pipeline Technical Director: Nicholas Hampshire
  • Visual Effects Producer: Andrew Eick
  • Sound Re-Recording Mixer: Bonnie Wild
  • Contact Lens Painter: Cristina Patterson
  • Visual Effects Coordinator: Anne-Marie Ouellet
  • Costumer: Jimmy Kenney
  • Set Dresser: Robert Gray
  • Associate Producer: Mary Livanos
  • Utility Sound: Kevin Culligan
  • Payroll Accountant: David Hickey
  • Matte Painter: Jaeil Seo
  • Matte Painter: Rose Wang
  • Assistant Editor: Tom Scott
  • Graphic Designer: Andrew Campbell
  • Rigging Grip: Charles Smith
  • Rigging Grip: William Kent
  • Digital Imaging Technician: Jordan Harriman
  • First Assistant Camera: Robert M. Sagaser
  • Lighting Technician: Thomas McCarty
  • Second Assistant Camera: Daniel Wurschl
  • Extras Casting: Brad Bittner
  • CG Supervisor: Daisuke Nagae
  • CG Artist: Matthias Winkler
  • Pipeline Technical Director: Nathan Rusch
  • Visual Effects Producer: Monique Pollaehne
  • Visual Effects Supervisor: Kevin Souls
  • Music Coordinator: Shannon Murphy
  • Set Costumer: Lily Scott
  • Compositing Supervisor: Robert Jackson
  • Studio Teacher: Thomas O’Flaherty
  • Compositing Supervisor: Bryan Smeall
  • Visual Effects Coordinator: Carlos Flores Tavitas
  • Assistant Sound Editor: Cameron Barker
  • Second Assistant Camera: Eric Amundsen
  • Special Effects Technician: Morgan Guynes
  • Matte Painter: Sarah Neveu
  • Senior Modeller: John Saleem
  • Senior Animator: Jeff Vacanti
  • Visual Effects Coordinator: Jaclyn Abrahante
  • CG Artist: Alexander Hartwin
  • Compositing Supervisor: Guido Wolter
  • Libra Head Technician: Jayden York
  • 2D Supervisor: Jim O’Hagan
  • Pipeline Technical Director: Marc-Olivier Rouleau
  • Lead Animator: Alfonso Sicilia
  • Visual Effects Producer: Sophie Carroll
  • Special Effects Technician: Allison Gainza
  • Senior Modeller: Thirupathi Nomula
  • Compositing Supervisor: Benjamin Burr
  • Compositing Supervisor: Romain Rico
  • Modelling Supervisor: Chris Radcliffe
  • CG Supervisor: David Michaels
  • Payroll Accountant: Amy Denning Winfrey
  • VFX Lighting Artist: Shawn McCarten
  • 3D Modeller: Albert Radosevic
  • Transportation Co-Captain: Mark Maymo
  • Visual Effects Production Manager: Beverly Abbott
  • First Assistant Accountant: Ian Crockett
  • Special Effects Technician: Kenneth Van Order
  • Lighting Technician: Scott Medcalf
  • Production Coordinator: Jordan Gilbert
  • First Assistant “C” Camera: Chuck Whelan
  • CG Artist: Eugen Kelle
  • Payroll Accountant: Katy Genovese
  • Visual Effects Producer: Christine Neumann
  • Travel Coordinator: Stacy Parker
  • Set Costumer: Danny Vick
  • Set Dresser: Scott M. Anderson
  • Set Dresser: Dean Lakoff
  • Assistant Set Decoration: Claire Fredrickson
  • Rigging Grip: Matthew Thomas Moles
  • Set Designer: Robert Broadfoot
  • Stereoscopic Editor: Wayan Blue Palmieri
  • Costumer: Siobhan Claridy
  • Visual Effects Supervisor: Vinod Gundre
  • Second Assistant Director: Katy Galow
  • Contact Lens Technician: Robert Smithson
  • Construction Coordinator: Lanny Henson
  • Hairstylist: Raissa Patton
  • In Memory Of: Stephen ‘Cajun’ Del Bagno
  • Visual Effects Production Manager: Marlene Nehls
  • Animation Supervisor: Raphael A. Pimentel
  • Rigging Grip: Denise Brady
  • ADR Recordist: Jeannette Browning
  • Special Effects Technician: Todd Jensen
  • Thanks: Kelly Sue DeConnick
  • Pipeline Technical Director: David Zeng
  • Rigging Grip: Jason Klinger
  • Modelling Supervisor: Magnus Skagerlund
  • Visual Effects Coordinator: Neha Samant
  • Set Dresser: Michael A. Johnson
  • 3D Artist: Joshua Hakim
  • Sculptor: David French
  • Lighting Technician: Cristian Cazor
  • Visual Effects Production Assistant: Hawkins DuBois
  • Set Dresser: John Horning
  • Creature Technical Director: James McPhail
  • Visual Effects Production Assistant: Jonathan Beres
  • Visual Effects Production Manager: Shaan Nelson
  • Lighting Technician: Ronald ‘Ronnie’ Martin
  • Visual Effects Supervisor: David Hodgins
  • Modeling: Dirk Mauche
  • Set Dresser: John R. Boucher
  • Senior Animator: Thierry Dezarmenien
  • Music Arranger: Steve Davis
  • Costumer: Briana Heavener
  • Lighting Technician: Trish Herremans
  • Camera Loader: Jennifer Lai
  • Lighting Programmer: Benoit Richard
  • Set Dresser: Max Bostic
  • Digital Imaging Technician: Eduardo Eguia
  • Digital Imaging Technician: Daniel A Hernandez
  • Lighting Technician: Nick Zeigler
  • Visual Effects Coordinator: Neil Hughes
  • Visual Effects Coordinator: Vani Rakesh
  • Visual Effects Coordinator: Jialing Danni Zhang
  • Sound Designer: Matt Lange
  • Visual Effects Supervisor: Graham Page
  • CG Artist: Bernhard Esperester
  • CG Artist: Joshua Koilpillai
  • CG Artist: Jenny Leupold
  • CG Artist: Werner Reifberger
  • CG Artist: Jan Roth
  • CG Artist: Merten Tremer
  • CG Artist: Mona Wiemer
  • Stereoscopic Supervisor: Simon D. Kern
  • Visual Effects Coordinator: Chaz Pizani
  • Visual Effects Coordinator: Ellis Trespalacios
  • Visual Effects Producer: Allison Glennon
  • Makeup Artist: Rob Seal
  • Props: Alanna Suen
  • Visual Effects Coordinator: Diana Cobo
  • Production Coordinator: Lauren VanOrsdale
  • Digital Intermediate Producer: Elijah Eastlund
  • Dailies Operator: Brian Chandler
  • Production Coordinator: Sara Bartkiewicz
  • Second Second Assistant Director: Cody Williams
  • CG Artist: Olivia Puchalla
  • Senior Animator: Ümit Dönmez
  • Costumer: Bianca White
  • Rigging Grip: Joe L. Wright
  • Assistant Property Master: Daniel M. Donato
  • Assistant Property Master: Fritz Buckley
  • Compositing Supervisor: Oliver Hohn
  • CG Supervisor: Patrick Hecht
  • Compositing Artist: Marc Schoenbeck
  • Assistant Sound Editor: Marilyn Morris
  • Production Secretary: T.J. Bryson
  • Dailies Operator: Max Magbee
  • Sound Engineer: Dan Abrams
  • Sound Engineer: Mark Lindauer
  • Sound Engineer: Ryan Stern
  • Sound Engineer: Andy Winderbaum
  • VFX Lighting Artist: Lyndsey Will
  • Drone Operator: Chad B. Daring
  • Visual Effects Production Assistant: Sharon Das
  • Video Assist Operator: Alfred Ainsworth Jr.
  • Additional Hairstylist: Renia Green
  • Special Effects Makeup Artist: Matt Sprunger
  • Costumer: Katie Jenkinson
  • Costumer: Cary Gunnar Lee
  • Digital Imaging Technician: Jamie Metzger
  • First Assistant Camera: David Taylor
  • Lighting Technician: Darrel D’Itri
  • Rigging Grip: Rebecca Walton
  • Second Assistant Camera: Hai Le
  • Music Arranger: Peter Seibert
  • Assistant Sound Editor: Alyssa Nevarez
  • Assistant Sound Editor: Sarah Shaw
  • Sound Effects Editor: Lucas Miller
  • Utility Sound: Chloe Patenaude
  • Art Department Assistant: Katarina Kushin
  • Assistant Property Master: Hannah M. Hinkel
  • Props: Otto Broberg
  • Props: Albert Cuellar
  • Set Decoration Buyer: Kate Fettis
  • Set Dresser: David Dunn
  • Set Dresser: Danny Metz
  • Set Dresser: Brian Nabours
  • Set Dresser: Mark Rodriguez
  • Set Dresser: Billy Sender
  • Standby Painter: Dino Hamilton
  • Standby Painter: Aaron Rodriguez
  • 2D Artist: Yuliia Kondratova
  • 3D Artist: Stiliyan Kyusheliev
  • 3D Artist: Johannes Ruf
  • 3D Artist: Felix Wolf
  • 3D Modeller: David Kent
  • 3D Modeller: Adam Michael Spring
  • CG Artist: Andrew Brumme
  • CG Artist: Magdalena Cichocka
  • CG Artist: Michael Haupt
  • CG Supervisor: Gregory John Jowle
  • Compositing Supervisor: Benjamin James Ying
  • Layout Supervisor: Patrik Marek
  • Layout Supervisor: Carlos Patrick De Leon
  • VFX Lighting Artist: Vitor Libardi
  • VFX Lighting Artist: Michael Johns
  • VFX Lighting Artist: Jakob Jan Steffen
  • VFX Lighting Artist: Alexander Szabados
  • Matte Painter: Yvonne Muinde
  • Modeling: Timothy Blake
  • Modeling: Gastón Emery
  • Modeling: Maximilian Lambrecht
  • Modeling: Dennis Mielke
  • Modeling: Francisco Paioes
  • Modeling: Josip Vrandecic
  • Pipeline Technical Director: Jason Holt
  • Pipeline Technical Director: Victoria Mothersill
  • Pipeline Technical Director: Tonya Strantzi
  • Pipeline Technical Director: Darragh Duffy
  • Pipeline Technical Director: Gina Guerrero
  • Senior Animator: Brad Lincoln
  • Stereoscopic Supervisor: Rahul Mhatre
  • VFX Editor: Lara Mazzawi
  • Visual Effects Coordinator: Rachel Sokoloski
  • Visual Effects Coordinator: Molly McLaren
  • Visual Effects Coordinator: Mathieu Ardon Ktistakis
  • Visual Effects Coordinator: Anna Thenberg
  • Visual Effects Coordinator: Samantha Abda
  • Visual Effects Coordinator: Jose A. Velazquez
  • Visual Effects Producer: Ryan Wilk
  • Visual Effects Production Assistant: Jon Roth
  • Visual Effects Production Assistant: Stephanie Cziczo
  • Visual Effects Production Assistant: Anna Mudrak
  • Visual Effects Production Manager: Karolina Simos-Dziewonska
  • Visual Effects Production Manager: Gabrielle Buchan
  • Visual Effects Production Manager: Ethan Maharaj
  • Visual Effects Coordinator: Yeri Casanova
  • Visual Effects Coordinator: Tulika Kabra
  • Visual Effects Coordinator: Snehal Kanchan Mistry
  • Visual Effects Coordinator: Ramona Dominick
  • Visual Effects Coordinator: Teresa Hernandez
  • Visual Effects Coordinator: Scott Kunysz
  • Visual Effects Coordinator: Ariadna Roa Salazar
  • Visual Effects Coordinator: Daria Zecha
  • Visual Effects Compositor: Christopher Leloup
  • Special Effects Technician: Martin J. Gibbons
  • Special Effects Technician: Ellie Oster
  • Special Effects Technician: Epiffany Phillips
  • Special Effects Technician: Bobby Stenwall
  • Casting Assistant: Eric Nuyten
  • Casting Associate: Debbie Andrews
  • Casting Associate: Chris Velez
  • Extras Casting: Josh Engler
  • Extras Casting Assistant: Chase Lubag
  • Colorist: Scott Fox
  • Colorist: Jeremy-Voissem
  • Digital Intermediate: Lorn Vriniotis
  • Editorial Production Assistant: Madeline Kushner
  • First Assistant Editor: Jessica Baclesse
  • Location Coordinator: Jennifer Antoinette Kennedy
  • Location Manager: Win Riley
  • Craft Service: Alison Hoberman
  • First Assistant Accountant: Donna Wills
  • Payroll Accountant: Christian Malouf
  • Payroll Accountant: Vincent Slaughter
  • Payroll Accountant: Stephanie Ann Schwartz
  • Production Coordinator: Katherine Lucy McLure
  • VFX Artist: Dan Finnegan
  • Visual Effects: Michael Furniss
  • Thanks: David Lopez

