Fear Street: 1978

In 1978, two rival groups at Camp Nightwing must band together to solve a terrifying mystery when horrors from their towns’ history come alive.
<%%item_is_not_adult%%

Credits: TheMovieDb.

Film Cast:

  • Christine ‘Ziggy’ Berman: Sadie Sink
  • Cindy Berman: Emily Rudd
  • Alice: Ryan Simpkins
  • Tommy Slater: McCabe Slye
  • Nick Goode: Ted Sutherland
  • Sheila: Chiara Aurelia
  • Will Goode: Brandon Spink
  • Becky: Marcelle LeBlanc
  • Annie: Eden Campbell
  • Kurt: Michael Provost
  • Gary: Drew Scheid
  • Joan: Jacqi Vene
  • Arnie: Sam Brooks
  • Deena Johnson: Kiana Madeira
  • Josh Johnson: Benjamin Flores Jr.
  • Samantha ‘Sam’ Fraser: Olivia Scott Welch
  • C. Berman / Adult Ziggy: Gillian Jacobs
  • Sheriff Nick Goode: Ashley Zukerman
  • Nurse Mary Lane: Jordana Spiro
  • Ruby Lane: Jordyn DiNatale
  • ‘The Milkman’ Harry Rooker: Kevin Waterman
  • Billy Barker: Emily Brobst
  • ‘Shame Killer’ Isaac Milton: Keil Oakley Zepernick
  • ‘The Pastor’ Cyrus Miller: Michael Chandler
  • Sarah Fier: Elizabeth Scopel
  • Mayor Will Goode: Matthew Zuk
  • TV Anchor: Meghan Packer
  • Sunnyvale Cop: Jason Edwards
  • Young Officer Kapinski: Paul Teal
  • Mean Sunnyvale Jailer: Alex Huff
  • Jeremy: Dylan Gage
  • Cool Sunnyvale Camper: Jayden Griffin
  • Shadyside Prisoner #1: Lana Spraley
  • Shadyside Prisoner #2: Ja’rell Anderson
  • EMT: Kenneth Trujillo
  • Kate Schmidt (archive footage): Julia Rehwald
  • Simon Kalivoda (archive footage): Fred Hechinger

Film Crew:

  • Original Music Composer: Marco Beltrami
  • Special Effects Makeup Artist: Robert Kurtzman
  • Sound Re-Recording Mixer: Tony Lamberti
  • Foley Artist: Goro Koyama
  • Foley Artist: Andy Malcolm
  • Additional Editor: John Axelrad
  • Producer: Jenno Topping
  • Unit Production Manager: Timothy M. Bourne
  • Casting: Carmen Cuba
  • Additional Music: Marcus Trumpp
  • Co-Producer: Jeffrey Harlacker
  • Supervising Editor: Alan Edward Bell
  • Costume Design: Amanda Ford
  • Production Sound Mixer: Steve C. Aaron
  • Foley Mixer: Don White
  • Book: R.L. Stine
  • Rigging Grip: David Keating
  • ADR Voice Casting: Barbara Harris
  • Producer: Peter Chernin
  • Music Editor: Brett Pierce
  • Stunts: Dave Macomber
  • Stunts: Lloyd Pitts
  • Sound Mix Technician: Steve Neal
  • Special Effects Supervisor: J.D. Schwalm
  • Producer: David Ready
  • Thanks: Ross Duffer
  • Executive Producer: Jane Stine
  • Executive Producer: Joan Waricha
  • Set Decoration: Jess Royal
  • Story: Leigh Janiak
  • Story: Phil Graziadei
  • Assistant Property Master: James Grabowski
  • Supervising Sound Editor: Trevor Gates
  • Property Master: Mike Scherschel
  • Supervising Dialogue Editor: Jason Dotts
  • Local Casting: Chase Paris
  • Local Casting: Tara Feldstein Bennett
  • Dialogue Editor: Harrison Meyle
  • Foley Artist: Sandra Fox
  • Truck Costumer: Kizzie Autumn Martin
  • Visual Effects Producer: Christina Graff
  • VFX Supervisor: Paul Graff
  • Original Music Composer: Brandon Roberts
  • VFX Editor: Ryan Chavez
  • Location Assistant: Alana Murphy
  • Production Design: Scott Kuzio
  • Sound Re-Recording Mixer: Mark Paterson
  • Other: Jana Acevedo
  • Set Production Assistant: Daniel Dirks
  • VFX Editor: Shannon Leigh Olds
  • Art Direction: Sean Brennan
  • Sound Mix Technician: Phil Lee
  • ADR Mixer: Scott Cannizzaro
  • Hairstylist: Carol White
  • Assistant Production Coordinator: Kiara Jones
  • ADR Mixer: Chris Navarro
  • Sound Effects Editor: Matthew Thomas Hall
  • Additional Script Supervisor: Aimee Bell
  • Sound Mix Technician: Jeremy B. Davis
  • Rigging Grip: Gary Blair
  • Stunts: Bob Fisher
  • Gaffer: Paul Postal
  • Senior Colorist: Skip Kimball
  • ADR Mixer: Billy Theriot
  • Still Photographer: Jessica Miglio
  • First Assistant Sound Editor: Mark Coffey
  • First Assistant “B” Camera: Fred Thomas
  • Construction Coordinator: Michael J. Wheeler
  • Set Designer: John Moredock
  • Additional Hairstylist: Lance Aldredge
  • Stunts: Isabelle Fretheim
  • Casting Associate: Judith Sunga
  • Music Editor: Erica Weiss
  • Visual Effects Supervisor: John L. Weckworth
  • Other: Scott Salamon
  • Other: Ray Ruotolo
  • Special Effects Key Makeup Artist: LuAndra Whitehurst
  • Stunts: Laurence Chavez
  • Stunts: Philip Dido
  • Key Grip: Michael Duarte
  • Rigging Grip: Alfredo González
  • Set Costumer: Katie Carpenter
  • Finishing Producer: Hershel Cohen
  • First Assistant Director: Doug Torres
  • Stunts: Aaron Matthews
  • Music Supervisor: Lindsay Wolfington
  • Key Makeup Artist: Amanda Bianchi
  • Assistant Costume Designer: Shelby Anne Tompkins
  • Foley Mixer: Kevin Schultz
  • Property Master: Stephanie Postich
  • Location Manager: Ryan Schaetzle
  • Associate Producer: Heath M. Howard
  • Additional Grip: Doug Cowden
  • Production Accountant: M. Ross-Michaels
  • Post Production Supervisor: Jason Miller
  • Dolly Grip: Adam Kogelman
  • Scoring Mixer: Tyson Lozensky
  • Music Supervisor: Nora Felder
  • Stunts: Jessica Merideth
  • Director of Photography: Caleb Heymann
  • Digital Imaging Technician: Joseph B. Dare
  • Stunts: Julia Maggio
  • Key Rigging Grip: Tommy Donald
  • Key Hair Stylist: Lindsay McAllister
  • Other: John Tarro
  • Script Supervisor: Melissa Yount
  • First Assistant Editor: Greg Thompson
  • Sound Effects Editor: Paul B. Knox
  • “B” Camera Operator: Brandon Thompson
  • Other: Wesley Garrison
  • Ager/Dyer: Anne Lee
  • Costume Assistant: June Neely
  • Dolly Grip: Robert McFall
  • Rigging Grip: Thomas Browne
  • Techno Crane Operator: Robert A. Sutton
  • Other: Sam Okell
  • Video Assist Operator: Mark C. McManus
  • Visual Effects Assistant Editor: Mark V. Phillips
  • Makeup Artist: Katelyn Barton
  • Assistant Art Director: John Snow
  • Foley Editor: Jenna Dalla Riva
  • Dialogue Editor: Kristen Hirlinger
  • Extras Casting: Patrick Ingram
  • Foley Mixer: Jack Heeren
  • Storyboard Artist: Patrick Campbell
  • Makeup Effects Designer: Christopher Nelson
  • Set Designer: John Thigpen
  • Second Second Assistant Director: Katye Kalivoda
  • Best Boy Electric: Carson E. Mayne
  • Set Production Assistant: Stephanie Adams
  • Other: Diane LeDesma
  • Loader: Ben McLeod
  • Foley Editor: Davi Aquino
  • Other: Hunter Furnish
  • Costume Assistant: Michelle Maxwell
  • Techno Crane Operator: Craig Nix
  • Additional Second Assistant Director: Wendy Geary
  • “A” Camera Operator: Nick Müller
  • First Assistant “C” Camera: Eric Leftridge
  • Additional Grip: Nathan Rigaud
  • Costume Supervisor: Anna Bourne
  • Set Dresser: Robert Davis
  • Charge Scenic Artist: Randal Woodward
  • Additional Camera: Joseph C. D’Alessndro
  • Editor: Rachel Goodlett Katz
  • Stunt Coordinator: Alan D’Antoni
  • Set Decorating Coordinator: Tracy Breyfogle
  • Additional Grip: Nathan Ward
  • Stunts: Kelly Kennedy
  • Set Costumer: Rashante Lee-Seaborn
  • Stand In: Kathryn Lim
  • Other: Christopher B. Forster
  • Post Production Assistant: Ben Grimm-Wilson
  • Production Coordinator: Chip Clanton
  • Second Assistant Director: Megan Schmidt
  • Set Production Assistant: Catherine A. Cospelich
  • Story: Zak Olkewicz
  • Set Decoration Buyer: Mallorie Coleman
  • Other: Jessica Sanchez
  • Stunts: Casey Ann Zeller
  • Executive Producer: Kori Adelson
  • Set Dresser: Clarissa Mobley
  • Other: Kevin Terrell
  • Post Production Accountant: Natalie Truly
  • Assistant Production Coordinator: Justin A. Thuesen
  • Stunts: Miles Brew
  • Sound Effects Editor: Russell Topal
  • Special Effects Key Makeup Artist: Mark James Ross
  • Set Designer: Kevin Crooks
  • Set Production Assistant: Temple Tucker
  • Stunts: Alexis Lord
  • Stunts: Mitchell Warren
  • Visual Effects Production Manager: Josh Carlton
  • Second Assistant “B” Camera: Rodrigue Gomes
  • Set Production Assistant: Meaghan Gillenwater
  • Visual Effects Producer: Beth Howe
  • Music Coordinator: Rachel Thorpe
  • Boom Operator: Allan Cox
  • Transportation Co-Captain: Alex Brakefield
  • Publicist: Elizabeth Driscoll
  • ADR Mixer: Erich Talaba
  • Assistant Editor: Kaylee Karlik
  • Executive Producer: Yvonne M. Bernard
  • Graphic Designer: Thomas Andrew Lawson
  • Conceptual Illustrator: Mike Maher
  • Storyboard Artist: Chris Hunter
  • Art Department Coordinator: Addie C. Babcock
  • Art Department Assistant: Jordan C. Harris
  • Art Department Assistant: Ziyan Tan
  • Leadman: Jen Knight
  • Set Decoration Buyer: Allyson Petty
  • Assistant Property Master: Caitlin Wells
  • First Assistant “A” Camera: Matt Heath
  • Second Assistant “A” Camera: V. Claire Papevies
  • Utility Sound: Cary Simon
  • Generator Operator: Nicholas Jackson
  • Best Boy Grip: Gary A.W. Nepa
  • Other: Sid Sikes
  • Rigging Grip: James Kunkle
  • Rigging Grip: Nathan Lee
  • Rigging Grip: Corey Jones
  • On Set Dresser: William Craig Johnson
  • Set Dresser: Nikki Hillhouse
  • Set Dresser: Joel Martin
  • Set Dresser: Quinn Baldacci
  • Set Dresser: Nick Forman
  • Set Dresser: Samuel Hibbs-Kenny
  • Set Dresser: Kristofer Wilson
  • Set Dresser: Catherine ‘Laney’ Jeansonne
  • Key Costumer: Taylor Carroll
  • Set Costumer: Troy Nicely
  • First Assistant Accountant: Adrienne L. Graves
  • Second Assistant Accountant: Landon Trawny
  • Second Assistant Accountant: Daniel T. Burger
  • Second Assistant Accountant: Daniel Levine
  • Payroll Accountant: Beth Koshinski
  • Assistant Location Manager: Aaron Gutentag
  • Assistant Location Manager: Don Stewart
  • Location Coordinator: Isabella Jewell
  • Location Assistant: Michael Cave
  • Construction Foreman: Richard Phillips
  • Construction Foreman: James Curry
  • Special Effects Coordinator: Jeffrey D. Woodrel
  • Set Production Assistant: Kyle Allgood
  • Set Production Assistant: Timothy Hofius
  • Set Production Assistant: Richard A. Jacob
  • Set Production Assistant: Darrin Sanderson
  • Stand In: Nicole Baluja
  • Stand In: Victor Christian
  • Stand In: Taylor Green
  • Stand In: Hayley Haas
  • Stand In: Kendra Stout
  • Stand In: Chase Fralish
  • Stand In: Jamie Helton
  • Chef: Mario Z. Gonzalez
  • Chef: Pancho Gonzalez
  • Animal Coordinator: Cash Morgan
  • Animal Wrangler: Nathaniel Engel
  • Animal Wrangler: Michael Waters
  • Assistant Editor: Kelly McGillicuddy
  • ADR Mixer: Jordan King
  • Other: Andy Maxwell
  • Visual Effects Production Manager: Matthew Silver Schitkovitz
  • Visual Effects Coordinator: Alexa Furr
  • Thanks: Karen Janiak
  • Thanks: Nes Janiak
  • Thanks: Nes Janiak III
  • Stunts: Ella D’Antoni
  • Stunts: Abigail D’Antoni
  • Assistant Set Decoration: Dante DeStefano
  • Second Assistant “C” Camera: Zackhery Junquera
  • Other: Jeffrey Tidwell
  • Techno Crane Operator: Robert Pearson
  • Other: Michael S. Carter
  • Other: Zach Kilpatrick
  • Set Dresser: Nick Johnson
  • Set Dresser: Colleen Burley
  • Set Costumer: Cody Gielow
  • Set Costumer: Audrey Strahan
  • Set Costumer: Alicia Cox
  • Set Costumer: Jennifer Williams-Davis
  • Set Costumer: Judi Stewart
  • Set Costumer: Lillian Sitero
  • Other: Mariah McCormick
  • Production Secretary: Andrew Phelps
  • Assistant Location Manager: Kyle Carey
  • Assistant Location Manager: Ryan Christopher Taylor
  • Location Assistant: Jay Adkins
  • Set Production Assistant: Tyler Hartwig
  • Set Production Assistant: Greg Perlman
  • Set Production Assistant: Matt Hendren
  • Set Production Assistant: Eric J. Olivares
  • Set Production Assistant: Duane Kidd
  • Casting Assistant: Corey Pinchoff

Movie Reviews:

  • Kamurai: Really good watch, would watch again, and can recommend.

    If you are in a position to do so, then you could actually watch this movie before the “Fear Street Part One 1994”.

    I think a large part of this is that Sadie Sink is an amazing actress and while she doesn’t carry the movie, she outshines everyone else with whom she shares a screen.

    This isn’t even an origin story, but sort of meets all the pacing of one in a pretty excellent fashion. Introducing Ziggy and the curse of the Sarah Fear all in one horrific go.

    They do go a weirdly tasteful route where they previous showed high schoolers being killed, but do not show younger children being killed. I honestly didn’t expect it given the amount of blood and wounds are shown, but not really gore come to think of it, at least not in this one.

    Even as a stand alone movie, if you’re into camp movies and like slashers, this is well worth the watch.

%d bloggers like this: