Perseus tries to live a quieter life as a village fisherman while – dangerously weakened by humanity’s lack of devotion – the gods are losing control of the long-imprisoned Titans and their ferocious leader, Kronos.
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Credits: TheMovieDb.

Film Cast:

• Perseus: Sam Worthington
• Zeus: Liam Neeson
• Hades: Ralph Fiennes
• Andromeda: Rosamund Pike
• Hephaestus: Bill Nighy
• Ares: Edgar Ramírez
• Argenor: Toby Kebbell
• Poseidon: Danny Huston
• Clea: Sinéad Cusack
• Helius: John Bell
• Korrina: Lily James
• Mantius: Alejandro Naranjo
• Apollo: Freddy Drabble
• Athena: Kathryn Carpenter
• Elite Guard No. 1: Matt Milne
• Elite Guard No. 2: Kett Turton
• Minotaur: Spencer Wilding
• Prison Warden: Juan Reyes
• Theodulus: Jorge Guimerá
• Theron: Asier Macazaga
• Eustachius: Daniel Galindo Rojas
• Timon: Lamberto Guerra
• Soldier 1: George Blagden
• Soldier 2: Killian Burke
• Villager 1: Alastair Cording
• Woman 1: Caoilfhionn Dunne
• Cyclops: Martin Bayfield

Film Crew:

• Casting: Jina Jay
• Special Effects Supervisor: Neil Corbould
• Makeup Designer: Paul Engelen
• Editor: Martin Walsh
• Costume Design: Jany Temime
• ADR Supervisor: James Mather
• Production Sound Mixer: Ivan Sharrock
• First Assistant Director: Terry Needham
• Second Unit Director of Photography: Harvey Harrison
• Original Music Composer: Javier Navarrete
• Director of Photography: Ben Davis
• Executive Producer: Louis Leterrier
• Unit Production Manager: Callum McDougall
• Stunt Coordinator: Paul Jennings
• Makeup Effects: Jo Grover
• Art Direction: Stuart Kearns
• Production Design: Charles Wood
• Executive Producer: Thomas Tull
• Producer: Basil Iwanyk
• Executive Producer: Jon Jashni
• Fight Choreographer: Mike Ian Lambert
• Characters: Beverley Cross
• Director: Jonathan Liebesman
• Executive Producer: Kevin De La Noy
• Story: Greg Berlanti
• Producer: Polly Johnsen
• Production Accountant: Betty Williams
• Story: David Leslie Johnson-McGoldrick
• Second Unit Director: Nick Davis
• Story: Dan Mazeau
• Art Direction: Paul Kirby
• Art Direction: Mike Stallion
• Supervising Art Director: Ray Chan
• Additional Casting: Dixie Chassay
• Camera Operator: Tim Wooster
• Armorer: Andrew Paul Littlefair
• Assistant Costume Designer: Joe Hobbs
• Set Decoration: Lee Sandales
• Art Direction: Thomas Brown
• Art Direction: Jordan Crockett
• Art Direction: Mark Swain
• Costume Supervisor: Annie Crawford
• Visual Effects Supervisor: Jonathan Fawkner
• Music Editor: Graham Sutton
• Art Department Coordinator: Jennifer Bowes
• Property Master: Jamie Wilkinson
• Sound Designer: Michael Fentum
• Supervising Sound Editor: Dominic Gibbs
• Sound Effects Editor: Jed Loughran
• Conceptual Illustrator: François Baranger
• Conceptual Design: Richard K. Buoen
• Armorer: Nick Komornicki
• Boom Operator: Tom Harrison
• Still Photographer: Jay Maidment
• Camera Operator: Julian Morson
• Dialect Coach: Sandra Frieze
• Script Supervisor: Anna Worley
• Sound Re-Recording Mixer: Mark Taylor
• Visual Effects Producer: Rhonda C. Gunner
• Aerial Director of Photography: Hans Bjerno
• Aerial Director of Photography: Adam Dale
• Supervising Music Editor: Michael Connell
• Unit Production Manager: Jeremy Johns
• Associate Editor: Matthew Tucker
• Location Manager: Terry Blyther
• Hairstylist: Paula Price
• Post Production Supervisor: Tim Grover
• Gaffer: David Smith
• Hair Designer: Kevin Alexander
• Sound Re-Recording Mixer: Mike Dowson
• Creature Design: Jerad Marantz
• Other: Enrica Sciandrone
• Visual Effects Art Director: Hayley Easton Street
• First Assistant Editor: Mark Burton
• Prosthetic Makeup Artist: David Malinowski
• Makeup Artist: Melissa Lackersteen
• Creature Technical Director: Susannah Marie Williams
• Camera Technician: Daniel Erickson
• VFX Artist: Aaron Williams
• Key Grip: John Flemming
• Music Supervisor: Karen Elliott
• Assistant Costume Designer: Vivienne Jones
• Assistant Costume Designer: Richard Davies
• Supervising Dialogue Editor: John Cochrane
• Post Production Supervisor: Marianne Jenkins
• Aerial Coordinator: Marc Wolff
• Hairstylist: Dana Kalder
• Prosthetic Designer: Conor O’Sullivan
• Makeup Artist: Daniel Lawson Johnston
• Title Designer: Matt Curtis
• Unit Publicist: Katherine McCormack
• Aerial Coordinator: Frédéric North
• Modeling: Jon Veal
• Visual Effects: VFx Star
• Visual Effects: Jatinder Singh Manhas
• Makeup Effects: Jose Mora-Perez
• Hairstylist: Candice Banks
• Pilot: Peter Hall
• Visual Effects Coordinator: Crystal Compton
• Foley Editor: Kevin Penney
• Helicopter Camera: Will Samuelson
• Stunts: Géza Kovács
• Aerial Coordinator: Peggy Pere
• Visual Effects Coordinator: Alex Carr
• Key Costumer: Charlotte-Rose Armstrong
• Production Coordinator: Winnie Wishart
• Costume Coordinator: Sanaz Missaghian
• Makeup Artist: Romaine Bowman
• Makeup Artist: May Gascoigne
• Prosthetic Makeup Artist: Sebastian Lochmann
• Prosthetic Makeup Artist: Valentina Visintin
• Visual Effects Coordinator: Charlotte Frances
• Visual Effects Coordinator: Lisa Frye
• Modeling: David Frylund Otzen
• Visual Effects Coordinator: Sofus Graae
• Modeling: Jake Harrell
• Visual Effects Coordinator: Zafar Janjua
• Visual Effects Coordinator: Stewart Kojima
• Visual Effects Coordinator: Michelle Teefey-Lee
• Modeling: Jelle Van de Weghe
• Visual Effects Coordinator: Bill Wang
• Location Manager: Martin Joy
• Armorer: Graham Bowen
• Armorer: Tim Wildgoose
• Transportation Captain: Phil Allchin
• Special Effects Coordinator: Ana Stichini
• Second Assistant Director: Emma Horton
• Standby Property Master: Buddie Wilkinson

Movie Reviews:

• Andres Gomez: This could have a pass based on the 3D but, in all honesty, the script and the story is totally senseless and unconnected. The travel through the Underworld maze to the Tartarus is just the best example of how bad the story is. In addition, they just mix the Greek mythology in the most absurd ways, putting a minotaur where it doesn’t belong.

  Make up is quite bad. Specially with the beards and appearance of the gods.

  Andromeda, who is also misplaced and doesn’t really have any relevant role, is the spark to remark, played by Rosemund Pike.

• Per Gunnar Jonsson: The visual effects where very good. Unfortunately, that was about it. The script was just awful. I do not want to watch a movie about Greek mythology just to see the gods being portrayed as week, loosing their power and ultimately disappearing.

  I don’t know why so many writers today cannot do anything better than to take a well known setting and then totally destroy it for thrills. It seems like they all have some “Lets-destroy-the-Enterprise” complex.

  To me the awful script ruined this movie. It became depressing despite the good visual effects.