Movie Reviews:

  • jj@LA: I would not pay to see it. I did see it for free already…so at least, I was not cheated of my money [“I laughed, I cried, I kissed $10 good-bye!”–most other movies]. I saw sneak preview a few months back and it was the full-length feature but it was missing music in the end credit section and may have some added additional editing since then. What I did see, it was on par with Thor: Dark World in quality and has higher wokeness than Han Solo and Star War: Last Jedi. Probably worst Marvel movie since the start of this universe started with the great Iron Man…only thing that could have been worse if Inhuman movie was made. So hold on to your money and maybe watch this at 2nd run theater ($1.75 each…maybe $3 at most) or online free…so you know how this added character will lessen the Avenger’s End Game plot. The CGI special effects are just okay but the simpleton story, underwhelming acting and almost-no character development are at the expense to make this the tops of any recent movies with its wokeness and identity politics…And Brie Larson character is just boring with no depth…just like Disney did to current Star Wars movies’ female lead. DEFINITELY do NOT spend the money to see it on IMAX or any other expensive premium screenings or waiting in line on opening weekend. Maybe newer version (a few years back) Ghostbust(-h)ers was slightly better…which is not saying much. Already seeing highly rated tweets from critics, I am sure these are the same movie critics that gave great ratings to last years movies, “The Favourite” and “Sorry to Bother You”. Yeah, Don’t see this either!
  • kidchaos313: Went in not paying attention to any of the drama surrounding the movie. The movie was just like the trailers, boring. Terrible fight choreography and all in acting by Brie. Cinematography was so bad, way too many cuts. Samuel L Jackson and Goose were brilliant and Mendelsohn was incredible as Talos.
    The movie relied too much in 90s nostalgia.
    Not great when the main actor is out done by a cat.
  • MSB: If you enjoy reading my Spoiler-Free reviews, please follow my blog 🙂

