Cursed

In Los Angeles, siblings Ellie and Jimmy come across an accident on Mulholland Drive. As they try to help the woman caught in the wreckage, a ferocious creature attacks them, devouring the woman and scratching the terrified siblings. They slowly discover that the creature was a werewolf and that they have fallen victim to a deadly curse.
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Credits: TheMovieDb.

Film Cast:

  • Ellie: Christina Ricci
  • Jimmy: Jesse Eisenberg
  • Bo: Milo Ventimiglia
  • Joanie: Judy Greer
  • Zela: Portia de Rossi
  • Jake: Joshua Jackson
  • Jenny: Mýa
  • Becky: Shannon Elizabeth
  • Brooke: Kristina Anapau
  • Jose: Daniel Edward Mora
  • Earl: Jonny Acker
  • Louie: Eric Ladin
  • Werewolf: Derek Mears
  • Officer: Nick Offerman
  • Newscaster: Ken Rudulph
  • Zipper: El Solar
  • Nosebleed Co-Worker: Michelle Krusiec
  • Scott Baio: Scott Baio
  • Wrestling Coach: Shashawnee Hall
  • Craig Kilborn: Craig Kilborn
  • Co-Worker: Emilie Odeile
  • Lance Bass: Lance Bass
  • First Bouncer: Egan Friedlander
  • Randy: Randolph LeRoi
  • Frantic Bouncer: Brian Boone
  • Police Officer #1: Gary Dubin
  • Police Officer #2: Chris Johnson
  • Police Officer #3: Wilmer Calderon
  • Animal Control Officer: Brett Rickaby
  • Paramedic: Doug Berry
  • Band Member: Erik Rodham Clinton
  • Penguin Guy #2: Brandon Cox
  • Grady (uncredited): Jason Cox
  • Werewolf (voice): Jason Dottley
  • Sarge: John Embry
  • VIP: Jason Aaron Goldberg
  • Bartender: Tanja Kindler
  • EMT: Bill Mehlem
  • Man Pushing Dracula’s Coffin: Gregory Nicotero
  • Nick: Jason Pierce
  • Nightclub Security: Hans Raith
  • Security Guard: Johnny Ray
  • Band Member: Jaret Reddick
  • Mummy DJ: Joseph D. Reitman
  • Kyle: Michael Rosenbaum
  • Police Officer: Brian Rueter
  • Band Member: Christopher Van Malmsteen
  • Band Member: Gary Wiseass
  • Photo Double for Christina Ricci: Rachel Zeskind

Film Crew:

