John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.
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Credits: TheMovieDb.

Film Cast:

• John Constantine: Keanu Reeves
• Angela Dodson / Isabel Dodson: Rachel Weisz
• Chas Kramer: Shia LaBeouf
• Midnite: Djimon Hounsou
• Beeman: Max Baker
• Father Hennessy: Pruitt Taylor Vince
• Balthazar: Gavin Rossdale
• Gabriel: Tilda Swinton
• Lucifer: Peter Stormare
• Scavenger: Jesse Ramirez
• Detective Weiss: José Zúñiga
• Dr. Leslie Archer: April Grace
• Vermin Man: Larry Cedar
• Father Garret: Francis Guinan
• Mother: Suzanne Whang
• Possessed Girl: Jhoanna Trias
• Old Woman: Alice Lo
• Church Attendant: Nicholas Downs
• Midnite Bouncer: Tanoai Reed
• 10 Year-Old Constantine: Quinn Buniel
• Old Woman on Bus: Ann Ryerson
• Molly’s Server: Stephanie Fabian
• Teenage Constantine: Connor Dylan Wryn
• Morgue Security Guard: Laz Alonso
• Liquor Store Clerk Nico: Jeremy Ray Valdez
• Scavenger #2: Jose Molina
• Old Woman on Bus (Demon): Barbara Pilavin
• Korean Man: C.W. Pyun
• Female Tenant: Sharon Omi
• Liquor Store Clerk: Edward J. Rosen
• Smoking Man: John Gipson
• Police Officer: Roberto Kawata
• Ellie (uncredited): Michelle Monaghan
• Man in Jeep (uncredited): R. A. Rondell

Film Crew:

• Production Design: Naomi Shohan
• Art Direction: David Lazan
• Original Music Composer: Klaus Badelt
• Casting: Denise Chamian
• Director of Photography: Philippe Rousselot
• Costume Design: Louise Frogley
• Special Effects Makeup Artist: Christopher Allen Nelson
• Producer: Akiva Goldsman
• Visual Effects Supervisor: Colin Strause
• Visual Effects Supervisor: Greg Strause
• Conductor: Brian Tyler
• Producer: Lauren Shuler Donner
• Director: Francis Lawrence
• Story: Kevin Brodbin
• Screenplay: Frank A. Cappello
• Producer: Michael Uslan
• Producer: Erwin Stoff
• Producer: Benjamin Melniker
• Producer: Lorenzo Di Bonaventura
• Executive Producer: Gilbert Adler
• Executive Producer: Michael Aguilar
• Co-Producer: Cherylanne Martin
• First Assistant Director: Josh McLaglen
• Editor: Wayne Wahrman
• Set Decoration: Douglas A. Mowat
• Assistant Art Director: Robert Fechtman
• Makeup Artist: Barney Burman
• Stunts: Kenny Alexander
• Supervising Sound Editor: Skip Lievsay
• Sound Effects Editor: Craig Berkey
• Fight Choreographer: Chad Stahelski
• Characters: Alan Moore
• Stunt Coordinator: R. A. Rondell
• Production Supervisor: Matthew J. Birch
• Visual Effects Editor: Randy Bricker
• ADR Voice Casting: Caitlin McKenna-Wilkinson
• Additional Photography: Jeff Cutter
• Special Effects Makeup Artist: Stan Winston
• Assistant Art Director: Jason Sweers
• Makeup Artist: Steve Artmont
• Set Dresser: David Loitz
• Stunt Double: Casey O’Neill
• Additional Music: Wolfram de Marco
• Key Makeup Artist: Joel Harlow
• Dialect Coach: Susan Hegarty
• Best Boy Electric: Brian Crane
• ADR Mixer: Troy Porter
• Music Editor: Gary Krause
• Makeup Artist: Robin Slater
• Visual Effects: Aaron Cohen
• Set Designer: Steven Schwartz
• Makeup Department Head: Ve Neill
• Sound Effects Editor: Stephen Hunter Flick
• Sound Designer: Charles Maynes
• Hair Department Head: Susan Germaine
• Assistant Art Director: Suzan Wexler
• Casting Associate: Scout Masterson
• Production Illustrator: Harald Belker
• Art Department Assistant: Thomas S. Hammock