    As a fair and impartial film critic, I need to state this: I don’t care about the controversy surrounding Brie Larson or the agendas this movie is trying to push or not. I’m not part of any hate group or factions that hate those hate groups. I just want to watch a good superhero origin film, that introduces me to a new character that I’m supposed to care about and root for. Read my review, sure, but make up your own mind. Go see the movie and be honest. Since that’s out of the way, let’s keep going …

    It was always going to be a huge risk trying to introduce such an important and powerful character like Carol Danvers into the end of Phase Three. Not only she comes from nowhere (as far as I remember, she was barely mentioned in previous films or even not mentioned at all before Infinity War), but it’s the last movie before the climactic, era-ending Avengers: Endgame. She is the one who is going to take our heroes to victory against Thanos, the bad guy who I dare say easily defeated on his own pretty much every superhero we knew until that moment. So, while I was not expecting an outstanding story packed with phenomenal action, I was also hoping for more than just a simple origin film like it came from Phase One.

    Unfortunately, that’s exactly what I got. Everything is fine. Just okay. There’s no exceptional fight scene, but most of it is decent. There’s no visual wonder, but it doesn’t look bad. The characters’ potential feels wasted, but they work for the plot. Everything is frustratingly balanced, which is something I would praise in a bunch of other movies, but this isn’t 2008 anymore. Marvel isn’t starting its cinematic universe, it is almost finishing a whole arc involving more than 20 installments! I’m going straight to the one character everyone wants to talk about: Goose … Sorry, Captain Marvel! Jokes aside, this is one of the issues I was worried about going into the film theater. I escaped 99% of the marketing for this movie as I do with every other flick. I didn’t watch a single clip/trailer, I know as much about the controversy surrounding this installment as my dog and I kept my expectations realistic having in mind what I truly know about the film and only the film itself. The one thing I was not able to hide from were the headlines giving tremendous praise to … a cat.

    Now, follow me on this: I’m going to watch a superhero origin movie. A whole new character is waiting for me at the big screen. I’m excited to know more about her, where does she come from, what her powers are and so much more. Some headlines show up on my social media feed, and I find that a CAT “steals the show,” “deserves a spin-off,” and I don’t even know what more. Granted, the cat is indeed funny. It provides some chuckles here and there. That’s it. I love cats, but I honestly can’t figure out why everyone is so amazed by an animal doing animal things. Maybe it’s because the rest of the film isn’t that entertaining … or perhaps just because people really, really love cats. Like the movie itself, I think it’s a mixture of both options.

