John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.
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Credits: TheMovieDb.
Film Cast:
- John Constantine: Keanu Reeves
- Angela Dodson / Isabel Dodson: Rachel Weisz
- Chas Kramer: Shia LaBeouf
- Midnite: Djimon Hounsou
- Beeman: Max Baker
- Father Hennessy: Pruitt Taylor Vince
- Balthazar: Gavin Rossdale
- Gabriel: Tilda Swinton
- Lucifer: Peter Stormare
- Scavenger: Jesse Ramirez
- Detective Weiss: José Zúñiga
- Dr. Leslie Archer: April Grace
- Vermin Man: Larry Cedar
- Father Garret: Francis Guinan
- Mother: Suzanne Whang
- Possessed Girl: Jhoanna Trias
- Old Woman: Alice Lo
- Church Attendant: Nicholas Downs
- Midnite Bouncer: Tanoai Reed
- 10 Year-Old Constantine: Quinn Buniel
- Old Woman on Bus: Ann Ryerson
- Molly’s Server: Stephanie Fabian
- Teenage Constantine: Connor Dylan Wryn
- Morgue Security Guard: Laz Alonso
- Liquor Store Clerk Nico: Jeremy Ray Valdez
- Scavenger #2: Jose Molina
- Old Woman on Bus (Demon): Barbara Pilavin
- Korean Man: C.W. Pyun
- Female Tenant: Sharon Omi
- Liquor Store Clerk: Edward J. Rosen
- Smoking Man: John Gipson
- Police Officer: Roberto Kawata
- Ellie (uncredited): Michelle Monaghan
- Man in Jeep (uncredited): R. A. Rondell
Film Crew:
- Production Design: Naomi Shohan
- Art Direction: David Lazan
- Original Music Composer: Klaus Badelt
- Casting: Denise Chamian
- Director of Photography: Philippe Rousselot
- Costume Design: Louise Frogley
- Special Effects Makeup Artist: Christopher Allen Nelson
- Producer: Akiva Goldsman
- Visual Effects Supervisor: Colin Strause
- Visual Effects Supervisor: Greg Strause
- Conductor: Brian Tyler
- Producer: Lauren Shuler Donner
- Director: Francis Lawrence
- Story: Kevin Brodbin
- Screenplay: Frank A. Cappello
- Producer: Michael Uslan
- Producer: Erwin Stoff
- Producer: Benjamin Melniker
- Producer: Lorenzo Di Bonaventura
- Executive Producer: Gilbert Adler
- Executive Producer: Michael Aguilar
- Co-Producer: Cherylanne Martin
- First Assistant Director: Josh McLaglen
- Editor: Wayne Wahrman
- Set Decoration: Douglas A. Mowat
- Assistant Art Director: Robert Fechtman
- Makeup Artist: Barney Burman
- Stunts: Kenny Alexander
- Supervising Sound Editor: Skip Lievsay
- Sound Effects Editor: Craig Berkey
- Fight Choreographer: Chad Stahelski
- Characters: Alan Moore
- Stunt Coordinator: R. A. Rondell
- Production Supervisor: Matthew J. Birch
- Visual Effects Editor: Randy Bricker
- ADR Voice Casting: Caitlin McKenna-Wilkinson
- Additional Photography: Jeff Cutter
- Special Effects Makeup Artist: Stan Winston
- Assistant Art Director: Jason Sweers
- Makeup Artist: Steve Artmont
- Set Dresser: David Loitz
- Stunt Double: Casey O’Neill
- Additional Music: Wolfram de Marco
- Key Makeup Artist: Joel Harlow
- Dialect Coach: Susan Hegarty
- Best Boy Electric: Brian Crane
- ADR Mixer: Troy Porter
- Music Editor: Gary Krause
- Makeup Artist: Robin Slater
- Visual Effects: Aaron Cohen
- Set Designer: Steven Schwartz
- Makeup Department Head: Ve Neill
- Sound Effects Editor: Stephen Hunter Flick
- Sound Designer: Charles Maynes
- Hair Department Head: Susan Germaine
- Assistant Art Director: Suzan Wexler
- Casting Associate: Scout Masterson
- Production Illustrator: Harald Belker
- Art Department Assistant: Thomas S. Hammock
- Foley Artist: John Roesch
- Creative Producer: Enfys Dickinson
- Post Production Supervisor: Ilyse A. Reutlinger
- Creature Design: Anthony Leonardi III
- Stunts: Tim Rigby
- Foley Supervisor: John Joseph Thomas
- Gaffer: Jack English
- Makeup Supervisor: John Rosengrant
- Key Costumer: Garet Reilly
- Costume Supervisor: Robert Q. Mathews
- Concept Artist: George Hull
- Music Editor: Daryl B. Kell
- Sound Effects Editor: Patricio A. Libenson
- Propmaker: Ray Maxwell
- Sound Re-Recording Mixer: David E. Campbell
- Sound Re-Recording Mixer: Gregg Rudloff
- VFX Artist: Nicholas Brooks
- Sound Re-Recording Mixer: John T. Reitz
- Music Editor: Joe Lisanti
- Dialect Coach: Brooks Baldwin
- Sculptor: Cuitlahuac Morales Velazquez
- Assistant Set Decoration: Susannah Carradine
- Assistant Property Master: Andrew M. Siegel
- Special Effects Coordinator: Allen Hall
- Foley Artist: Michael J. Broomberg
- Construction Coordinator: Joe Ondrejko
- Dialogue Editor: Susan Dudeck
- Set Designer: Stan Tropp
- Sound Designer: Jeremy Peirson
- Sound Effects Editor: John P. Fasal
- Visual Effects Supervisor: Ian Hunter
- Visual Effects Producer: Michael Meagher
- Set Costumer: Bob Moore Jr.
- Location Manager: Molly Allen
- Utility Stunts: Mike Justus
- Digital Effects Supervisor: Gregory D. Liegey
- Still Photographer: Richard Foreman Jr.
- Key Grip: Andrew Taylor
- Foley Artist: Alyson Dee Moore
- Picture Car Coordinator: Craig Lietzke
- Aerial Director of Photography: Hans Bjerno
- Set Designer: William J. Law III
- Visual Effects Coordinator: Julia Neighly
- Key Hair Stylist: Candace Neal
- Second Unit Director of Photography: Neal Norton
- Costumer: Monica Haynes
- Set Dresser: Brett C. Smith
- Digital Intermediate Producer: Erik Rogers
- Conceptual Design: Constantine Sekeris
- Visual Effects Supervisor: Craig Hayes
- Second Unit Director: Michael L. Fink
- Digital Intermediate Editor: Nicholas Hasson
- Rigging Grip: Huston Beaumont
- Visual Effects Producer: Denise Davis
- Studio Teachers: Judith Jennings
- Painter: Charles Kern
- Animation: William Groebe
- Sound Recordist: Mark Johnston
- Key Costumer: Richard Schoen
- Hairstylist: Ginger Damon
- Art Department Coordinator: Carla S. Nemec
- Construction Foreman: William Gideon
- Property Master: Kirk Corwin
- Dialogue Editor: Ulrika Akander
- Sound Effects Editor: James Morioka
- ADR Supervisor: Michael J. Benavente
- Animation Supervisor: Simon Allen
- CG Supervisor: Mark Shoaf
- Visual Effects Supervisor: Greg Juby
- Visual Effects Supervisor: David Lingenfelser
- Visual Effects Producer: Janet Yale
- Visual Effects Producer: Jason Heapy
- Visual Effects Producer: Amy Hollywood Wixson
- Visual Effects Producer: Donna Langston
- Visual Effects Producer: Tiffany Smith
- Visual Effects Producer: Ann Podlozny
- Visual Development: Demetrius Leal
- Camera Operator: Timothy Roarke
- Camera Operator: Michael-Ryan Fletchall
- Steadicam Operator: Mark La Bonge
- Additional Camera: Seth Kotok
- Gaffer: Jarred Waldron
- Gaffer: Juan Morse
- Rigging Gaffer: Dennis J. Lootens
- Set Costumer: Marina Marit
- Set Costumer: Nancy Smytka
- First Assistant Editor: Gordon Antell
- Transportation Coordinator: Bernice Culbertson
- Transportation Coordinator: Dan Marrow
- Location Manager: Kristin Dehnert
- Location Manager: Douglas S. McClintock II
- Unit Publicist: Paulette Osorio
- Production Accountant: Jackie Brady Baugh
- Set Dresser: Eric Ramirez
- First Assistant Sound Editor: Joel Dougherty
- Assistant Sound Editor: Greg ten Bosch
- Lead Animator: Joel Sevilla
- CG Artist: Chris Ryan
- ADR Editor: Joe Dorn
- Hairstylist: Teressa Hill
- CG Artist: Eric Pender
- Animation: Chuck Duke
- Lighting Technician: Howard R. Campbell
- Animation: James W. Brown
- Animation: Brian Mendenhall
- Digital Effects Supervisor: Randy Goux
- Orchestrator: Robert Elhai
- Foley Mixer: Mary Jo Lang
- Costumer: Sandra Bojin-Sedlik
- Special Effects Technician: Lawrence Decker
- Creative Director: Kent Demaine
- Visual Effects Technical Director: Ryan Hopkins
- Visual Effects: Chris F. Moore
- Electrician: Bryan Booth
- Rigging Grip: Eddie G. Gutierrez
- Visual Effects: Robert Spurlock
- Stunt Driver: Mike Massa
- Costumer: Catherine Liebig
- Pyrotechnician: Frank Toro
- Special Effects Technician: Jeff Khachadoorian
- Special Effects Technician: Jeff Ogg
- Visual Effects Coordinator: Mark Edwards
- Costumer: Ellen Falguiere
- Swing: Paul Luther Jackson
- Sound Mixer: Willie D. Burton
- Assistant Production Coordinator: J. Elizabeth Ingram
- Electrician: Paul Postal
- Production Coordinator: Ralph Bertelle
- Casting Assistant: Dena Berman
- Craft Service: Raymond Bulinski
- Assistant Chief Lighting Technician: James Babineaux
- CG Artist: John Cassella
- I/O Supervisor: Nathan Abbot
- Researcher: Greg Abbas
- Set Dresser: Paul Detlefson
- Executive In Charge Of Production: Mark Scoon
- First Assistant Camera: Michael Cassidy
- VFX Director of Photography: Christopher Warren
- Rigging Grip: John S. Campbell
- Telecine Colorist: Eric Putz
- Visual Effects Coordinator: James D. Tittle
- Modelling Supervisor: Yoshiya Yamada
- CG Artist: Amy Garback
- Lead Painter: Leigh-Alexandra Jacob
- Makeup Supervisor: Shane Mahan
- Compositing Supervisor: Dan Cayer
- Set Production Assistant: Elizabeth C. Camp
- Propmaker: Bobby Mara
- Visual Effects: Chris Haney
- Grip: R. Dana Harlow
- Costumer: Valerie Laven-Cooper
- Libra Head Technician: Kelly Diehl
- Set Painter: Joey Genitempo
- Assistant Sound Editor: Sarah Bourgeois
- Animation Supervisor: Joe Henke
- Visual Effects: Patrick Phillips
- Matte Painter: Jamie Baxter
- Rigging Grip: Michael Dronge
- Set Medic: Lance Mancuso
- Visual Effects Coordinator: Adam Lisagor
- Video Assist Operator: Luciano Blotta
- Set Dresser: Rich Andrade
- Storyboard Artist: Trevor Goring
- Negative Cutter: Mo Henry
- Electrician: Stephen Thorp
- Dolly Grip: Darryl Humber
- Key Grip: C. Alan Rawlins
- Second Unit First Assistant Director: Darin Rivetti
- Matchmove Supervisor: Chris Paizis
- Second Assistant Director: Rick Kelly
- Lead Animator: Gary Abrahamian
- Art Department Assistant: Lindsey Gary
- Carpenter: Daragh Byrne
- Chef: Robert Lamkin
- Driver: Mark Valdez
- Post Production Assistant: Laraine Moniz
- Stand In: Rob McCabe
- Transportation Captain: Randy Burke
- Transportation Co-Captain: Chad Moore
- Color Timer: Dave Hussey
- Lighting Artist: Haskell Friedman
- Production Manager: Brian Brecht
- Boom Operator: Rob Cunningham
- 24 Frame Playback: Jared Rosen
- Digital Compositors: John R.A. Benson
- Special Effects Supervisor: James Reedy
- Mechanical Designer: Matt Heimlich
- Grip: Pat O’Mara
- Key Costumer: Valerie T. O’Brien
- Propmaker: Fred O’Connor
- Extras Casting: Tracy Dixon
- Key Rigging Grip: Robert J. Reilly
- Grip: Eric Budlong
- Stunts: Karin Silvestri
- Techno Crane Operator: Bryan Fletchall
- VFX Artist: Ryan Lastimosa
- Rigging Grip: Frank R. Sims
- Animation: James Straus
- ADR Mixer: Eric Gotthelf
- ADR Mixer: Thomas J. O’Connell
- Lead Animator: Dovi Anderson
- Modeling: John ‘JD’ Daniel
- Visual Effects Coordinator: Stephanie C. Lee
- Animation: Michael Kitchen
- Special Effects Technician: Ante Dugandzic
- Set Dresser: Steven Ladish
- Set Dresser: James L. Eddy
- Production Assistant: Natasha Delahunt
- Electrician: Michael Franco
- Second Second Assistant Director: Maria Battle Campbell
- Best Boy Grip: Riko Schatke
- VFX Artist: Brian Ducharme
- Visual Effects Technical Director: Kevin Romond
- Modeling: Jose Samson
- Animation: Todd Labonte
- Visual Effects: Anthony Lucero
- Costumer: Nina Padovano
- Special Effects Technician: Michael Kay
- Assistant Camera: Xiomara Comrie
- Head of Production: Alonzo Ruvalcaba
- General Manager: Donald Fly
- Data Wrangler: Deborah Thomas
- Extras Casting Assistant: Vesper Burnett
- Payroll Accountant: Taffy Schweickhardt
- Matte Painter: Ron Crabb
- Production Secretary: Michael P. Twombly
- Special Effects Technician: Parry Willard
- Assistant Location Manager: Rachel Swenson
- Music Consultant: Jeffrey Pollack
- Second Assistant Accountant: Kami Calevro
- Costume Illustrator: Jamie Rama
- Special Effects Assistant: Pamela Elliott
- Character Designer: Jim Charmatz
- Assistant Editor: Bronwyn Shields
- Executive Assistant: Kathy Liska
- Key Set Production Assistant: Michael Lagnese
- Production Assistant: Lee Hahn
- Rotoscoping Artist: Kane Brassington
- Lead Animator: Joshua Cordes
- Camera Loader: April Kelley
- Production Assistant: Zachary Kamen
- Electrician: Gene Hara
- Music: A Perfect Circle
- Art Department Assistant: Zack Heath
- Sound Engineer: Janusz Tokarzewski
- Special Effects Assistant: Csaba László Eröss
- Electrician: Erik A. Erichsen
- Greensman: Frank Musitelle
- Modeling: Dan Dixon
- Visual Effects Coordinator: Chris hall
- Animation Supervisor: Rick Glenn
- Rigging Grip: Thomas E. Lee
- Production Assistant: Gregg Kawecki
- Assistant Camera: Pamela Rittelmeyer
- Electrician: Gary Lowrance
- Compositing Supervisor: Sean O’Connor
- Art Department Assistant: Brian Johnson
- Propmaker: Jim Meyer
- Electrician: David A. Parks
- Grip: Chis Rountree
- Rigging Grip: Vince Onken
- Makeup Artist: Janice Kavanagh
- Animation: Jason Armstrong
- CG Artist: Kyle Yamamoto
- Compositing Supervisor: John Stillman
- CG Supervisor: David ‘Grue’ Debry
- Modeling: Christopher J. Eng
- Modeling: Jericho Green
- Modeling: Paul Zinnes
- Rotoscoping Artist: Ross Nakamura
- VFX Artist: Scott Kinsey
- Visual Effects Coordinator: Beth Howe
- Visual Effects Coordinator: Kristy King
- Special Effects Technician: Jack Jennings
- Production Assistant: Jack Dubnicek
- Production Assistant: Juliana FauntLeRoy
- Production Assistant: Nate Ruegger
Movie Reviews:
- markuspm: Somehow I feel this movie in a way focuses more than others on feet. I know it sounds strange and I might be alone in my perception but hey this might be useful information for someone.
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