  • Casting: Lisa Beach
  • Casting: Sarah Katzman
  • Music Editor: Bill Abbott
  • Executive Producer: Bob Weinstein
  • Executive Producer: Harvey Weinstein
  • Creature Design: Patrick Tatopoulos
  • Original Music Composer: Marco Beltrami
  • Director: Wes Craven
  • Graphic Designer: Christa Munro
  • Set Decoration: Douglas A. Mowat
  • Production Design: Bruce Alan Miller
  • ADR Mixer: Doc Kane
  • Stunt Double: Hank Amos
  • Stunt Coordinator: Charles Croughwell
  • Second Unit Director of Photography: Paul Hughen
  • Special Effects Technician: Bart Barber
  • ADR Editor: Victoria Rose Sampson
  • Color Timer: Jim Passon
  • Co-Executive Producer: David Crockett
  • Second Unit Director of Photography: Tom Priestley Jr.
  • Special Effects Makeup Artist: Rick Baker
  • Assistant Makeup Artist: Nacoma Whobrey
  • Makeup Artist: Judy Lovell
  • Co-Executive Producer: Stuart M. Besser
  • Co-Producer: Dixie J. Capp
  • Producer: Kevin Williamson
  • Producer: Marianne Maddalena
  • Associate Producer: Nicholas Mastandrea
  • Editor: Patrick Lussier
  • Art Direction: Andrew Max Cahn
  • Assistant Chief Lighting Technician: Steve Reinhardt
  • Special Effects Makeup Artist: Dawn Dininger
  • Assistant Editor: Tom Elkins
  • Costume Design: Alix Friedberg
  • Assistant Editor: Nathan Easterling
  • Director of Photography: Robert McLachlan
  • Camera Operator: Georgia Packard
  • Creative Consultant: Lou Arkoff
  • Executive Producer: Andrew Rona
  • Executive Producer: Brad Weston
  • Casting: Mark Bennett
  • Art Direction: Jeff Knipp
  • Additional Editing: Gregg Featherman
  • Second Unit Director: Rick Avery
  • Supervising ADR Editor: G.W. Brown
  • Dialogue Editor: John Kwiatkowski
  • Supervising Sound Editor: Todd Toon
  • Foley Artist: Charles W. Ritter
  • Production Design: Chris Cornwell
  • Sound Re-Recording Mixer: David E. Fluhr
  • Steadicam Operator: David Chameides
  • Construction Coordinator: David Elliott
  • Stand In: Annalee Autumn
  • Video Assist Operator: Chris Shadley
  • Key Grip: Vince Palomino
  • Camera Intern: Kartik Vijay
  • VFX Artist: Pierre Bonnette
  • Set Decoration: Dena Roth
  • Additional Casting: Ron Digman
  • Editorial Production Assistant: Elliot Greenberg
  • Casting Associate: Jason Kennedy
  • Camera Operator: David Gasperik
  • Digital Compositor: Ryan Grobins
  • Propmaker: Robert Van Dyke
  • Steadicam Operator: Jacques Jouffret
  • Transportation Coordinator: Ted Moser
  • Set Designer: Tristan Paris Bourne
  • Gaffer: Jeff Murrell
  • Casting: Greg Orson
  • Co-Producer: Julie Plec
  • Production Executive: Sarah Kucserka
  • Assistant Property Master: Kim Richey
  • First Assistant Camera: Peter Kuttner
  • Prosthetic Makeup Artist: Douglas Noe
  • Makeup Department Head: Luisa Abel
  • Foley Artist: Dan O’Connell
  • Animation: Randy Link
  • Script Supervisor: Trisha Burton
  • Visual Effects Supervisor: Jamison Scott Goei
  • Scoring Mixer: John Kurlander
  • Sound Re-Recording Mixer: Christian P. Minkler
  • Foley Artist: John T. Cucci
  • Special Effects Makeup Artist: Louis Kiss
  • Sound Recordist: Gabriel Guy
  • Sculptor: Steve Koch
  • Digital Effects Producer: Ian Noe
  • Camera Operator: Casey Hotchkiss
  • Post Production Supervisor: Tina Anderson
  • Hair Department Head: Lori McCoy-Bell
  • Systems Administrators & Support: Artin Matousian
  • Visual Effects Producer: Tamara Watts Kent
  • Digital Effects Producer: Glenn Morris
  • Digital Effects Supervisor: Payam Shohadai
  • Visual Effects Designer: Kevin Tod Haug
  • Key Hair Stylist: Merribelle Anderson
  • Transportation Coordinator: Dan Marrow
  • Hair Department Head: Judy Crown
  • Key Makeup Artist: Anita Brabec
  • Key Makeup Artist: Deborah Merle
  • Special Effects Makeup Artist: Diana Choi
  • Art Department Coordinator: Holiday Landa
  • Art Department Coordinator: Emily A. Wilson
  • Property Master: J.P. Jones
  • Greensman: Christopher Morente
  • Leadman: Richard Brunton
  • Set Designer: Gene Darnell
  • Set Designer: Mark Poll
  • Sound Effects Editor: Michael Edward Johnson
  • Sound Effects Editor: Adam Kopald
  • Sound Effects Editor: Donald J. Malouf
  • Special Effects Coordinator: Mark R. Byers
  • Visual Effects Editor: Scott Anderson
  • Animation Supervisor: Jeremy Cantor
  • Visual Effects Editor: Roxanne Dorman
  • Visual Effects Producer: Karin Eunson-Ross
  • Visual Effects Producer: Chloe Grysole
  • Visual Effects Producer: Benoit Martel
  • Visual Effects Producer: Leslie McMinn
  • Visual Effects Supervisor: Jay Randall
  • CG Supervisor: David Alexander Smith
  • CG Supervisor: Bruce Jurgens
  • 2D Supervisor: Bill Kent
  • CGI Supervisor: Conrad Dueck
  • Camera Operator: Daniel C. Gold
  • Camera Operator: Steve Howell
  • Rigging Gaffer: Frank Dorowsky
  • Still Photographer: Eric Lee
  • Gaffer: Jon R. Tower
  • Gaffer: Russell Griffith
  • Set Costumer: Lisa A. Doyle
  • Costume Supervisor: Deborah Hall
  • Costume Supervisor: Kelly Mijailovic
  • Music Editor: Denise Okimoto
  • Unit Publicist: Brigid Walsh
  • Location Manager: Rob Gibson
  • Location Manager: Jeffrey Garrett
  • Location Manager: Diane Friedman
  • Unit Publicist: Will Casey
  • Production Accountant: Scott Cohn
  • Assistant Camera: Reid Russell
  • Special Effects Supervisor: Ron Bolanowski
  • Set Dresser: Samuel J. Tell
  • Assistant Camera: Matthew Moriarty
  • Costumer: Hayley Stuppel
  • Assistant Camera: Darin Moran
  • Digital Compositor: Etienne Daigle
  • Animation: Alice V. Kaiserian
  • Storyboard Artist: Timothy Burgard
  • Set Painter: Guy Hietala
  • Textile Artist: Tyra Youland
  • Co-Producer: Daniel K. Arredondo
  • Co-Producer: Jennifer D. Breslow
  • Lighting Technician: Giovanni Zelko
  • Post Production Assistant: Brian Young
  • Production Supervisor: Mads Hansen
  • Music Supervisor: Ed Gerrard
  • Sound Mixer: Jim Stuebe
  • Armorer: Steve Karnes
  • Assistant Editor: Alexandra Leviloff
  • Camera Technician: Mark Gutterud
  • Orchestrator: William Boston
  • Gaffer: Jeff Gatesman
  • Electrician: Brian Bartolini
  • Editor: Lisa Mozden
  • VFX Artist: Todd Mesher
  • 3D Supervisor: Domi Piturro
  • Animation: Jared Barber
  • Music Coordinator: Joe Rangel
  • Foley Mixer: James Ashwill
  • Rigging Grip: John S. Campbell
  • Digital Compositors: Christian Boudman
  • Visual Effects Technical Director: Irfan Celik
  • Lighting Technician: Luis Moreno
  • Set Medic: Elida Cerda
  • Boom Operator: Brian Robinson
  • Animation: Kameron Gates
  • Best Boy Grip: Michael Alexonis
  • VFX Lighting Artist: Alex Murtaza
  • Lighting Technician: Thomas M. Dangcil
  • Boom Operator: Kevin Hyde
  • Stunts: Matt Baker
  • Key Grip: Michael C. Price
  • Compositor: Natalie Baillie
  • First Assistant Sound Editor: Mark A. Tracy
  • Negative Cutter: Gary Burritt
  • First Assistant Camera: William Coss
  • Animation Supervisor: Spencer Cook
  • Visual Effects: Oscar G. Castillo
  • Set Dresser: Jefferson Murff
  • Sound Mixer: Mary Jo Devenney
  • Makeup Department Head: Julie L. Pearce
  • First Assistant Director: Maximillian D. Day
  • Utility Stunts: Richard Epper
  • Set Dresser: Billy Baker
  • Camera Loader: Lisa Bonaccorso
  • Art Department Assistant: Casandra Wasaff
  • First Assistant Camera: Michael S. Endler
  • Grip: Eric Budlong
  • Set Dresser: Paul ‘Eel’ Anderson
  • Driver: Alfred Arroyo
  • Set Production Assistant: Shilo Frontierro
  • Transportation Co-Captain: Jay E. Vigil
  • Lighting Technician: Mark Cueto
  • Production Coordinator: Lisa Davidson
  • Assistant Sound Editor: Ann L. Thornberg
  • Visual Effects Coordinator: Evangeline Monroy
  • Pyrotechnician: George Zamora
  • Rotoscoping Artist: Lea Lambert
  • Digital Color Timer: Paul McGhee
  • First Assistant Camera: David Morenz
  • Utility Sound: Devendra Cleary
  • Dolly Grip: William D. Wynn
  • Grip: Landon Ruddel
  • Animation: Keith W. Smith
  • Digital Compositor: Shane Davidson
  • Key Grip: Randy Tambling
  • Dolly Grip: Daniel Pershing
  • Foley Mixer: Richard Duarte
  • Grip: Gary Kelso
  • Creature Technical Director: Ki Jong Hong
  • Digital Compositor: Sean Konrad
  • Visual Effects Technical Director: Gustav Melich
  • VFX Artist: Kevin Gillen
  • Best Boy Grip: Brad Boyer
  • Second Assistant Director: Maria Mantia
  • First Assistant Camera: Joel Perkal
  • Digital Compositor: Woei Lee
  • Compositor: Dan Walker
  • Digital Compositor: Saeed Faridzadeh
  • Assistant Production Coordinator: Barry Barclay
  • Visual Effects Technical Director: Ethan Ormsby
  • Utility Sound: Jessy Bender
  • Visual Effects Coordinator: Mathieu Tremblay
  • Visual Effects Coordinator: Allen Tracy
  • Electrician: Ronald R. Koch Jr.
  • Second Assistant Camera: Richard Masino
  • Hairstylist: Johnny Ciccone
  • Payroll Accountant: Amy Smolev
  • Costumer: Patrick Guzzo
  • Second Assistant Accountant: Brandon Linville
  • Extras Casting: Jennifer Bender
  • Assistant Property Master: Skip Crank
  • Production Driver: Shaun Ryan
  • Compositor: Trey Roane
  • Second Second Assistant Director: Yumiko Takeya
  • Graphic Designer: Kim Lincoln
  • Assistant Editor: Craig Conwell
  • Colorist: Chris Lamie
  • Post Production Coordinator: Kathleen Latlip
  • Assistant Location Manager: Marta Tomkiw
  • First Assistant Accountant: Amy Hansen
  • Key Set Production Assistant: Monica Kenyon
  • Production Assistant: Olivier Agostini
  • Production Secretary: Amanda Crockett
  • VFX Artist: Thanapoom Siripopungul
  • Compositor: Melissa Best
  • Set Costumer: Lindsay McCracken
  • Set Dresser: Trixie Gardner
  • Set Dresser: Andre Sowards
  • Assistant Camera: Joel Perkel
  • Camera Loader: Jesse MacDonald
  • Grip: David Palmieri
  • Rigging Grip: Dale Cole
  • Rigging Grip: Geoffrey D. Knoller
  • Second Assistant Camera: Jennifer Tanksley
  • Digital Compositor: Raji Kodja
  • Digital Compositor: Tom Leckie
  • Visual Effects Compositor: Rob Sischy

Movie Reviews:

  • JPV852: Seems like an apt title for everything that happened behind the scenes. If not for Justice League (which cost $250M+), this might be the poster child of what happens when a studio messes around with a project. Honestly I really hope one day we get a documentary and even some footage of the various cuts and actors who were removed. As for the movie itself, it’s surprising that it at least was watchable though hardly good. **2.5/5**
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