    Back to what matters and to who everyone should be talking about: Brie Larson. Marvel rarely misses its casting choices, and being Larson an Academy-Award winner, her talent is undeniable. She has everything she needs to consistently deliver a strong performance, so I’m surprised that she couldn’t stand out from the film’s overall blandness. I repeat, the movie isn’t bad, at all. However, I was expecting an actress of Brie Larson’s caliber to elevate, at least, her own character, but she’s like everyone else: just good enough. I don’t know if her performance was limited by bad direction or by her own decisions, but the potential is there, and I’m sure the Russo brothers will give her a much more thrilling arc in Endgame.

    The two best attributes of the entire film are, without a single doubt, the buddy-cop relationship that Carol and Nick Fury (Samuel L. Jackson) develop, and the groundbreaking de-aging CGI. Story-wise, the interactions between these two characters are so captivating and humorous that the pacing issues of the first act gradually start to disappear. Carol’s past is often approached with quick flashes and a lot of cheap exposition, so it’s a breath of fresh air to have SLJ and Larson play off of each other. Nevertheless, the de-aging technology used is absolutely astounding. My fellow readers, welcome to the future of filmmaking, where any actor/actress can portray a younger version of themselves and not be visually disturbing. I completely forgot SLJ is 70-years-old! The best visual effects/CGI are the ones you don’t even know they’re there and Captain Marvel succeeds in delivering mind-blowing, realistic, younger versions of well-known actors.

    Character-wise, Anna Boden and Ryan Fleck should have done way better. So much wasted potential in such a crucial moment in the MCU. Carol Danvers has a great backstory, but the way it was explored kind of diminishes its impact. Still, as Captain Marvel, she is indeed a badass woman! There are some cool action sequences, especially in the beginning, but as the movie slowly progresses on its story, the fight scenes got more sloppy, choppy and way too dark. Jude Law (Yon-Rogg) is amazing as he always is, and Ben Mendelsohn is brilliant as Talos. Both characters have interesting subplots that come together well, which is not something that can be said for the rest of the Marvel “villains.”

    Technically … You guessed it, it’s okay! Taking away the jaw-dropping de-aging CGI, the visuals seem to lack some sort of style. Looking back at Black Panther, Captain America or Guardians of the Galaxy, each movie has a visual aesthetic that belongs to their own stories. Captain Marvel doesn’t really feel like it has its own style. I truly feel that with other directors, this film could have been way better. Boden and Fleck already proved that they are capable filmmakers, but maybe they were not ready to lead such a massive blockbuster. That said, the 90s score is awesome and quite adequate to the movie’s period. There are a couple of moments where the VFX regarding Carol Danvers’s powers are spectacular, but everything ultimately feels like this is a Phase One film, instead of the 21st MCU installment.

    All in all, Captain Marvel achieves the minimum requirements: introduce the fans to a new superhero, who is going to be extremely important in the eventual defeat of Thanos. Carol Danvers is a fascinating character with an emotional backstory, but the screenplay isn’t structured or explored in the most entertaining way possible. Brie Larson delivers a strong performance, pushing aside her haters, even if I feel that under other directors, she would have reached her character’s full potential. Her scenes with Samuel L .Jackson are hilarious and the best part of the whole movie, as well as the groundbreaking de-aging CGI, which is absolutely mind-blowing. The action sequences needed better editing and some more choreography (this is MCU’s Phase Three and 2019, so I want to be able to actually see what’s happening), but the most prominent “issue” is how the story blindly obeys the superhero origin film’s formula. This isn’t exactly a flaw or a problem, it’s just that I was expecting more. A lot more.

    In the end, there’s not a memorable fight scene, an emotionally overwhelming moment or even a genuinely bone-chilling, epic scene. It doesn’t leave you salivating for Avengers: Endgame, but it also doesn’t leave you less excited. Everything is just … fine. And there’s nothing wrong with that. But there’s also nothing extraordinary.