• Foley Artist: John Roesch
• Creative Producer: Enfys Dickinson
• Post Production Supervisor: Ilyse A. Reutlinger
• Creature Design: Anthony Leonardi III
• Stunts: Tim Rigby
• Foley Supervisor: John Joseph Thomas
• Gaffer: Jack English
• Makeup Supervisor: John Rosengrant
• Key Costumer: Garet Reilly
• Costume Supervisor: Robert Q. Mathews
• Concept Artist: George Hull
• Music Editor: Daryl B. Kell
• Sound Effects Editor: Patricio A. Libenson
• Propmaker: Ray Maxwell
• Sound Re-Recording Mixer: David E. Campbell
• Sound Re-Recording Mixer: Gregg Rudloff
• VFX Artist: Nicholas Brooks
• Sound Re-Recording Mixer: John T. Reitz
• Music Editor: Joe Lisanti
• Dialect Coach: Brooks Baldwin
• Sculptor: Cuitlahuac Morales Velazquez
• Assistant Set Decoration: Susannah Carradine
• Assistant Property Master: Andrew M. Siegel
• Special Effects Coordinator: Allen Hall
• Foley Artist: Michael J. Broomberg
• Construction Coordinator: Joe Ondrejko
• Dialogue Editor: Susan Dudeck
• Set Designer: Stan Tropp
• Sound Designer: Jeremy Peirson
• Sound Effects Editor: John P. Fasal
• Visual Effects Supervisor: Ian Hunter
• Visual Effects Producer: Michael Meagher
• Set Costumer: Bob Moore Jr.
• Location Manager: Molly Allen
• Utility Stunts: Mike Justus
• Digital Effects Supervisor: Gregory D. Liegey
• Still Photographer: Richard Foreman Jr.
• Key Grip: Andrew Taylor
• Foley Artist: Alyson Dee Moore
• Picture Car Coordinator: Craig Lietzke
• Aerial Director of Photography: Hans Bjerno
• Set Designer: William J. Law III
• Visual Effects Coordinator: Julia Neighly
• Key Hair Stylist: Candace Neal
• Second Unit Director of Photography: Neal Norton
• Costumer: Monica Haynes
• Set Dresser: Brett C. Smith
• Digital Intermediate Producer: Erik Rogers
• Conceptual Design: Constantine Sekeris
• Visual Effects Supervisor: Craig Hayes
• Second Unit Director: Michael L. Fink
• Digital Intermediate Editor: Nicholas Hasson
• Rigging Grip: Huston Beaumont
• Visual Effects Producer: Denise Davis
• Studio Teachers: Judith Jennings
• Painter: Charles Kern
• Animation: William Groebe
• Sound Recordist: Mark Johnston
• Key Costumer: Richard Schoen
• Hairstylist: Ginger Damon
• Art Department Coordinator: Carla S. Nemec
• Construction Foreman: William Gideon
• Property Master: Kirk Corwin
• Dialogue Editor: Ulrika Akander
• Sound Effects Editor: James Morioka
• ADR Supervisor: Michael J. Benavente
• Animation Supervisor: Simon Allen
• CG Supervisor: Mark Shoaf
• Visual Effects Supervisor: Greg Juby
• Visual Effects Supervisor: David Lingenfelser
• Visual Effects Producer: Janet Yale
• Visual Effects Producer: Jason Heapy
• Visual Effects Producer: Amy Hollywood Wixson
• Visual Effects Producer: Donna Langston
• Visual Effects Producer: Tiffany Smith
• Visual Effects Producer: Ann Podlozny
• Visual Development: Demetrius Leal
• Camera Operator: Timothy Roarke
• Camera Operator: Michael-Ryan Fletchall
• Steadicam Operator: Mark La Bonge
• Additional Camera: Seth Kotok
• Gaffer: Jarred Waldron
• Gaffer: Juan Morse
• Rigging Gaffer: Dennis J. Lootens
• Set Costumer: Marina Marit
• Set Costumer: Nancy Smytka
• First Assistant Editor: Gordon Antell
• Transportation Coordinator: Bernice Culbertson
• Transportation Coordinator: Dan Marrow
• Location Manager: Kristin Dehnert
• Location Manager: Douglas S. McClintock II
• Unit Publicist: Paulette Osorio
• Production Accountant: Jackie Brady Baugh
• Set Dresser: Eric Ramirez
• First Assistant Sound Editor: Joel Dougherty
• Assistant Sound Editor: Greg ten Bosch
• Lead Animator: Joel Sevilla
• CG Artist: Chris Ryan
• ADR Editor: Joe Dorn
• Hairstylist: Teressa Hill
• CG Artist: Eric Pender
• Animation: Chuck Duke
• Lighting Technician: Howard R. Campbell
• Animation: James W. Brown
• Animation: Brian Mendenhall
• Digital Effects Supervisor: Randy Goux
• Orchestrator: Robert Elhai
• Foley Mixer: Mary Jo Lang
• Costumer: Sandra Bojin-Sedlik
• Special Effects Technician: Lawrence Decker
• Creative Director: Kent Demaine
• Visual Effects Technical Director: Ryan Hopkins
• Visual Effects: Chris F. Moore
• Electrician: Bryan Booth
• Rigging Grip: Eddie G. Gutierrez
• Visual Effects: Robert Spurlock
• Stunt Driver: Mike Massa
• Costumer: Catherine Liebig
• Pyrotechnician: Frank Toro
• Special Effects Technician: Jeff Khachadoorian
• Special Effects Technician: Jeff Ogg
• Visual Effects Coordinator: Mark Edwards
• Costumer: Ellen Falguiere
• Swing: Paul Luther Jackson
• Sound Mixer: Willie D. Burton
• Assistant Production Coordinator: J. Elizabeth Ingram
• Electrician: Paul Postal
• Production Coordinator: Ralph Bertelle
• Casting Assistant: Dena Berman
• Craft Service: Raymond Bulinski
• Assistant Chief Lighting Technician: James Babineaux
• CG Artist: John Cassella
• I/O Supervisor: Nathan Abbot
• Researcher: Greg Abbas
• Set Dresser: Paul Detlefson
• Executive In Charge Of Production: Mark Scoon
• First Assistant Camera: Michael Cassidy
• VFX Director of Photography: Christopher Warren
• Rigging Grip: John S. Campbell
• Telecine Colorist: Eric Putz
• Visual Effects Coordinator: James D. Tittle
• Modelling Supervisor: Yoshiya Yamada
• CG Artist: Amy Garback
• Lead Painter: Leigh-Alexandra Jacob
• Makeup Supervisor: Shane Mahan
• Compositing Supervisor: Dan Cayer
• Set Production Assistant: Elizabeth C. Camp
• Propmaker: Bobby Mara
• Visual Effects: Chris Haney
• Grip: R. Dana Harlow
• Costumer: Valerie Laven-Cooper
• Libra Head Technician: Kelly Diehl
• Set Painter: Joey Genitempo
• Assistant Sound Editor: Sarah Bourgeois
• Animation Supervisor: Joe Henke
• Visual Effects: Patrick Phillips
• Matte Painter: Jamie Baxter
• Rigging Grip: Michael Dronge
• Set Medic: Lance Mancuso
• Visual Effects Coordinator: Adam Lisagor
• Video Assist Operator: Luciano Blotta
• Set Dresser: Rich Andrade
• Storyboard Artist: Trevor Goring
• Negative Cutter: Mo Henry
• Electrician: Stephen Thorp
• Dolly Grip: Darryl Humber
• Key Grip: C. Alan Rawlins
• Second Unit First Assistant Director: Darin Rivetti
• Matchmove Supervisor: Chris Paizis
• Second Assistant Director: Rick Kelly
• Lead Animator: Gary Abrahamian
• Art Department Assistant: Lindsey Gary
• Carpenter: Daragh Byrne
• Chef: Robert Lamkin
• Driver: Mark Valdez
• Post Production Assistant: Laraine Moniz
• Stand In: Rob McCabe
• Transportation Captain: Randy Burke
• Transportation Co-Captain: Chad Moore
• Color Timer: Dave Hussey
• Lighting Artist: Haskell Friedman
• Production Manager: Brian Brecht
• Boom Operator: Rob Cunningham
• 24 Frame Playback: Jared Rosen
• Digital Compositors: John R.A. Benson
• Special Effects Supervisor: James Reedy
• Mechanical Designer: Matt Heimlich
• Grip: Pat O’Mara
• Key Costumer: Valerie T. O’Brien
• Propmaker: Fred O’Connor
• Extras Casting: Tracy Dixon
• Key Rigging Grip: Robert J. Reilly
• Grip: Eric Budlong
• Stunts: Karin Silvestri
• Techno Crane Operator: Bryan Fletchall
• VFX Artist: Ryan Lastimosa
• Rigging Grip: Frank R. Sims
• Animation: James Straus
• ADR Mixer: Eric Gotthelf
• ADR Mixer: Thomas J. O’Connell
• Lead Animator: Dovi Anderson
• Modeling: John ‘JD’ Daniel
• Visual Effects Coordinator: Stephanie C. Lee
• Animation: Michael Kitchen
• Special Effects Technician: Ante Dugandzic
• Set Dresser: Steven Ladish
• Set Dresser: James L. Eddy
• Production Assistant: Natasha Delahunt
• Electrician: Michael Franco
• Second Second Assistant Director: Maria Battle Campbell
• Best Boy Grip: Riko Schatke
• VFX Artist: Brian Ducharme
• Visual Effects Technical Director: Kevin Romond
• Modeling: Jose Samson
• Animation: Todd Labonte
• Visual Effects: Anthony Lucero
• Costumer: Nina Padovano
• Special Effects Technician: Michael Kay
• Assistant Camera: Xiomara Comrie
• Head of Production: Alonzo Ruvalcaba
• General Manager: Donald Fly
• Data Wrangler: Deborah Thomas
• Extras Casting Assistant: Vesper Burnett
• Payroll Accountant: Taffy Schweickhardt
• Matte Painter: Ron Crabb
• Production Secretary: Michael P. Twombly
• Special Effects Technician: Parry Willard
• Assistant Location Manager: Rachel Swenson
• Music Consultant: Jeffrey Pollack
• Second Assistant Accountant: Kami Calevro
• Costume Illustrator: Jamie Rama
• Special Effects Assistant: Pamela Elliott
• Character Designer: Jim Charmatz
• Assistant Editor: Bronwyn Shields
• Executive Assistant: Kathy Liska
• Key Set Production Assistant: Michael Lagnese
• Production Assistant: Lee Hahn
• Rotoscoping Artist: Kane Brassington
• Lead Animator: Joshua Cordes
• Camera Loader: April Kelley
• Production Assistant: Zachary Kamen
• Electrician: Gene Hara
• Music: A Perfect Circle
• Art Department Assistant: Zack Heath
• Sound Engineer: Janusz Tokarzewski
• Special Effects Assistant: Csaba László Eröss
• Electrician: Erik A. Erichsen
• Greensman: Frank Musitelle
• Modeling: Dan Dixon
• Visual Effects Coordinator: Chris hall
• Animation Supervisor: Rick Glenn
• Rigging Grip: Thomas E. Lee
• Production Assistant: Gregg Kawecki
• Assistant Camera: Pamela Rittelmeyer
• Electrician: Gary Lowrance
• Compositing Supervisor: Sean O’Connor
• Art Department Assistant: Brian Johnson
• Propmaker: Jim Meyer
• Electrician: David A. Parks
• Grip: Chis Rountree
• Rigging Grip: Vince Onken
• Makeup Artist: Janice Kavanagh
• Animation: Jason Armstrong
• CG Artist: Kyle Yamamoto
• Compositing Supervisor: John Stillman
• CG Supervisor: David ‘Grue’ Debry
• Modeling: Christopher J. Eng
• Modeling: Jericho Green
• Modeling: Paul Zinnes
• Rotoscoping Artist: Ross Nakamura
• VFX Artist: Scott Kinsey
• Visual Effects Coordinator: Beth Howe
• Visual Effects Coordinator: Kristy King
• Special Effects Technician: Jack Jennings
• Production Assistant: Jack Dubnicek
• Production Assistant: Juliana FauntLeRoy
• Production Assistant: Nate Ruegger

Movie Reviews:

• markuspm: Somehow I feel this movie in a way focuses more than others on feet. I know it sounds strange and I might be alone in my perception but hey this might be useful information for someone.