    Rating: B-

  • OdinsMovieBlog: Captain Marvel is a hot mess narratively and never really knows what kind of movie it wants to be. Brie Larson is constantly fighting direction and poor writing and losing the battle in the end. The last thing the MCU needs right now is a Mary Sue with no life. The one thing this movie misses more than anything else though is heart. Without a reason or purpose for existing one is left asking…other than explaining pointless MCU plot points and creating a plethora of fresh plot holes…why was this movie made and who was it made for? Kudos must be given to the make-up artists and a lot of the tech guys behind the scenes. C-
  • TheBigOne: I wasn’t going to see this movie at all based on the stupid comments made by Brie Larson but I tagged along with some friends anyway. Let me just say it was a massive mistake. I underestimated how difficult it would be to stand looking at the lead actress misogynistic and talentless face for two hours. On top of the train wreck that was her ‘performance’ the whole story just felt flat and bland, I don’t want to spoil the plot for those who have already bought tickets and are going to see it anyway, but let’s just say that it was almost as underwhelming in story as it was in acting. DO NOT RECOMMEND!

    1/10

  • tmdb44006625: Captain Marvel bored the living hell out of me. I’m tired of these special effects laden “event films” where every scene has to be flashy lights and fighting and explosions where nothing of real value is at stake. Not one character in this film has a personality or character arc. It’s one big extended buildup to showcase how badly Captain Marvel is going to kick Thanos’ ass. I like the character but I did not like what this movie does with her character. I was also shocked at how bad Brie Larson’s performance was; she’s an incredible actress but I feel Jennifer Lawrence put more effort into her Mystique than Larson did with Carol Danvers.

    Also if your idea of female empowerment is a nasty leather jacket biker guy whistling at a girl saying “give me a kiss” and then the girl just goes and steals his bike, you have no clue what real female empowerment is.

  • fatso29: okay i wanted to see this despite the ‘contravercy sexist pig like men have turned this into’so i went to my local theater picked a showtime and picked out some snacks the movie was decent not good not bad just the right amount of each to make it watchable for folks the action had a nice pace and the humor was just right and i think captain marvel herself is a beautiful badass and i adored the cat he was so cute and fluffy i say go see it dont over expect but go see it
  • kishan.verma26: I never watched a movie 2 time but captain marvel is one and only movie that i watched 2 time in my life.Amazing movie.
  • Myles: It has good visuals, good action, and some decent humour. This movie does what it needs to do by introducing Captain Marvel, although I was hoping Marvel would do something different and unique from their other origin story.
  • E.J. Cummings: Look, as an actor, it is your duty to make sure that you promote your brand to the best of your ability, it’s JUST as important as the work that you do shooting the film. I don’t care about the political side of the events that transpired before the release of this movie, but I hope that Hollywood learns the lesson taught by Brie Larson.
  • ikomrad: * I liked the CGI special effects and a few of the plot twists they threw in keep it from being too predictable. Cons: Completely neglecting the source material, appropriating the existing character and twisting them to send a message. Capt Marvell was a male super hero and they should have ran with Ms Marvel or made a new super-hero character for this film. Breaking canon – Facts established in previous MCU films were contradicted in this film, so now I don’t know which film’s telling of history to believe. Handling of Nick Fury’s character was poorly done. I won’t see him as the gritty, battle-hardened vet that he was in previous films.
    Advice – Skip this film. It causes confusion by disrupting everything that came before it. It’s like a reboot of the marvel universe … or a parallel dimension. Save your money for another movie.
    * Summary: Decent, but Breaks the MCU
  • heartsdales: Not too bad if you didn’t set high expectation.
    Overall is ok.
    Action is nice.
  • JPV852: It was alright. Some entertaining scenes and the de-aging they did on Samuel L. Jackson was fantastic. Still not sure about Brie Larson in the lead but at least showed far more personality than her blank stares in Endgame. The visual effects also was fairly good, especially on Earth (vs. on Hala or w/e it was called). Worth a rental.
  • r96sk: Very good, it’s entertaining.

    I like the story that entails ‘Captain Marvel’. It’s possibly not told in the most incredible way, but by the end I did enjoy how it unfolded and connected to what we’ve seen recently in the MCU.

    Brie Larson is pleasant in the lead role, a tad wooden in parts but overall I rate what she gives this film. It’s cool to have Samuel L. Jackson’s character get a deeper dive and bigger screen time than usual. I also liked Ben Mendelsohn as Talos. Other cast members, like Jude Law, are fine if forgettable.

    Everything else about this is basically what you’d normally get from an MCU production: strong action, great effects, solid humour and an interesting plot. This 21st film from the universe is a good’un!

%d bloggers like this: